| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.225 |
| Prevalence of Second Most Common Vertical Interval |
0.1758 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7811 |
| Vertical Unisons |
0.04263 |
| Vertical Minor Seconds |
0.003509 |
| Vertical Thirds |
0.2933 |
| Vertical Tritones |
0.01532 |
| Vertical Perfect Fourths |
0.0736 |
| Vertical Perfect Fifths |
0.1758 |
| Vertical Sixths |
0.1713 |
| Vertical Sevenths |
0.02629 |
| Vertical Octaves |
0.1824 |
| Perfect Vertical Intervals |
0.4744 |
| Vertical Dissonance Ratio |
0.06497 |
| Vertical Minor Third Prevalence |
0.304 |
| Vertical Major Third Prevalence |
0.3058 |
| Chord Duration |
2.582 |
| Partial Chords |
0.6111 |
| Standard Triads |
0.2854 |
| Diminished and Augmented Triads |
0.02957 |
| Dominant Seventh Chords |
0.003584 |
| Seventh Chords |
0.01165 |
| Non-Standard Chords |
0.09185 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7597 |
| Average Number of Simultaneous Pitch Classes |
2.147 |
| Variability of Number of Simultaneous Pitch Classes |
0.7462 |
| Average Number of Simultaneous Pitches |
2.587 |
| Variability of Number of Simultaneous Pitches |
1.002 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.242 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
140.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2169 |
| Stepwise Motion |
0.6667 |
| Melodic Thirds |
0.1752 |
| Melodic Perfect Fourths |
0.06155 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03693 |
| Melodic Sixths |
0.002841 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00947 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.312 |
| Melodic Embellishments |
0.01887 |
| Direction of Melodic Motion |
0.497 |
| Average Length of Melodic Arcs |
1.826 |
| Average Interval Spanned by Melodic Arcs |
4.606 |
| Melodic Pitch Variety |
5.079 |
| Mean Melodic Interval |
2.421 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4498 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4821 |
| Amount of Arpeggiation |
0.2689 |
| Repeated Notes |
0.04735 |
| Importance of Middle Register |
0.7302 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.92 |
| Mean Pitch Class |
5.235 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1066 |
| Prevalence of Most Common Pitch Class |
0.1925 |
| Relative Prevalence of Top Pitches |
0.885 |
| Relative Prevalence of Top Pitch Classes |
0.9118 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.262 |
| Pitch Class Variability |
3.665 |
| Pitch Class Variability After Folding |
3.075 |
| Pitch Skewness |
-0.1836 |
| Pitch Class Skewness |
0.1923 |
| Pitch Class Skewness After Folding |
1.096 |
| Pitch Kurtosis |
5.359 |
| Pitch Class Kurtosis |
4.789 |
| Pitch Class Kurtosis After Folding |
7.404 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
60.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2698 |
| Note Density per Quarter Note |
0.7676 |
| Note Density per Quarter Note per Voice |
0.1919 |
| Note Density per Quarter Note Variability |
0.4225 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003774 |
| Prevalence of Medium Rhythmic Values |
0.4896 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8972 |
| Prevalence of Very Long Rhythmic Values |
0.1302 |
| Prevalence of Dotted Notes |
0.1245 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.447 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3868 |
| Relative Prevalence of Most Common Rhythmic Values |
0.839 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.353 |
| Rhythmic Value Skewness |
0.5702 |
| Rhythmic Value Kurtosis |
10.08 |
| Mean Rhythmic Value Run Length |
1.527 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.056 |
| Mean Rhythmic Value Offset |
0.07547 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8831 |
| Complete Rests Fraction |
0.0006447 |
| Partial Rests Fraction |
0.6819 |
| Average Rest Fraction Across Voices |
0.3255 |
| Longest Complete Rest |
0.8904 |
| Longest Partial Rest |
352.8 |
| Mean Complete Rest Duration |
0.8904 |
| Mean Partial Rest Duration |
31.0 |
| Median Complete Rest Duration |
0.8904 |
| Median Partial Rest Duration |
3.591 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
81.03 |
| Variability Across Voices of Combined Rests |
370.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6912 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1631 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.238 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8543 |
| Rhythmic Variability - Tempo Standardized |
0.05691 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1060.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.79 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.7529 |
| Variability of Note Durations |
0.5937 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
283.3 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.3097 |
| Strength of Second Strongest Rhythmic Pulse |
0.2815 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.1 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5912 |
| Rhythmic Variability |
0.03853 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.97 |
| Duration in Seconds |
295.8 |
| Note Density |
3.584 |
| Note Density Variability |
1.551 |
| Average Time Between Attacks |
0.4779 |
| Average Time Between Attacks for Each Voice |
1.114 |
| Variability of Time Between Attacks |
0.2935 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5219 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.2453 |
| Relative Note Durations of Lowest Line |
0.9778 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7698 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.04104 |
| Average Number of Independent Voices |
2.706 |
| Similar Motion |
0.1393 |
| Contrary Motion |
0.2095 |
| Oblique Motion |
0.6102 |
| Parallel Fifths |
0.00324 |
| Parallel Octaves |
0.00108 |
| Variability of Number of Independent Voices |
0.976 |
| Voice Equality - Number of Notes |
144.7 |
| Voice Equality - Note Duration |
79.42 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.887 |
| Importance of Loudest Voice |
15.0 |