| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2037 |
| Prevalence of Second Most Common Vertical Interval |
0.184 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9034 |
| Vertical Unisons |
0.04397 |
| Vertical Minor Seconds |
0.00489 |
| Vertical Thirds |
0.3216 |
| Vertical Tritones |
0.003384 |
| Vertical Perfect Fourths |
0.1024 |
| Vertical Perfect Fifths |
0.184 |
| Vertical Sixths |
0.1423 |
| Vertical Sevenths |
0.02054 |
| Vertical Octaves |
0.1597 |
| Perfect Vertical Intervals |
0.4901 |
| Vertical Dissonance Ratio |
0.04816 |
| Vertical Minor Third Prevalence |
0.427 |
| Vertical Major Third Prevalence |
0.4145 |
| Chord Duration |
2.091 |
| Partial Chords |
0.4939 |
| Standard Triads |
0.4074 |
| Diminished and Augmented Triads |
0.00485 |
| Dominant Seventh Chords |
0.001617 |
| Seventh Chords |
0.01051 |
| Non-Standard Chords |
0.08812 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9385 |
| Average Number of Simultaneous Pitch Classes |
2.41 |
| Variability of Number of Simultaneous Pitch Classes |
0.6998 |
| Average Number of Simultaneous Pitches |
2.928 |
| Variability of Number of Simultaneous Pitches |
0.9316 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.799 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
66.74 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.18 |
| Stepwise Motion |
0.6199 |
| Melodic Thirds |
0.2073 |
| Melodic Perfect Fourths |
0.05832 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05328 |
| Melodic Sixths |
0.0036 |
| Melodic Sevenths |
0.00504 |
| Melodic Octaves |
0.0108 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.526 |
| Melodic Embellishments |
0.02656 |
| Direction of Melodic Motion |
0.4846 |
| Average Length of Melodic Arcs |
1.821 |
| Average Interval Spanned by Melodic Arcs |
4.993 |
| Melodic Pitch Variety |
5.485 |
| Mean Melodic Interval |
2.638 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4399 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4092 |
| Amount of Arpeggiation |
0.3182 |
| Repeated Notes |
0.04176 |
| Importance of Middle Register |
0.6978 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.69 |
| Mean Pitch Class |
5.461 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1055 |
| Prevalence of Most Common Pitch Class |
0.1967 |
| Relative Prevalence of Top Pitches |
0.8707 |
| Relative Prevalence of Top Pitch Classes |
0.8212 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.9 |
| Pitch Class Variability |
3.517 |
| Pitch Class Variability After Folding |
3.104 |
| Pitch Skewness |
0.4875 |
| Pitch Class Skewness |
0.3931 |
| Pitch Class Skewness After Folding |
0.351 |
| Pitch Kurtosis |
5.232 |
| Pitch Class Kurtosis |
4.845 |
| Pitch Class Kurtosis After Folding |
7.243 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.3022 |
| Note Density per Quarter Note |
1.027 |
| Note Density per Quarter Note per Voice |
0.2566 |
| Note Density per Quarter Note Variability |
0.5728 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01436 |
| Prevalence of Medium Rhythmic Values |
0.5678 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8392 |
| Prevalence of Very Long Rhythmic Values |
0.07681 |
| Prevalence of Dotted Notes |
0.1127 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.94 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.407 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7072 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.924 |
| Rhythmic Value Skewness |
1.466 |
| Rhythmic Value Kurtosis |
12.75 |
| Mean Rhythmic Value Run Length |
1.572 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.052 |
| Mean Rhythmic Value Offset |
0.06317 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6919 |
| Complete Rests Fraction |
0.0007673 |
| Partial Rests Fraction |
0.5017 |
| Average Rest Fraction Across Voices |
0.215 |
| Longest Complete Rest |
1.041 |
| Longest Partial Rest |
223.9 |
| Mean Complete Rest Duration |
1.041 |
| Mean Partial Rest Duration |
16.21 |
| Median Complete Rest Duration |
1.041 |
| Median Partial Rest Duration |
2.1 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
37.42 |
| Variability Across Voices of Combined Rests |
132.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6204 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1912 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.245 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8116 |
| Rhythmic Variability - Tempo Standardized |
0.05282 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1393.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.191 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.6936 |
| Variability of Note Durations |
0.5291 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
266.9 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2924 |
| Strength of Second Strongest Rhythmic Pulse |
0.2774 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.054 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5698 |
| Rhythmic Variability |
0.03831 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
25.9 |
| Duration in Seconds |
307.7 |
| Note Density |
4.527 |
| Note Density Variability |
1.722 |
| Average Time Between Attacks |
0.4341 |
| Average Time Between Attacks for Each Voice |
0.8986 |
| Variability of Time Between Attacks |
0.2743 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6552 |
| Relative Range Isolation of Loudest Voice |
0.5139 |
| Relative Range of Highest Line |
0.6552 |
| Relative Note Density of Highest Line |
0.1866 |
| Relative Note Durations of Lowest Line |
1.006 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8313 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.155 |
| Parallel Motion |
0.05294 |
| Average Number of Independent Voices |
3.086 |
| Similar Motion |
0.1544 |
| Contrary Motion |
0.2015 |
| Oblique Motion |
0.5912 |
| Parallel Fifths |
0.004412 |
| Parallel Octaves |
0.003676 |
| Variability of Number of Independent Voices |
0.9447 |
| Voice Equality - Number of Notes |
66.74 |
| Voice Equality - Note Duration |
30.03 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
11.67 |