| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1926 |
| Prevalence of Second Most Common Vertical Interval |
0.1924 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9989 |
| Vertical Unisons |
0.03662 |
| Vertical Minor Seconds |
0.00246 |
| Vertical Thirds |
0.3137 |
| Vertical Tritones |
0.01814 |
| Vertical Perfect Fourths |
0.104 |
| Vertical Perfect Fifths |
0.1842 |
| Vertical Sixths |
0.1528 |
| Vertical Sevenths |
0.01794 |
| Vertical Octaves |
0.156 |
| Perfect Vertical Intervals |
0.4808 |
| Vertical Dissonance Ratio |
0.05561 |
| Vertical Minor Third Prevalence |
0.6156 |
| Vertical Major Third Prevalence |
0.422 |
| Chord Duration |
2.865 |
| Partial Chords |
0.3135 |
| Standard Triads |
0.5149 |
| Diminished and Augmented Triads |
0.0527 |
| Dominant Seventh Chords |
0.004054 |
| Seventh Chords |
0.01216 |
| Non-Standard Chords |
0.1595 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.093 |
| Average Number of Simultaneous Pitch Classes |
2.718 |
| Variability of Number of Simultaneous Pitch Classes |
0.5422 |
| Average Number of Simultaneous Pitches |
3.41 |
| Variability of Number of Simultaneous Pitches |
0.6068 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.411 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
137.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1558 |
| Stepwise Motion |
0.6071 |
| Melodic Thirds |
0.2 |
| Melodic Perfect Fourths |
0.07434 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03186 |
| Melodic Sixths |
0.00177 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01062 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.69 |
| Melodic Embellishments |
0.03684 |
| Direction of Melodic Motion |
0.4799 |
| Average Length of Melodic Arcs |
2.019 |
| Average Interval Spanned by Melodic Arcs |
5.301 |
| Melodic Pitch Variety |
5.275 |
| Mean Melodic Interval |
2.469 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4513 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3451 |
| Amount of Arpeggiation |
0.3168 |
| Repeated Notes |
0.07434 |
| Importance of Middle Register |
0.7614 |
| Importance of High Register |
0.003509 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.64 |
| Mean Pitch Class |
5.328 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1263 |
| Prevalence of Most Common Pitch Class |
0.1947 |
| Relative Prevalence of Top Pitches |
0.7361 |
| Relative Prevalence of Top Pitch Classes |
0.8288 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.432 |
| Pitch Class Variability |
3.406 |
| Pitch Class Variability After Folding |
3.125 |
| Pitch Skewness |
-0.3625 |
| Pitch Class Skewness |
0.289 |
| Pitch Class Skewness After Folding |
0.5069 |
| Pitch Kurtosis |
5.4 |
| Pitch Class Kurtosis |
4.91 |
| Pitch Class Kurtosis After Folding |
7.108 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2351 |
| Note Density per Quarter Note |
0.7651 |
| Note Density per Quarter Note per Voice |
0.1913 |
| Note Density per Quarter Note Variability |
0.3717 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3158 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9175 |
| Prevalence of Very Long Rhythmic Values |
0.2404 |
| Prevalence of Dotted Notes |
0.1772 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.409 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3912 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5964 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.925 |
| Rhythmic Value Skewness |
0.4192 |
| Rhythmic Value Kurtosis |
7.095 |
| Mean Rhythmic Value Run Length |
1.439 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9541 |
| Mean Rhythmic Value Offset |
0.2684 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.639 |
| Complete Rests Fraction |
0.001419 |
| Partial Rests Fraction |
0.3923 |
| Average Rest Fraction Across Voices |
0.1045 |
| Longest Complete Rest |
1.057 |
| Longest Partial Rest |
99.88 |
| Mean Complete Rest Duration |
1.057 |
| Mean Partial Rest Duration |
7.076 |
| Median Complete Rest Duration |
1.057 |
| Median Partial Rest Duration |
4.264 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.45 |
| Variability Across Voices of Combined Rests |
69.56 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.649 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1875 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.462 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8366 |
| Rhythmic Variability - Tempo Standardized |
0.0546 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
570.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.485 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
1.048 |
| Variability of Note Durations |
0.8797 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
271.3 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.511 |
| Strength of Strongest Rhythmic Pulse |
0.4027 |
| Strength of Second Strongest Rhythmic Pulse |
0.2678 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.504 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6705 |
| Rhythmic Variability |
0.04195 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.04 |
| Duration in Seconds |
166.4 |
| Note Density |
3.426 |
| Note Density Variability |
1.065 |
| Average Time Between Attacks |
0.5535 |
| Average Time Between Attacks for Each Voice |
1.398 |
| Variability of Time Between Attacks |
0.2911 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.09043 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.4561 |
| Relative Note Durations of Lowest Line |
1.966 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9333 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04815 |
| Average Number of Independent Voices |
3.57 |
| Similar Motion |
0.1059 |
| Contrary Motion |
0.114 |
| Oblique Motion |
0.7319 |
| Parallel Fifths |
0.004815 |
| Parallel Octaves |
0.001605 |
| Variability of Number of Independent Voices |
0.5418 |
| Voice Equality - Number of Notes |
55.98 |
| Voice Equality - Note Duration |
15.54 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.697 |
| Importance of Loudest Voice |
20.0 |