| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2195 |
| Prevalence of Second Most Common Vertical Interval |
0.2028 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9238 |
| Vertical Unisons |
0.04678 |
| Vertical Minor Seconds |
0.003435 |
| Vertical Thirds |
0.3998 |
| Vertical Tritones |
0.00914 |
| Vertical Perfect Fourths |
0.03399 |
| Vertical Perfect Fifths |
0.168 |
| Vertical Sixths |
0.1327 |
| Vertical Sevenths |
0.01798 |
| Vertical Octaves |
0.1728 |
| Perfect Vertical Intervals |
0.4215 |
| Vertical Dissonance Ratio |
0.04821 |
| Vertical Minor Third Prevalence |
0.3722 |
| Vertical Major Third Prevalence |
0.3671 |
| Chord Duration |
1.809 |
| Partial Chords |
0.6489 |
| Standard Triads |
0.2614 |
| Diminished and Augmented Triads |
0.01614 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.08969 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8162 |
| Average Number of Simultaneous Pitch Classes |
2.184 |
| Variability of Number of Simultaneous Pitch Classes |
0.6303 |
| Average Number of Simultaneous Pitches |
2.549 |
| Variability of Number of Simultaneous Pitches |
0.5888 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.744 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
212.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.187 |
| Stepwise Motion |
0.6457 |
| Melodic Thirds |
0.2029 |
| Melodic Perfect Fourths |
0.05905 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05072 |
| Melodic Sixths |
0.003785 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008327 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.653 |
| Melodic Embellishments |
0.01662 |
| Direction of Melodic Motion |
0.4844 |
| Average Length of Melodic Arcs |
1.96 |
| Average Interval Spanned by Melodic Arcs |
5.177 |
| Melodic Pitch Variety |
5.707 |
| Mean Melodic Interval |
2.574 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4587 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4076 |
| Amount of Arpeggiation |
0.2914 |
| Repeated Notes |
0.02952 |
| Importance of Middle Register |
0.7039 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.92 |
| Mean Pitch Class |
4.924 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1193 |
| Prevalence of Most Common Pitch Class |
0.1888 |
| Relative Prevalence of Top Pitches |
0.6646 |
| Relative Prevalence of Top Pitch Classes |
0.9 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.212 |
| Pitch Class Variability |
3.418 |
| Pitch Class Variability After Folding |
4.12 |
| Pitch Skewness |
-0.6962 |
| Pitch Class Skewness |
-0.06629 |
| Pitch Class Skewness After Folding |
0.8866 |
| Pitch Kurtosis |
5.362 |
| Pitch Class Kurtosis |
4.77 |
| Pitch Class Kurtosis After Folding |
4.929 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2961 |
| Note Density per Quarter Note |
1.04 |
| Note Density per Quarter Note per Voice |
0.3467 |
| Note Density per Quarter Note Variability |
0.3271 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.03323 |
| Prevalence of Medium Rhythmic Values |
0.645 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.852 |
| Prevalence of Very Long Rhythmic Values |
0.01964 |
| Prevalence of Dotted Notes |
0.07553 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.551 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.497 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5334 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.308 |
| Rhythmic Value Skewness |
1.264 |
| Rhythmic Value Kurtosis |
10.86 |
| Mean Rhythmic Value Run Length |
1.751 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.213 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.000779 |
| Partial Rests Fraction |
0.3307 |
| Average Rest Fraction Across Voices |
0.1155 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
240.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.378 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.25 |
| Variability Across Voices of Combined Rests |
149.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6516 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1749 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.726 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8265 |
| Rhythmic Variability - Tempo Standardized |
0.05432 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1324.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.29 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.6075 |
| Variability of Note Durations |
0.3115 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
42.0 |
| Second Strongest Rhythmic Pulse |
63.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2827 |
| Strength of Second Strongest Rhythmic Pulse |
0.2778 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.018 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5605 |
| Rhythmic Variability |
0.03816 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000005446 |
| Duration in Seconds |
303.1 |
| Note Density |
4.368 |
| Note Density Variability |
0.9109 |
| Average Time Between Attacks |
0.4114 |
| Average Time Between Attacks for Each Voice |
0.6984 |
| Variability of Time Between Attacks |
0.1851 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.2188 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.145 |
| Relative Note Durations of Lowest Line |
1.06 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.7923 |
| Voice Separation |
7.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.04147 |
| Average Number of Independent Voices |
2.656 |
| Similar Motion |
0.1583 |
| Contrary Motion |
0.2658 |
| Oblique Motion |
0.5344 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5041 |
| Voice Equality - Number of Notes |
80.96 |
| Voice Equality - Note Duration |
35.48 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.528 |
| Importance of Loudest Voice |
20.0 |