| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2237 |
| Prevalence of Second Most Common Vertical Interval |
0.2013 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8998 |
| Vertical Unisons |
0.0326 |
| Vertical Minor Seconds |
0.001531 |
| Vertical Thirds |
0.4118 |
| Vertical Tritones |
0.005036 |
| Vertical Perfect Fourths |
0.02911 |
| Vertical Perfect Fifths |
0.1812 |
| Vertical Sixths |
0.1403 |
| Vertical Sevenths |
0.0156 |
| Vertical Octaves |
0.1687 |
| Perfect Vertical Intervals |
0.4116 |
| Vertical Dissonance Ratio |
0.03756 |
| Vertical Minor Third Prevalence |
0.4109 |
| Vertical Major Third Prevalence |
0.4762 |
| Chord Duration |
2.199 |
| Partial Chords |
0.5512 |
| Standard Triads |
0.3713 |
| Diminished and Augmented Triads |
0.006774 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.07748 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5745 |
| Average Number of Simultaneous Pitch Classes |
2.337 |
| Variability of Number of Simultaneous Pitch Classes |
0.6148 |
| Average Number of Simultaneous Pitches |
2.759 |
| Variability of Number of Simultaneous Pitches |
0.437 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.547 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
265.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1925 |
| Stepwise Motion |
0.5927 |
| Melodic Thirds |
0.1725 |
| Melodic Perfect Fourths |
0.07268 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0599 |
| Melodic Sixths |
0.002396 |
| Melodic Sevenths |
0.0007987 |
| Melodic Octaves |
0.01038 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.7 |
| Melodic Embellishments |
0.01594 |
| Direction of Melodic Motion |
0.4917 |
| Average Length of Melodic Arcs |
1.8 |
| Average Interval Spanned by Melodic Arcs |
4.932 |
| Melodic Pitch Variety |
5.388 |
| Mean Melodic Interval |
2.511 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4002 |
| Relative Prevalence of Most Common Melodic Intervals |
0.481 |
| Amount of Arpeggiation |
0.3323 |
| Repeated Notes |
0.08866 |
| Importance of Middle Register |
0.6486 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.0 |
| Mean Pitch Class |
5.152 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.09323 |
| Prevalence of Most Common Pitch Class |
0.1992 |
| Relative Prevalence of Top Pitches |
0.9316 |
| Relative Prevalence of Top Pitch Classes |
0.832 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.748 |
| Pitch Class Variability |
3.442 |
| Pitch Class Variability After Folding |
4.397 |
| Pitch Skewness |
-0.237 |
| Pitch Class Skewness |
0.1326 |
| Pitch Class Skewness After Folding |
1.344 |
| Pitch Kurtosis |
5.188 |
| Pitch Class Kurtosis |
4.748 |
| Pitch Class Kurtosis After Folding |
4.376 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3514 |
| Note Density per Quarter Note |
0.9797 |
| Note Density per Quarter Note per Voice |
0.3266 |
| Note Density per Quarter Note Variability |
0.3513 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01116 |
| Prevalence of Medium Rhythmic Values |
0.5649 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8916 |
| Prevalence of Very Long Rhythmic Values |
0.05339 |
| Prevalence of Dotted Notes |
0.07012 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.892 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4566 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7103 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.555 |
| Rhythmic Value Skewness |
1.72 |
| Rhythmic Value Kurtosis |
9.314 |
| Mean Rhythmic Value Run Length |
1.868 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.606 |
| Mean Rhythmic Value Offset |
0.009562 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3387 |
| Complete Rests Fraction |
0.0007741 |
| Partial Rests Fraction |
0.1546 |
| Average Rest Fraction Across Voices |
0.05256 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
8.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
2.658 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
1.528 |
| Variability Across Voices of Combined Rests |
33.56 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6808 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1649 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.128 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8457 |
| Rhythmic Variability - Tempo Standardized |
0.05619 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1255.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.463 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
5.714 |
| Average Note Duration |
0.6908 |
| Variability of Note Durations |
0.3917 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3186 |
| Strength of Second Strongest Rhythmic Pulse |
0.2734 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.165 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.592 |
| Rhythmic Variability |
0.03949 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000005458 |
| Duration in Seconds |
305.0 |
| Note Density |
4.115 |
| Note Density Variability |
1.227 |
| Average Time Between Attacks |
0.4765 |
| Average Time Between Attacks for Each Voice |
0.7256 |
| Variability of Time Between Attacks |
0.2389 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.2523 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.153 |
| Relative Note Durations of Lowest Line |
1.042 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.6829 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
2.828 |
| Parallel Motion |
0.04462 |
| Average Number of Independent Voices |
2.845 |
| Similar Motion |
0.1785 |
| Contrary Motion |
0.2745 |
| Oblique Motion |
0.5024 |
| Parallel Fifths |
0.0009699 |
| Parallel Octaves |
0.00194 |
| Variability of Number of Independent Voices |
0.3666 |
| Voice Equality - Number of Notes |
25.66 |
| Voice Equality - Note Duration |
7.991 |
| Voice Equality - Dynamics |
11.55 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
20.0 |