| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1956 |
| Prevalence of Second Most Common Vertical Interval |
0.1844 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9429 |
| Vertical Unisons |
0.0234 |
| Vertical Minor Seconds |
0.00248 |
| Vertical Thirds |
0.3078 |
| Vertical Tritones |
0.01339 |
| Vertical Perfect Fourths |
0.08955 |
| Vertical Perfect Fifths |
0.1844 |
| Vertical Sixths |
0.1814 |
| Vertical Sevenths |
0.0163 |
| Vertical Octaves |
0.1722 |
| Perfect Vertical Intervals |
0.4696 |
| Vertical Dissonance Ratio |
0.04299 |
| Vertical Minor Third Prevalence |
0.4786 |
| Vertical Major Third Prevalence |
0.4224 |
| Chord Duration |
2.948 |
| Partial Chords |
0.4044 |
| Standard Triads |
0.4833 |
| Diminished and Augmented Triads |
0.03528 |
| Dominant Seventh Chords |
0.002138 |
| Seventh Chords |
0.009088 |
| Non-Standard Chords |
0.1032 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.249 |
| Average Number of Simultaneous Pitch Classes |
2.545 |
| Variability of Number of Simultaneous Pitch Classes |
0.627 |
| Average Number of Simultaneous Pitches |
3.166 |
| Variability of Number of Simultaneous Pitches |
0.8372 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.516 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
54.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2086 |
| Stepwise Motion |
0.6642 |
| Melodic Thirds |
0.1594 |
| Melodic Perfect Fourths |
0.05257 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03279 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0005653 |
| Melodic Octaves |
0.001696 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.938 |
| Melodic Embellishments |
0.01354 |
| Direction of Melodic Motion |
0.5068 |
| Average Length of Melodic Arcs |
1.834 |
| Average Interval Spanned by Melodic Arcs |
4.356 |
| Melodic Pitch Variety |
4.854 |
| Mean Melodic Interval |
2.171 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4556 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4578 |
| Amount of Arpeggiation |
0.2832 |
| Repeated Notes |
0.08875 |
| Importance of Middle Register |
0.7857 |
| Importance of High Register |
0.06881 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.78 |
| Mean Pitch Class |
5.126 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1043 |
| Prevalence of Most Common Pitch Class |
0.1901 |
| Relative Prevalence of Top Pitches |
0.8486 |
| Relative Prevalence of Top Pitch Classes |
0.8902 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.309 |
| Pitch Class Variability |
3.442 |
| Pitch Class Variability After Folding |
3.993 |
| Pitch Skewness |
0.09121 |
| Pitch Class Skewness |
0.1096 |
| Pitch Class Skewness After Folding |
1.494 |
| Pitch Kurtosis |
5.227 |
| Pitch Class Kurtosis |
4.72 |
| Pitch Class Kurtosis After Folding |
5.09 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1455 |
| Note Density per Quarter Note |
0.9005 |
| Note Density per Quarter Note per Voice |
0.2251 |
| Note Density per Quarter Note Variability |
0.4196 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003384 |
| Prevalence of Medium Rhythmic Values |
0.4168 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9447 |
| Prevalence of Very Long Rhythmic Values |
0.1331 |
| Prevalence of Dotted Notes |
0.07107 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.596 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4179 |
| Relative Prevalence of Most Common Rhythmic Values |
0.865 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.033 |
| Rhythmic Value Skewness |
-0.596 |
| Rhythmic Value Kurtosis |
8.583 |
| Mean Rhythmic Value Run Length |
1.728 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.281 |
| Mean Rhythmic Value Offset |
0.01579 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2509 |
| Complete Rests Fraction |
0.002266 |
| Partial Rests Fraction |
0.5381 |
| Average Rest Fraction Across Voices |
0.1891 |
| Longest Complete Rest |
3.839 |
| Longest Partial Rest |
176.6 |
| Mean Complete Rest Duration |
2.231 |
| Mean Partial Rest Duration |
17.12 |
| Median Complete Rest Duration |
3.839 |
| Median Partial Rest Duration |
3.839 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
2.274 |
| Variability of Partial Rest Durations |
31.17 |
| Variability Across Voices of Combined Rests |
191.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.798 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1036 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.704 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9015 |
| Rhythmic Variability - Tempo Standardized |
0.06376 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1773.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.544 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.7217 |
| Variability of Note Durations |
0.3963 |
| Amount of Staccato |
0.001128 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
306.7 |
| Strongest Rhythmic Pulse |
75.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3724 |
| Strength of Second Strongest Rhythmic Pulse |
0.2757 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.351 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.648 |
| Rhythmic Variability |
0.04152 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
52.9 |
| Duration in Seconds |
394.5 |
| Note Density |
4.494 |
| Note Density Variability |
1.297 |
| Average Time Between Attacks |
0.4717 |
| Average Time Between Attacks for Each Voice |
0.8874 |
| Variability of Time Between Attacks |
0.2177 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.3027 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.1602 |
| Relative Note Durations of Lowest Line |
1.029 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8607 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.06811 |
| Average Number of Independent Voices |
3.261 |
| Similar Motion |
0.1681 |
| Contrary Motion |
0.2276 |
| Oblique Motion |
0.5362 |
| Parallel Fifths |
0.005405 |
| Parallel Octaves |
0.001081 |
| Variability of Number of Independent Voices |
0.803 |
| Voice Equality - Number of Notes |
54.6 |
| Voice Equality - Note Duration |
38.36 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.5 |
| Importance of Loudest Voice |
11.67 |