| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1964 |
| Prevalence of Second Most Common Vertical Interval |
0.1879 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9569 |
| Vertical Unisons |
0.027 |
| Vertical Minor Seconds |
0.001395 |
| Vertical Thirds |
0.2871 |
| Vertical Tritones |
0.01169 |
| Vertical Perfect Fourths |
0.1042 |
| Vertical Perfect Fifths |
0.1964 |
| Vertical Sixths |
0.1709 |
| Vertical Sevenths |
0.02578 |
| Vertical Octaves |
0.1609 |
| Perfect Vertical Intervals |
0.4886 |
| Vertical Dissonance Ratio |
0.05648 |
| Vertical Minor Third Prevalence |
0.3436 |
| Vertical Major Third Prevalence |
0.3133 |
| Chord Duration |
3.079 |
| Partial Chords |
0.5497 |
| Standard Triads |
0.3438 |
| Diminished and Augmented Triads |
0.03191 |
| Dominant Seventh Chords |
0.003146 |
| Seventh Chords |
0.01258 |
| Non-Standard Chords |
0.09393 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4353 |
| Average Number of Simultaneous Pitch Classes |
2.285 |
| Variability of Number of Simultaneous Pitch Classes |
0.6976 |
| Average Number of Simultaneous Pitches |
2.706 |
| Variability of Number of Simultaneous Pitches |
0.8634 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.784 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
227.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1827 |
| Stepwise Motion |
0.6295 |
| Melodic Thirds |
0.1821 |
| Melodic Perfect Fourths |
0.09515 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03466 |
| Melodic Sixths |
0.00189 |
| Melodic Sevenths |
0.0006301 |
| Melodic Octaves |
0.01008 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.47 |
| Melodic Embellishments |
0.02514 |
| Direction of Melodic Motion |
0.4742 |
| Average Length of Melodic Arcs |
1.921 |
| Average Interval Spanned by Melodic Arcs |
5.135 |
| Melodic Pitch Variety |
5.477 |
| Mean Melodic Interval |
2.558 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4468 |
| Relative Prevalence of Most Common Melodic Intervals |
0.409 |
| Amount of Arpeggiation |
0.2735 |
| Repeated Notes |
0.046 |
| Importance of Middle Register |
0.7957 |
| Importance of High Register |
0.007542 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.46 |
| Mean Pitch Class |
5.292 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.11 |
| Prevalence of Most Common Pitch Class |
0.225 |
| Relative Prevalence of Top Pitches |
0.9314 |
| Relative Prevalence of Top Pitch Classes |
0.7346 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.887 |
| Pitch Class Variability |
3.561 |
| Pitch Class Variability After Folding |
3.05 |
| Pitch Skewness |
-0.04408 |
| Pitch Class Skewness |
0.2457 |
| Pitch Class Skewness After Folding |
1.03 |
| Pitch Kurtosis |
5.426 |
| Pitch Class Kurtosis |
4.861 |
| Pitch Class Kurtosis After Folding |
7.638 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1967 |
| Note Density per Quarter Note |
0.6222 |
| Note Density per Quarter Note per Voice |
0.1556 |
| Note Density per Quarter Note Variability |
nan |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0044 |
| Prevalence of Medium Rhythmic Values |
0.4067 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8749 |
| Prevalence of Very Long Rhythmic Values |
0.259 |
| Prevalence of Dotted Notes |
0.149 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.178 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2872 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9803 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.921 |
| Rhythmic Value Skewness |
0.1827 |
| Rhythmic Value Kurtosis |
6.602 |
| Mean Rhythmic Value Run Length |
1.558 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.126 |
| Mean Rhythmic Value Offset |
0.2715 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.785 |
| Complete Rests Fraction |
0.005695 |
| Partial Rests Fraction |
0.7384 |
| Average Rest Fraction Across Voices |
0.3088 |
| Longest Complete Rest |
13.65 |
| Longest Partial Rest |
551.3 |
| Mean Complete Rest Duration |
7.282 |
| Mean Partial Rest Duration |
28.98 |
| Median Complete Rest Duration |
13.65 |
| Median Partial Rest Duration |
3.676 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
9.009 |
| Variability of Partial Rest Durations |
84.28 |
| Variability Across Voices of Combined Rests |
525.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5587 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2315 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.414 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7902 |
| Rhythmic Variability - Tempo Standardized |
0.04999 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1591.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.131 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
8.571 |
| Average Note Duration |
0.9299 |
| Variability of Note Durations |
0.8236 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
289.8 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3282 |
| Strength of Second Strongest Rhythmic Pulse |
0.2343 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.401 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5625 |
| Rhythmic Variability |
0.03657 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
28.98 |
| Duration in Seconds |
535.1 |
| Note Density |
2.973 |
| Note Density Variability |
1.099 |
| Average Time Between Attacks |
0.5504 |
| Average Time Between Attacks for Each Voice |
1.757 |
| Variability of Time Between Attacks |
0.3842 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6452 |
| Relative Range Isolation of Loudest Voice |
0.1599 |
| Relative Range of Highest Line |
0.6452 |
| Relative Note Density of Highest Line |
0.1634 |
| Relative Note Durations of Lowest Line |
0.9031 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8975 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.05332 |
| Average Number of Independent Voices |
2.783 |
| Similar Motion |
0.1422 |
| Contrary Motion |
0.1484 |
| Oblique Motion |
0.6561 |
| Parallel Fifths |
0.009274 |
| Parallel Octaves |
0.0007728 |
| Variability of Number of Independent Voices |
0.8748 |
| Voice Equality - Number of Notes |
227.8 |
| Voice Equality - Note Duration |
110.0 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.38 |
| Importance of Loudest Voice |
11.67 |