| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1969 |
| Prevalence of Second Most Common Vertical Interval |
0.1779 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9031 |
| Vertical Unisons |
0.03174 |
| Vertical Minor Seconds |
0.004903 |
| Vertical Thirds |
0.3527 |
| Vertical Tritones |
0.02065 |
| Vertical Perfect Fourths |
0.08709 |
| Vertical Perfect Fifths |
0.1779 |
| Vertical Sixths |
0.1696 |
| Vertical Sevenths |
0.02156 |
| Vertical Octaves |
0.1209 |
| Perfect Vertical Intervals |
0.4176 |
| Vertical Dissonance Ratio |
0.06395 |
| Vertical Minor Third Prevalence |
0.3554 |
| Vertical Major Third Prevalence |
0.4268 |
| Chord Duration |
1.978 |
| Partial Chords |
0.4735 |
| Standard Triads |
0.3864 |
| Diminished and Augmented Triads |
0.04356 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1402 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4571 |
| Average Number of Simultaneous Pitch Classes |
2.439 |
| Variability of Number of Simultaneous Pitch Classes |
0.6005 |
| Average Number of Simultaneous Pitches |
2.745 |
| Variability of Number of Simultaneous Pitches |
0.4677 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.362 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
6.429 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2299 |
| Stepwise Motion |
0.6569 |
| Melodic Thirds |
0.1606 |
| Melodic Perfect Fourths |
0.05839 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0365 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.03285 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.0 |
| Melodic Embellishments |
0.02166 |
| Direction of Melodic Motion |
0.471 |
| Average Length of Melodic Arcs |
1.992 |
| Average Interval Spanned by Melodic Arcs |
5.415 |
| Melodic Pitch Variety |
5.256 |
| Mean Melodic Interval |
2.588 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.427 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5385 |
| Amount of Arpeggiation |
0.2847 |
| Repeated Notes |
0.05474 |
| Importance of Middle Register |
0.7653 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.84 |
| Mean Pitch Class |
5.264 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1191 |
| Prevalence of Most Common Pitch Class |
0.1805 |
| Relative Prevalence of Top Pitches |
0.7879 |
| Relative Prevalence of Top Pitch Classes |
0.88 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.294 |
| Pitch Class Variability |
3.464 |
| Pitch Class Variability After Folding |
4.331 |
| Pitch Skewness |
-0.3201 |
| Pitch Class Skewness |
0.2282 |
| Pitch Class Skewness After Folding |
1.328 |
| Pitch Kurtosis |
5.28 |
| Pitch Class Kurtosis |
4.755 |
| Pitch Class Kurtosis After Folding |
4.454 |
| Major or Minor |
0.0 |
| First Pitch |
46.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.2347 |
| Note Density per Quarter Note |
0.9858 |
| Note Density per Quarter Note per Voice |
0.3286 |
| Note Density per Quarter Note Variability |
0.4255 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.05054 |
| Prevalence of Medium Rhythmic Values |
0.5596 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8195 |
| Prevalence of Very Long Rhythmic Values |
0.07581 |
| Prevalence of Dotted Notes |
0.1011 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.859 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3791 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7905 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.71 |
| Rhythmic Value Skewness |
1.507 |
| Rhythmic Value Kurtosis |
7.749 |
| Mean Rhythmic Value Run Length |
1.583 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.074 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.003529 |
| Partial Rests Fraction |
0.1744 |
| Average Rest Fraction Across Voices |
0.06047 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.683 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.67 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5932 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1809 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.28 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7741 |
| Rhythmic Variability - Tempo Standardized |
0.0506 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
277.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3857 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
1.538 |
| Average Note Duration |
0.5498 |
| Variability of Note Durations |
0.3289 |
| Amount of Staccato |
0.05054 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
12.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2699 |
| Strength of Second Strongest Rhythmic Pulse |
0.2367 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.14 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5066 |
| Rhythmic Variability |
0.0341 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001349 |
| Duration in Seconds |
54.04 |
| Note Density |
5.126 |
| Note Density Variability |
1.424 |
| Average Time Between Attacks |
0.3518 |
| Average Time Between Attacks for Each Voice |
0.5731 |
| Variability of Time Between Attacks |
0.1959 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5185 |
| Relative Range Isolation of Loudest Voice |
0.4845 |
| Relative Range of Highest Line |
0.5185 |
| Relative Note Density of Highest Line |
0.704 |
| Relative Note Durations of Lowest Line |
1.086 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.8087 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
5.657 |
| Parallel Motion |
0.05344 |
| Average Number of Independent Voices |
2.829 |
| Similar Motion |
0.1794 |
| Contrary Motion |
0.2099 |
| Oblique Motion |
0.5573 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.3769 |
| Voice Equality - Number of Notes |
6.429 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.0 |
| Importance of Loudest Voice |
12.5 |