File

Last modified on: April 14, 2020, 12:21 a.m.

Ock1002c-Missa_Au_travail_suis-Credo.mid


Source
RenComp7
Musical Work
Missa Au travail suis
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
11.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.1881
Prevalence of Second Most Common Vertical Interval 0.188
Prevalence Ratio of Two Most Common Vertical Intervals 0.9999
Vertical Unisons 0.03368
Vertical Minor Seconds 0.002826
Vertical Thirds 0.3527
Vertical Tritones 0.0126
Vertical Perfect Fourths 0.07323
Vertical Perfect Fifths 0.188
Vertical Sixths 0.1557
Vertical Sevenths 0.01992
Vertical Octaves 0.1482
Perfect Vertical Intervals 0.4432
Vertical Dissonance Ratio 0.05089
Vertical Minor Third Prevalence 0.324
Vertical Major Third Prevalence 0.2861
Chord Duration 3.003
Partial Chords 0.754
Standard Triads 0.191
Diminished and Augmented Triads 0.01621
Dominant Seventh Chords 0.0
Seventh Chords 0.006345
Non-Standard Chords 0.04864
Complex Chords 0.0
Minor Major Triad Ratio 1.297
Average Number of Simultaneous Pitch Classes 2.046
Variability of Number of Simultaneous Pitch Classes 0.6495
Average Number of Simultaneous Pitches 2.348
Variability of Number of Simultaneous Pitches 0.8865
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 8.851
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 173.3
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1831
Stepwise Motion 0.5212
Melodic Thirds 0.2134
Melodic Perfect Fourths 0.06954
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02318
Melodic Sixths 0.009592
Melodic Sevenths 0.001599
Melodic Octaves 0.008793
Melodic Large Intervals 0.0007994
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.781
Melodic Embellishments 0.01673
Direction of Melodic Motion 0.4703
Average Length of Melodic Arcs 1.829
Average Interval Spanned by Melodic Arcs 4.91
Melodic Pitch Variety 5.022
Mean Melodic Interval 2.295
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3381
Relative Prevalence of Most Common Melodic Intervals 0.5414
Amount of Arpeggiation 0.3989
Repeated Notes 0.1519
Importance of Middle Register 0.6606
Importance of High Register 0.001594
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.13
Mean Pitch Class 5.194
Most Common Pitch 50.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.09084
Prevalence of Most Common Pitch Class 0.1849
Relative Prevalence of Top Pitches 0.9211
Relative Prevalence of Top Pitch Classes 0.8578
Interval Between Most Prevalent Pitches 14.0
Interval Between Most Prevalent Pitch Classes 4.0
Pitch Variability 7.479
Pitch Class Variability 3.358
Pitch Class Variability After Folding 3.596
Pitch Skewness -0.1544
Pitch Class Skewness 0.173
Pitch Class Skewness After Folding 0.7852
Pitch Kurtosis 4.89
Pitch Class Kurtosis 4.899
Pitch Class Kurtosis After Folding 5.851
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.3378
Note Density per Quarter Note 0.7292
Note Density per Quarter Note per Voice 0.1823
Note Density per Quarter Note Variability 0.4503
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.001594
Prevalence of Medium Rhythmic Values 0.4359
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9131
Prevalence of Very Long Rhythmic Values 0.08287
Prevalence of Dotted Notes 0.09084
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.278
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.4271
Relative Prevalence of Most Common Rhythmic Values 0.8172
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.714
Rhythmic Value Skewness -1.263
Rhythmic Value Kurtosis 10.04
Mean Rhythmic Value Run Length 1.76
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.475
Mean Rhythmic Value Offset 0.02869
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4365
Complete Rests Fraction 0.00264
Partial Rests Fraction 0.8026
Average Rest Fraction Across Voices 0.3959
Longest Complete Rest 3.641
Longest Partial Rest 167.5
Mean Complete Rest Duration 2.272
Mean Partial Rest Duration 28.68
Median Complete Rest Duration 3.641
Median Partial Rest Duration 14.57
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.936
Variability of Partial Rest Durations 32.79
Variability Across Voices of Combined Rests 56.9
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6686
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1816
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.682
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8502
Rhythmic Variability - Tempo Standardized 0.05567
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 1255.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 2.574
Minimum Note Duration 0.119
Maximum Note Duration 4.762
Average Note Duration 0.7001
Variability of Note Durations 0.3971
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 287.2
Strongest Rhythmic Pulse 71.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.479
Strength of Strongest Rhythmic Pulse 0.345
Strength of Second Strongest Rhythmic Pulse 0.2524
Strength Ratio of Two Strongest Rhythmic Pulses 1.367
Combined Strength of Two Strongest Rhythmic Pulses 0.5974
Rhythmic Variability 0.03859
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.55
Duration in Seconds 363.6
Note Density 3.452
Note Density Variability 1.523
Average Time Between Attacks 0.4973
Average Time Between Attacks for Each Voice 1.138
Variability of Time Between Attacks 0.238
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.1678
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.2135
Relative Note Durations of Lowest Line 1.078
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.9602
Voice Separation 5.667
Variability of Voice Separation 3.786
Parallel Motion 0.05128
Average Number of Independent Voices 2.418
Similar Motion 0.1605
Contrary Motion 0.1996
Oblique Motion 0.5886
Parallel Fifths 0.003344
Parallel Octaves 0.00223
Variability of Number of Independent Voices 0.8696
Voice Equality - Number of Notes 19.47
Voice Equality - Note Duration 12.02
Voice Equality - Dynamics 10.31
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.633
Importance of Loudest Voice 15.0