File

Last modified on: April 13, 2020, 4:41 p.m.

F164_05_Pisano_Son_io_2_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Son io donna (2) qual mostri ogni tuo bene
File Type
Symbolic Music
File Format
midi
File Size
8.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2106
Prevalence of Second Most Common Vertical Interval 0.2
Prevalence Ratio of Two Most Common Vertical Intervals 0.95
Vertical Unisons 0.06296
Vertical Minor Seconds 0.001327
Vertical Thirds 0.3059
Vertical Tritones 0.01178
Vertical Perfect Fourths 0.09941
Vertical Perfect Fifths 0.2
Vertical Sixths 0.1312
Vertical Sevenths 0.01646
Vertical Octaves 0.1476
Perfect Vertical Intervals 0.51
Vertical Dissonance Ratio 0.05585
Vertical Minor Third Prevalence 0.386
Vertical Major Third Prevalence 0.4559
Chord Duration 2.294
Partial Chords 0.5005
Standard Triads 0.3714
Diminished and Augmented Triads 0.02759
Dominant Seventh Chords 0.0
Seventh Chords 0.01182
Non-Standard Chords 0.1163
Complex Chords 0.0
Minor Major Triad Ratio 0.4612
Average Number of Simultaneous Pitch Classes 2.419
Variability of Number of Simultaneous Pitch Classes 0.6466
Average Number of Simultaneous Pitches 2.869
Variability of Number of Simultaneous Pitches 0.7821
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.825
Variation of Dynamics In Each Voice 1.817
Average Note to Note Change in Dynamics 2.069
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1915
Stepwise Motion 0.6188
Melodic Thirds 0.08103
Melodic Perfect Fourths 0.06814
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04788
Melodic Sixths 0.005525
Melodic Sevenths 0.0
Melodic Octaves 0.01657
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.588
Melodic Embellishments 0.007313
Direction of Melodic Motion 0.4418
Average Length of Melodic Arcs 1.75
Average Interval Spanned by Melodic Arcs 4.638
Melodic Pitch Variety 4.638
Mean Melodic Interval 2.243
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4273
Relative Prevalence of Most Common Melodic Intervals 0.4483
Amount of Arpeggiation 0.3076
Repeated Notes 0.1621
Importance of Middle Register 0.7093
Importance of High Register 0.1956
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 65.79
Mean Pitch Class 4.598
Most Common Pitch 72.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.128
Prevalence of Most Common Pitch Class 0.2285
Relative Prevalence of Top Pitches 0.8571
Relative Prevalence of Top Pitch Classes 0.784
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.857
Pitch Class Variability 3.574
Pitch Class Variability After Folding 3.336
Pitch Skewness -0.2471
Pitch Class Skewness 0.5018
Pitch Class Skewness After Folding 0.9651
Pitch Kurtosis 5.716
Pitch Class Kurtosis 4.933
Pitch Class Kurtosis After Folding 7.096
Major or Minor 0.0
First Pitch 48.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.09506
Note Density per Quarter Note 0.9945
Note Density per Quarter Note per Voice 0.2486
Note Density per Quarter Note Variability 0.5512
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01828
Prevalence of Medium Rhythmic Values 0.6325
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8885
Prevalence of Very Long Rhythmic Values 0.08592
Prevalence of Dotted Notes 0.08775
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.921
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.521
Relative Prevalence of Most Common Rhythmic Values 0.4421
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.964
Rhythmic Value Skewness 1.408
Rhythmic Value Kurtosis 12.33
Mean Rhythmic Value Run Length 2.104
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.124
Mean Rhythmic Value Offset 0.1463
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.273
Complete Rests Fraction 0.01091
Partial Rests Fraction 0.6327
Average Rest Fraction Across Voices 0.2373
Longest Complete Rest 4.0
Longest Partial Rest 68.0
Mean Complete Rest Duration 3.0
Mean Partial Rest Duration 14.11
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.414
Variability of Partial Rest Durations 18.38
Variability Across Voices of Combined Rests 83.27
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7521
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1238
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 6.075
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.876
Rhythmic Variability - Tempo Standardized 0.06061
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 547.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 1.168
Minimum Note Duration 0.09375
Maximum Note Duration 5.25
Average Note Duration 0.5752
Variability of Note Durations 0.5348
Amount of Staccato 0.01828
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2313
Strength of Second Strongest Rhythmic Pulse 0.2308
Strength Ratio of Two Strongest Rhythmic Pulses 1.002
Combined Strength of Two Strongest Rhythmic Pulses 0.4621
Rhythmic Variability 0.03476
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 103.1
Note Density 5.304
Note Density Variability 1.911
Average Time Between Attacks 0.3926
Average Time Between Attacks for Each Voice 0.7261
Variability of Time Between Attacks 0.3
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.3871
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.4839
Relative Note Density of Highest Line 0.5265
Relative Note Durations of Lowest Line 1.155
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.7952
Voice Separation 6.0
Variability of Voice Separation 5.0
Parallel Motion 0.06127
Average Number of Independent Voices 3.085
Similar Motion 0.2108
Contrary Motion 0.1716
Oblique Motion 0.5564
Parallel Fifths 0.01961
Parallel Octaves 0.002451
Variability of Number of Independent Voices 0.8425
Voice Equality - Number of Notes 22.65
Voice Equality - Note Duration 15.61
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.9574
Voice Equality - Range 2.16
Importance of Loudest Voice 0.3333