| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2359 |
| Prevalence of Second Most Common Vertical Interval |
0.1805 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7651 |
| Vertical Unisons |
0.06519 |
| Vertical Minor Seconds |
0.001806 |
| Vertical Thirds |
0.3059 |
| Vertical Tritones |
0.01193 |
| Vertical Perfect Fourths |
0.07237 |
| Vertical Perfect Fifths |
0.1781 |
| Vertical Sixths |
0.1656 |
| Vertical Sevenths |
0.01542 |
| Vertical Octaves |
0.1707 |
| Perfect Vertical Intervals |
0.4864 |
| Vertical Dissonance Ratio |
0.04396 |
| Vertical Minor Third Prevalence |
0.2589 |
| Vertical Major Third Prevalence |
0.3563 |
| Chord Duration |
3.054 |
| Partial Chords |
0.6682 |
| Standard Triads |
0.2784 |
| Diminished and Augmented Triads |
0.01044 |
| Dominant Seventh Chords |
0.00232 |
| Seventh Chords |
0.009281 |
| Non-Standard Chords |
0.04408 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5894 |
| Average Number of Simultaneous Pitch Classes |
2.148 |
| Variability of Number of Simultaneous Pitch Classes |
0.6815 |
| Average Number of Simultaneous Pitches |
2.589 |
| Variability of Number of Simultaneous Pitches |
0.85 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
5.0 |
| Variation of Dynamics |
2.495 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
34.65 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2088 |
| Stepwise Motion |
0.6073 |
| Melodic Thirds |
0.1883 |
| Melodic Perfect Fourths |
0.09051 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04964 |
| Melodic Sixths |
0.00146 |
| Melodic Sevenths |
0.00146 |
| Melodic Octaves |
0.008759 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.304 |
| Melodic Embellishments |
0.01742 |
| Direction of Melodic Motion |
0.47 |
| Average Length of Melodic Arcs |
1.932 |
| Average Interval Spanned by Melodic Arcs |
5.232 |
| Melodic Pitch Variety |
5.278 |
| Mean Melodic Interval |
2.585 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3985 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5238 |
| Amount of Arpeggiation |
0.3007 |
| Repeated Notes |
0.05255 |
| Importance of Middle Register |
0.8229 |
| Importance of High Register |
0.005806 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.25 |
| Mean Pitch Class |
5.43 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.119 |
| Prevalence of Most Common Pitch Class |
0.1887 |
| Relative Prevalence of Top Pitches |
0.8659 |
| Relative Prevalence of Top Pitch Classes |
0.9923 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.351 |
| Pitch Class Variability |
3.499 |
| Pitch Class Variability After Folding |
4.022 |
| Pitch Skewness |
0.4751 |
| Pitch Class Skewness |
0.3683 |
| Pitch Class Skewness After Folding |
0.9873 |
| Pitch Kurtosis |
5.201 |
| Pitch Class Kurtosis |
4.867 |
| Pitch Class Kurtosis After Folding |
5.036 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1713 |
| Note Density per Quarter Note |
0.6775 |
| Note Density per Quarter Note per Voice |
0.1694 |
| Note Density per Quarter Note Variability |
0.5136 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005806 |
| Prevalence of Medium Rhythmic Values |
0.3977 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8723 |
| Prevalence of Very Long Rhythmic Values |
0.2017 |
| Prevalence of Dotted Notes |
0.1524 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.951 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3483 |
| Relative Prevalence of Most Common Rhythmic Values |
0.775 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.749 |
| Rhythmic Value Skewness |
-0.05385 |
| Rhythmic Value Kurtosis |
7.746 |
| Mean Rhythmic Value Run Length |
1.664 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.494 |
| Mean Rhythmic Value Offset |
0.1335 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.523 |
| Complete Rests Fraction |
0.001091 |
| Partial Rests Fraction |
0.6129 |
| Average Rest Fraction Across Voices |
0.2845 |
| Longest Complete Rest |
1.109 |
| Longest Partial Rest |
195.1 |
| Mean Complete Rest Duration |
1.109 |
| Mean Partial Rest Duration |
23.62 |
| Median Complete Rest Duration |
1.109 |
| Median Partial Rest Duration |
3.613 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
56.35 |
| Variability Across Voices of Combined Rests |
67.24 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6437 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1886 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.413 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8324 |
| Rhythmic Variability - Tempo Standardized |
0.05424 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
689.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.66 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
8.571 |
| Average Note Duration |
0.8993 |
| Variability of Note Durations |
0.7849 |
| Amount of Staccato |
0.005806 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
285.0 |
| Strongest Rhythmic Pulse |
71.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.3189 |
| Strength of Second Strongest Rhythmic Pulse |
0.2718 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.173 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5907 |
| Rhythmic Variability |
0.0379 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.85 |
| Duration in Seconds |
216.5 |
| Note Density |
3.182 |
| Note Density Variability |
1.476 |
| Average Time Between Attacks |
0.5454 |
| Average Time Between Attacks for Each Voice |
1.267 |
| Variability of Time Between Attacks |
0.3914 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.3832 |
| Relative Note Durations of Lowest Line |
1.037 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.9985 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.05109 |
| Average Number of Independent Voices |
2.77 |
| Similar Motion |
0.1588 |
| Contrary Motion |
0.2044 |
| Oblique Motion |
0.5858 |
| Parallel Fifths |
0.005474 |
| Parallel Octaves |
0.01095 |
| Variability of Number of Independent Voices |
0.9537 |
| Voice Equality - Number of Notes |
25.63 |
| Voice Equality - Note Duration |
14.31 |
| Voice Equality - Dynamics |
2.887 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.893 |
| Importance of Loudest Voice |
3.333 |