File

Last modified on: April 14, 2020, 12:15 a.m.

Ock1002a-Missa_Au_travail_suis-Kyrie.mid


Source
RenComp7
Musical Work
Missa Au travail suis
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
3.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2196
Prevalence of Second Most Common Vertical Interval 0.1957
Prevalence Ratio of Two Most Common Vertical Intervals 0.8909
Vertical Unisons 0.04254
Vertical Minor Seconds 0.001579
Vertical Thirds 0.2998
Vertical Tritones 0.01161
Vertical Perfect Fourths 0.0871
Vertical Perfect Fifths 0.2196
Vertical Sixths 0.1472
Vertical Sevenths 0.02371
Vertical Octaves 0.1531
Perfect Vertical Intervals 0.5024
Vertical Dissonance Ratio 0.05318
Vertical Minor Third Prevalence 0.426
Vertical Major Third Prevalence 0.4309
Chord Duration 1.928
Partial Chords 0.4231
Standard Triads 0.4336
Diminished and Augmented Triads 0.02098
Dominant Seventh Chords 0.01049
Seventh Chords 0.04545
Non-Standard Chords 0.0979
Complex Chords 0.0
Minor Major Triad Ratio 1.067
Average Number of Simultaneous Pitch Classes 2.546
Variability of Number of Simultaneous Pitch Classes 0.7009
Average Number of Simultaneous Pitches 3.102
Variability of Number of Simultaneous Pitches 0.9066
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 9.164
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 55.47
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1712
Stepwise Motion 0.5916
Melodic Thirds 0.2252
Melodic Perfect Fourths 0.06006
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04204
Melodic Sixths 0.003003
Melodic Sevenths 0.003003
Melodic Octaves 0.01201
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.778
Melodic Embellishments 0.02959
Direction of Melodic Motion 0.4712
Average Length of Melodic Arcs 1.891
Average Interval Spanned by Melodic Arcs 5.085
Melodic Pitch Variety 5.545
Mean Melodic Interval 2.562
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4204
Relative Prevalence of Most Common Melodic Intervals 0.4071
Amount of Arpeggiation 0.3453
Repeated Notes 0.06306
Importance of Middle Register 0.6538
Importance of High Register 0.005917
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 57.24
Mean Pitch Class 5.204
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.09467
Prevalence of Most Common Pitch Class 0.2041
Relative Prevalence of Top Pitches 0.9062
Relative Prevalence of Top Pitch Classes 0.8551
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.431
Pitch Class Variability 3.46
Pitch Class Variability After Folding 3.328
Pitch Skewness -0.08719
Pitch Class Skewness 0.177
Pitch Class Skewness After Folding 0.5627
Pitch Kurtosis 5.177
Pitch Class Kurtosis 4.815
Pitch Class Kurtosis After Folding 6.614
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.3402
Note Density per Quarter Note 1.108
Note Density per Quarter Note per Voice 0.2771
Note Density per Quarter Note Variability 0.6427
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.005917
Prevalence of Medium Rhythmic Values 0.5473
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.855
Prevalence of Very Long Rhythmic Values 0.06509
Prevalence of Dotted Notes 0.09467
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.947
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4024
Relative Prevalence of Most Common Rhythmic Values 0.8015
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.766
Rhythmic Value Skewness 1.609
Rhythmic Value Kurtosis 12.22
Mean Rhythmic Value Run Length 1.572
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9968
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.003251
Partial Rests Fraction 0.4623
Average Rest Fraction Across Voices 0.1869
Longest Complete Rest 0.9917
Longest Partial Rest 48.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 8.443
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 12.23
Variability Across Voices of Combined Rests 31.2
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5686
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2327
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.444
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8012
Rhythmic Variability - Tempo Standardized 0.05045
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 338.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 0.9102
Minimum Note Duration 0.119
Maximum Note Duration 2.857
Average Note Duration 0.7016
Variability of Note Durations 0.4204
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 252.0
Strongest Rhythmic Pulse 63.0
Second Strongest Rhythmic Pulse 42.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2792
Strength of Second Strongest Rhythmic Pulse 0.2656
Strength Ratio of Two Strongest Rhythmic Pulses 1.051
Combined Strength of Two Strongest Rhythmic Pulses 0.5448
Rhythmic Variability 0.03748
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 6.122e-11
Duration in Seconds 72.62
Note Density 4.655
Note Density Variability 2.184
Average Time Between Attacks 0.4389
Average Time Between Attacks for Each Voice 0.8024
Variability of Time Between Attacks 0.2627
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5758
Relative Range Isolation of Loudest Voice 0.102
Relative Range of Highest Line 0.5758
Relative Note Density of Highest Line 0.7692
Relative Note Durations of Lowest Line 1.044
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.9704
Voice Separation 5.0
Variability of Voice Separation 4.0
Parallel Motion 0.06176
Average Number of Independent Voices 3.263
Similar Motion 0.1382
Contrary Motion 0.1853
Oblique Motion 0.6147
Parallel Fifths 0.008824
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.9086
Voice Equality - Number of Notes 13.77
Voice Equality - Note Duration 7.428
Voice Equality - Dynamics 10.31
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.5
Importance of Loudest Voice 15.0