File

Last modified on: April 14, 2020, 12:17 a.m.

Ock1006d-Missa_Ecce_ancilla_domini-Sanctus.mid


Source
RenComp7
Musical Work
Missa Ecce ancilla domini
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
10.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.225
Prevalence of Second Most Common Vertical Interval 0.1758
Prevalence Ratio of Two Most Common Vertical Intervals 0.7811
Vertical Unisons 0.04263
Vertical Minor Seconds 0.003509
Vertical Thirds 0.2933
Vertical Tritones 0.01532
Vertical Perfect Fourths 0.0736
Vertical Perfect Fifths 0.1758
Vertical Sixths 0.1713
Vertical Sevenths 0.02629
Vertical Octaves 0.1824
Perfect Vertical Intervals 0.4744
Vertical Dissonance Ratio 0.06497
Vertical Minor Third Prevalence 0.304
Vertical Major Third Prevalence 0.3058
Chord Duration 2.582
Partial Chords 0.6111
Standard Triads 0.2854
Diminished and Augmented Triads 0.02957
Dominant Seventh Chords 0.003584
Seventh Chords 0.01165
Non-Standard Chords 0.09185
Complex Chords 0.0
Minor Major Triad Ratio 0.7597
Average Number of Simultaneous Pitch Classes 2.147
Variability of Number of Simultaneous Pitch Classes 0.7462
Average Number of Simultaneous Pitches 2.587
Variability of Number of Simultaneous Pitches 1.002
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 9.242
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 140.4
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2169
Stepwise Motion 0.6667
Melodic Thirds 0.1752
Melodic Perfect Fourths 0.06155
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03693
Melodic Sixths 0.002841
Melodic Sevenths 0.0
Melodic Octaves 0.00947
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.312
Melodic Embellishments 0.01887
Direction of Melodic Motion 0.497
Average Length of Melodic Arcs 1.826
Average Interval Spanned by Melodic Arcs 4.606
Melodic Pitch Variety 5.079
Mean Melodic Interval 2.421
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4498
Relative Prevalence of Most Common Melodic Intervals 0.4821
Amount of Arpeggiation 0.2689
Repeated Notes 0.04735
Importance of Middle Register 0.7302
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 57.92
Mean Pitch Class 5.235
Most Common Pitch 60.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1066
Prevalence of Most Common Pitch Class 0.1925
Relative Prevalence of Top Pitches 0.885
Relative Prevalence of Top Pitch Classes 0.9118
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.262
Pitch Class Variability 3.665
Pitch Class Variability After Folding 3.075
Pitch Skewness -0.1836
Pitch Class Skewness 0.1923
Pitch Class Skewness After Folding 1.096
Pitch Kurtosis 5.359
Pitch Class Kurtosis 4.789
Pitch Class Kurtosis After Folding 7.404
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 60.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.2698
Note Density per Quarter Note 0.7676
Note Density per Quarter Note per Voice 0.1919
Note Density per Quarter Note Variability 0.4225
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.003774
Prevalence of Medium Rhythmic Values 0.4896
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8972
Prevalence of Very Long Rhythmic Values 0.1302
Prevalence of Dotted Notes 0.1245
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.447
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3868
Relative Prevalence of Most Common Rhythmic Values 0.839
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.353
Rhythmic Value Skewness 0.5702
Rhythmic Value Kurtosis 10.08
Mean Rhythmic Value Run Length 1.527
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.056
Mean Rhythmic Value Offset 0.07547
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.8831
Complete Rests Fraction 0.0006447
Partial Rests Fraction 0.6819
Average Rest Fraction Across Voices 0.3255
Longest Complete Rest 0.8904
Longest Partial Rest 352.8
Mean Complete Rest Duration 0.8904
Mean Partial Rest Duration 31.0
Median Complete Rest Duration 0.8904
Median Partial Rest Duration 3.591
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 81.03
Variability Across Voices of Combined Rests 370.8
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6912
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1631
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.238
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8543
Rhythmic Variability - Tempo Standardized 0.05691
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1060.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 2.79
Minimum Note Duration 0.119
Maximum Note Duration 5.714
Average Note Duration 0.7529
Variability of Note Durations 0.5937
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 283.3
Strongest Rhythmic Pulse 70.0
Second Strongest Rhythmic Pulse 47.0
Harmonicity of Two Strongest Rhythmic Pulses 1.489
Strength of Strongest Rhythmic Pulse 0.3097
Strength of Second Strongest Rhythmic Pulse 0.2815
Strength Ratio of Two Strongest Rhythmic Pulses 1.1
Combined Strength of Two Strongest Rhythmic Pulses 0.5912
Rhythmic Variability 0.03853
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.97
Duration in Seconds 295.8
Note Density 3.584
Note Density Variability 1.551
Average Time Between Attacks 0.4779
Average Time Between Attacks for Each Voice 1.114
Variability of Time Between Attacks 0.2935
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.5219
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.2453
Relative Note Durations of Lowest Line 0.9778
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.7698
Voice Separation 5.667
Variability of Voice Separation 4.041
Parallel Motion 0.04104
Average Number of Independent Voices 2.706
Similar Motion 0.1393
Contrary Motion 0.2095
Oblique Motion 0.6102
Parallel Fifths 0.00324
Parallel Octaves 0.00108
Variability of Number of Independent Voices 0.976
Voice Equality - Number of Notes 144.7
Voice Equality - Note Duration 79.42
Voice Equality - Dynamics 10.31
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.887
Importance of Loudest Voice 15.0