| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1727 |
| Prevalence of Second Most Common Vertical Interval |
0.1562 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9043 |
| Vertical Unisons |
0.01977 |
| Vertical Minor Seconds |
0.002426 |
| Vertical Thirds |
0.3095 |
| Vertical Tritones |
0.01703 |
| Vertical Perfect Fourths |
0.1489 |
| Vertical Perfect Fifths |
0.1509 |
| Vertical Sixths |
0.19 |
| Vertical Sevenths |
0.02031 |
| Vertical Octaves |
0.1364 |
| Perfect Vertical Intervals |
0.456 |
| Vertical Dissonance Ratio |
0.04656 |
| Vertical Minor Third Prevalence |
0.3052 |
| Vertical Major Third Prevalence |
0.4 |
| Chord Duration |
4.865 |
| Partial Chords |
0.5044 |
| Standard Triads |
0.4044 |
| Diminished and Augmented Triads |
0.02637 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.09121 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.667 |
| Average Number of Simultaneous Pitch Classes |
2.418 |
| Variability of Number of Simultaneous Pitch Classes |
0.5894 |
| Average Number of Simultaneous Pitches |
2.782 |
| Variability of Number of Simultaneous Pitches |
0.4911 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.367 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
99.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2222 |
| Stepwise Motion |
0.6389 |
| Melodic Thirds |
0.1591 |
| Melodic Perfect Fourths |
0.03788 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0303 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.005051 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.25 |
| Melodic Embellishments |
0.01504 |
| Direction of Melodic Motion |
0.4986 |
| Average Length of Melodic Arcs |
1.938 |
| Average Interval Spanned by Melodic Arcs |
4.573 |
| Melodic Pitch Variety |
4.494 |
| Mean Melodic Interval |
2.066 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4167 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5333 |
| Amount of Arpeggiation |
0.3232 |
| Repeated Notes |
0.1288 |
| Importance of Middle Register |
0.8346 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.14 |
| Mean Pitch Class |
5.173 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1353 |
| Prevalence of Most Common Pitch Class |
0.2256 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.7556 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
5.669 |
| Pitch Class Variability |
3.353 |
| Pitch Class Variability After Folding |
4.087 |
| Pitch Skewness |
-0.565 |
| Pitch Class Skewness |
0.1547 |
| Pitch Class Skewness After Folding |
1.109 |
| Pitch Kurtosis |
5.337 |
| Pitch Class Kurtosis |
4.989 |
| Pitch Class Kurtosis After Folding |
4.951 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.1654 |
| Note Density per Quarter Note |
0.4152 |
| Note Density per Quarter Note per Voice |
0.1384 |
| Note Density per Quarter Note Variability |
0.1936 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1028 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.99 |
| Prevalence of Very Long Rhythmic Values |
0.6216 |
| Prevalence of Dotted Notes |
0.1479 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
6.546 |
| Most Common Rhythmic Value |
8.0 |
| Prevalence of Most Common Rhythmic Value |
0.4737 |
| Relative Prevalence of Most Common Rhythmic Values |
0.582 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.807 |
| Rhythmic Value Skewness |
-1.553 |
| Rhythmic Value Kurtosis |
5.432 |
| Mean Rhythmic Value Run Length |
1.781 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.366 |
| Mean Rhythmic Value Offset |
0.2807 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.135 |
| Complete Rests Fraction |
0.001032 |
| Partial Rests Fraction |
0.1384 |
| Average Rest Fraction Across Voices |
0.05514 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.359 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.888 |
| Variability Across Voices of Combined Rests |
21.17 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.9322 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.05176 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
18.01 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9839 |
| Rhythmic Variability - Tempo Standardized |
0.07356 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
399.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8756 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
1.313 |
| Variability of Note Durations |
0.6728 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
156.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.659 |
| Strength of Second Strongest Rhythmic Pulse |
0.1686 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.908 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8277 |
| Rhythmic Variability |
0.05482 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000004072 |
| Duration in Seconds |
184.8 |
| Note Density |
2.159 |
| Note Density Variability |
0.6037 |
| Average Time Between Attacks |
0.8828 |
| Average Time Between Attacks for Each Voice |
1.398 |
| Variability of Time Between Attacks |
0.5295 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4615 |
| Relative Range Isolation of Loudest Voice |
0.3798 |
| Relative Range of Highest Line |
0.4615 |
| Relative Note Density of Highest Line |
0.4962 |
| Relative Note Durations of Lowest Line |
1.087 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8747 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.121 |
| Average Number of Independent Voices |
2.837 |
| Similar Motion |
0.147 |
| Contrary Motion |
0.1902 |
| Oblique Motion |
0.5418 |
| Parallel Fifths |
0.01153 |
| Parallel Octaves |
0.002882 |
| Variability of Number of Independent Voices |
0.4314 |
| Voice Equality - Number of Notes |
15.39 |
| Voice Equality - Note Duration |
4.07 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
4.726 |
| Importance of Loudest Voice |
20.0 |