| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1947 |
| Prevalence of Second Most Common Vertical Interval |
0.1791 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9199 |
| Vertical Unisons |
0.0311 |
| Vertical Minor Seconds |
0.002845 |
| Vertical Thirds |
0.3227 |
| Vertical Tritones |
0.01587 |
| Vertical Perfect Fourths |
0.09907 |
| Vertical Perfect Fifths |
0.1947 |
| Vertical Sixths |
0.1509 |
| Vertical Sevenths |
0.01967 |
| Vertical Octaves |
0.148 |
| Perfect Vertical Intervals |
0.4729 |
| Vertical Dissonance Ratio |
0.05651 |
| Vertical Minor Third Prevalence |
0.4406 |
| Vertical Major Third Prevalence |
0.461 |
| Chord Duration |
3.58 |
| Partial Chords |
0.4261 |
| Standard Triads |
0.4356 |
| Diminished and Augmented Triads |
0.04065 |
| Dominant Seventh Chords |
0.001452 |
| Seventh Chords |
0.006896 |
| Non-Standard Chords |
0.1314 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5877 |
| Average Number of Simultaneous Pitch Classes |
2.554 |
| Variability of Number of Simultaneous Pitch Classes |
0.5767 |
| Average Number of Simultaneous Pitches |
3.053 |
| Variability of Number of Simultaneous Pitches |
0.7178 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.429 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
80.63 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1734 |
| Stepwise Motion |
0.6256 |
| Melodic Thirds |
0.1429 |
| Melodic Perfect Fourths |
0.06897 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05419 |
| Melodic Sixths |
0.003941 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008867 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.417 |
| Melodic Embellishments |
0.01963 |
| Direction of Melodic Motion |
0.463 |
| Average Length of Melodic Arcs |
1.987 |
| Average Interval Spanned by Melodic Arcs |
5.312 |
| Melodic Pitch Variety |
5.025 |
| Mean Melodic Interval |
2.43 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4522 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3834 |
| Amount of Arpeggiation |
0.3015 |
| Repeated Notes |
0.09557 |
| Importance of Middle Register |
0.8636 |
| Importance of High Register |
0.03827 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.01 |
| Mean Pitch Class |
5.243 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1384 |
| Prevalence of Most Common Pitch Class |
0.2071 |
| Relative Prevalence of Top Pitches |
0.8085 |
| Relative Prevalence of Top Pitch Classes |
0.9431 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.371 |
| Pitch Class Variability |
3.507 |
| Pitch Class Variability After Folding |
3.238 |
| Pitch Skewness |
0.2019 |
| Pitch Class Skewness |
0.2082 |
| Pitch Class Skewness After Folding |
1.189 |
| Pitch Kurtosis |
5.349 |
| Pitch Class Kurtosis |
4.839 |
| Pitch Class Kurtosis After Folding |
7.002 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.09814 |
| Note Density per Quarter Note |
0.7212 |
| Note Density per Quarter Note per Voice |
0.1803 |
| Note Density per Quarter Note Variability |
0.4502 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009814 |
| Prevalence of Medium Rhythmic Values |
0.2767 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8744 |
| Prevalence of Very Long Rhythmic Values |
0.2738 |
| Prevalence of Dotted Notes |
0.1423 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
4.376 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4014 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4621 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.622 |
| Rhythmic Value Skewness |
0.4305 |
| Rhythmic Value Kurtosis |
6.427 |
| Mean Rhythmic Value Run Length |
1.492 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.052 |
| Mean Rhythmic Value Offset |
0.01717 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2508 |
| Complete Rests Fraction |
0.0004525 |
| Partial Rests Fraction |
0.6342 |
| Average Rest Fraction Across Voices |
0.2061 |
| Longest Complete Rest |
0.6394 |
| Longest Partial Rest |
130.1 |
| Mean Complete Rest Duration |
0.6394 |
| Mean Partial Rest Duration |
16.64 |
| Median Complete Rest Duration |
0.6394 |
| Median Partial Rest Duration |
4.882 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
22.62 |
| Variability Across Voices of Combined Rests |
218.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5061 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2276 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.223 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7337 |
| Rhythmic Variability - Tempo Standardized |
0.0469 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1019.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.625 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.859 |
| Variability of Note Durations |
0.5147 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
325.6 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.3977 |
| Strength of Second Strongest Rhythmic Pulse |
0.2017 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.971 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5995 |
| Rhythmic Variability |
0.0382 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
84.98 |
| Duration in Seconds |
275.6 |
| Note Density |
3.697 |
| Note Density Variability |
1.406 |
| Average Time Between Attacks |
0.5355 |
| Average Time Between Attacks for Each Voice |
1.206 |
| Variability of Time Between Attacks |
0.2841 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6452 |
| Relative Range Isolation of Loudest Voice |
0.4545 |
| Relative Range of Highest Line |
0.6452 |
| Relative Note Density of Highest Line |
0.2709 |
| Relative Note Durations of Lowest Line |
1.037 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8489 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.05882 |
| Average Number of Independent Voices |
3.169 |
| Similar Motion |
0.1572 |
| Contrary Motion |
0.1684 |
| Oblique Motion |
0.6156 |
| Parallel Fifths |
0.003043 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7229 |
| Voice Equality - Number of Notes |
80.63 |
| Voice Equality - Note Duration |
42.6 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.708 |
| Importance of Loudest Voice |
11.67 |