File

Last modified on: April 14, 2020, 12:15 a.m.

Ock1009a-Missa_Ma_maistresse-Kyrie.mid


Source
RenComp7
Musical Work
Missa Ma maistresse
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
6.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.1864
Prevalence of Second Most Common Vertical Interval 0.1756
Prevalence Ratio of Two Most Common Vertical Intervals 0.9419
Vertical Unisons 0.02457
Vertical Minor Seconds 0.0004638
Vertical Thirds 0.3377
Vertical Tritones 0.0192
Vertical Perfect Fourths 0.08992
Vertical Perfect Fifths 0.1637
Vertical Sixths 0.1698
Vertical Sevenths 0.01915
Vertical Octaves 0.1619
Perfect Vertical Intervals 0.44
Vertical Dissonance Ratio 0.05533
Vertical Minor Third Prevalence 0.465
Vertical Major Third Prevalence 0.4953
Chord Duration 1.864
Partial Chords 0.3675
Standard Triads 0.4818
Diminished and Augmented Triads 0.05911
Dominant Seventh Chords 0.0
Seventh Chords 0.0197
Non-Standard Chords 0.131
Complex Chords 0.0
Minor Major Triad Ratio 0.7464
Average Number of Simultaneous Pitch Classes 2.601
Variability of Number of Simultaneous Pitch Classes 0.6179
Average Number of Simultaneous Pitches 3.201
Variability of Number of Simultaneous Pitches 0.8288
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 20.0
Variation of Dynamics 8.779
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 126.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1955
Stepwise Motion 0.643
Melodic Thirds 0.1987
Melodic Perfect Fourths 0.06139
Melodic Tritones 0.0
Melodic Perfect Fifths 0.042
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.004847
Melodic Large Intervals 0.001616
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.86
Melodic Embellishments 0.01926
Direction of Melodic Motion 0.4686
Average Length of Melodic Arcs 1.717
Average Interval Spanned by Melodic Arcs 4.356
Melodic Pitch Variety 4.782
Mean Melodic Interval 2.441
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4475
Relative Prevalence of Most Common Melodic Intervals 0.4368
Amount of Arpeggiation 0.2956
Repeated Notes 0.04847
Importance of Middle Register 0.7416
Importance of High Register 0.009631
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 58.57
Mean Pitch Class 5.055
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1124
Prevalence of Most Common Pitch Class 0.1894
Relative Prevalence of Top Pitches 0.7571
Relative Prevalence of Top Pitch Classes 0.8305
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.308
Pitch Class Variability 3.473
Pitch Class Variability After Folding 4.051
Pitch Skewness -0.4158
Pitch Class Skewness 0.04714
Pitch Class Skewness After Folding 0.8155
Pitch Kurtosis 5.498
Pitch Class Kurtosis 4.743
Pitch Class Kurtosis After Folding 5.035
Major or Minor 0.0
First Pitch 65.0
First Pitch Class 5.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.2488
Note Density per Quarter Note 1.178
Note Density per Quarter Note per Voice 0.2944
Note Density per Quarter Note Variability 0.5296
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01766
Prevalence of Medium Rhythmic Values 0.634
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.87
Prevalence of Very Long Rhythmic Values 0.0626
Prevalence of Dotted Notes 0.1204
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.801
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.504
Relative Prevalence of Most Common Rhythmic Values 0.465
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.88
Rhythmic Value Skewness 1.278
Rhythmic Value Kurtosis 16.32
Mean Rhythmic Value Run Length 1.614
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.195
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.001875
Partial Rests Fraction 0.4839
Average Rest Fraction Across Voices 0.1753
Longest Complete Rest 0.9917
Longest Partial Rest 56.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 8.833
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 2.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 14.87
Variability Across Voices of Combined Rests 44.4
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6636
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1766
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.758
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8402
Rhythmic Variability - Tempo Standardized 0.05519
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 623.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 1.138
Minimum Note Duration 0.119
Maximum Note Duration 2.857
Average Note Duration 0.6669
Variability of Note Durations 0.4475
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 252.0
Strongest Rhythmic Pulse 42.0
Second Strongest Rhythmic Pulse 63.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2897
Strength of Second Strongest Rhythmic Pulse 0.2844
Strength Ratio of Two Strongest Rhythmic Pulses 1.019
Combined Strength of Two Strongest Rhythmic Pulses 0.5741
Rhythmic Variability 0.03888
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 2.762e-10
Duration in Seconds 126.0
Note Density 4.946
Note Density Variability 1.96
Average Time Between Attacks 0.4297
Average Time Between Attacks for Each Voice 0.7921
Variability of Time Between Attacks 0.2729
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4242
Relative Range Isolation of Loudest Voice 0.5504
Relative Range of Highest Line 0.4242
Relative Note Density of Highest Line 0.4366
Relative Note Durations of Lowest Line 1.038
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.817
Voice Separation 6.333
Variability of Voice Separation 0.5774
Parallel Motion 0.0798
Average Number of Independent Voices 3.305
Similar Motion 0.1808
Contrary Motion 0.1824
Oblique Motion 0.557
Parallel Fifths 0.004886
Parallel Octaves 0.003257
Variability of Number of Independent Voices 0.7976
Voice Equality - Number of Notes 24.62
Voice Equality - Note Duration 10.57
Voice Equality - Dynamics 10.31
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.363
Importance of Loudest Voice 15.0