| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.2151 |
| Prevalence of Second Most Common Vertical Interval |
0.2069 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9621 |
| Vertical Unisons |
0.01551 |
| Vertical Minor Seconds |
0.001561 |
| Vertical Thirds |
0.422 |
| Vertical Tritones |
0.007525 |
| Vertical Perfect Fourths |
0.05433 |
| Vertical Perfect Fifths |
0.1931 |
| Vertical Sixths |
0.1316 |
| Vertical Sevenths |
0.02158 |
| Vertical Octaves |
0.1367 |
| Perfect Vertical Intervals |
0.3997 |
| Vertical Dissonance Ratio |
0.04906 |
| Vertical Minor Third Prevalence |
0.3984 |
| Vertical Major Third Prevalence |
0.4326 |
| Chord Duration |
2.408 |
| Partial Chords |
0.5805 |
| Standard Triads |
0.3321 |
| Diminished and Augmented Triads |
0.007908 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.08735 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7634 |
| Average Number of Simultaneous Pitch Classes |
2.324 |
| Variability of Number of Simultaneous Pitch Classes |
0.5944 |
| Average Number of Simultaneous Pitches |
2.634 |
| Variability of Number of Simultaneous Pitches |
0.4872 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.497 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
5.508 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1906 |
| Stepwise Motion |
0.6097 |
| Melodic Thirds |
0.1602 |
| Melodic Perfect Fourths |
0.08135 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04026 |
| Melodic Sixths |
0.002465 |
| Melodic Sevenths |
0.0008217 |
| Melodic Octaves |
0.01397 |
| Melodic Large Intervals |
0.006574 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.5 |
| Melodic Embellishments |
0.03607 |
| Direction of Melodic Motion |
0.482 |
| Average Length of Melodic Arcs |
1.771 |
| Average Interval Spanned by Melodic Arcs |
4.949 |
| Melodic Pitch Variety |
5.139 |
| Mean Melodic Interval |
2.564 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4191 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4549 |
| Amount of Arpeggiation |
0.3065 |
| Repeated Notes |
0.08463 |
| Importance of Middle Register |
0.8402 |
| Importance of High Register |
0.01475 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.05 |
| Mean Pitch Class |
5.036 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.127 |
| Prevalence of Most Common Pitch Class |
0.2189 |
| Relative Prevalence of Top Pitches |
0.8452 |
| Relative Prevalence of Top Pitch Classes |
0.7753 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.449 |
| Pitch Class Variability |
3.805 |
| Pitch Class Variability After Folding |
2.851 |
| Pitch Skewness |
0.4438 |
| Pitch Class Skewness |
0.02844 |
| Pitch Class Skewness After Folding |
-0.05174 |
| Pitch Kurtosis |
5.34 |
| Pitch Class Kurtosis |
4.684 |
| Pitch Class Kurtosis After Folding |
8.083 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.1451 |
| Note Density per Quarter Note |
0.8177 |
| Note Density per Quarter Note per Voice |
0.2726 |
| Note Density per Quarter Note Variability |
0.2921 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004918 |
| Prevalence of Medium Rhythmic Values |
0.4115 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8934 |
| Prevalence of Very Long Rhythmic Values |
0.07869 |
| Prevalence of Dotted Notes |
0.0877 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
3.265 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4525 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6739 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.615 |
| Rhythmic Value Skewness |
-1.366 |
| Rhythmic Value Kurtosis |
7.424 |
| Mean Rhythmic Value Run Length |
1.658 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.267 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0006647 |
| Partial Rests Fraction |
0.3264 |
| Average Rest Fraction Across Voices |
0.1101 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.03 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.494 |
| Variability Across Voices of Combined Rests |
16.77 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6547 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1733 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.777 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.828 |
| Rhythmic Variability - Tempo Standardized |
0.05473 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1220.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6218 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
1.905 |
| Average Note Duration |
0.7773 |
| Variability of Note Durations |
0.3846 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3664 |
| Strength of Second Strongest Rhythmic Pulse |
0.2719 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.347 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6383 |
| Rhythmic Variability |
0.04058 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000005727 |
| Duration in Seconds |
355.2 |
| Note Density |
3.434 |
| Note Density Variability |
1.018 |
| Average Time Between Attacks |
0.5412 |
| Average Time Between Attacks for Each Voice |
0.8654 |
| Variability of Time Between Attacks |
0.267 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6538 |
| Relative Range Isolation of Loudest Voice |
0.6925 |
| Relative Range of Highest Line |
0.6538 |
| Relative Note Density of Highest Line |
0.1648 |
| Relative Note Durations of Lowest Line |
0.9981 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.7656 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
6.364 |
| Parallel Motion |
0.05702 |
| Average Number of Independent Voices |
2.671 |
| Similar Motion |
0.1658 |
| Contrary Motion |
0.2175 |
| Oblique Motion |
0.5597 |
| Parallel Fifths |
0.004224 |
| Parallel Octaves |
0.00528 |
| Variability of Number of Independent Voices |
0.4754 |
| Voice Equality - Number of Notes |
5.508 |
| Voice Equality - Note Duration |
3.994 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
12.5 |