| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2201 |
| Prevalence of Second Most Common Vertical Interval |
0.1872 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8506 |
| Vertical Unisons |
0.04833 |
| Vertical Minor Seconds |
0.003116 |
| Vertical Thirds |
0.2906 |
| Vertical Tritones |
0.01396 |
| Vertical Perfect Fourths |
0.09553 |
| Vertical Perfect Fifths |
0.1872 |
| Vertical Sixths |
0.1536 |
| Vertical Sevenths |
0.02107 |
| Vertical Octaves |
0.1718 |
| Perfect Vertical Intervals |
0.5028 |
| Vertical Dissonance Ratio |
0.05604 |
| Vertical Minor Third Prevalence |
0.3718 |
| Vertical Major Third Prevalence |
0.3453 |
| Chord Duration |
2.619 |
| Partial Chords |
0.5573 |
| Standard Triads |
0.3355 |
| Diminished and Augmented Triads |
0.02946 |
| Dominant Seventh Chords |
0.001759 |
| Seventh Chords |
0.008793 |
| Non-Standard Chords |
0.09848 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8564 |
| Average Number of Simultaneous Pitch Classes |
2.319 |
| Variability of Number of Simultaneous Pitch Classes |
0.6623 |
| Average Number of Simultaneous Pitches |
2.808 |
| Variability of Number of Simultaneous Pitches |
0.8179 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.613 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
236.2 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1959 |
| Stepwise Motion |
0.6279 |
| Melodic Thirds |
0.1773 |
| Melodic Perfect Fourths |
0.08507 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04885 |
| Melodic Sixths |
0.002744 |
| Melodic Sevenths |
0.001098 |
| Melodic Octaves |
0.01043 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.543 |
| Melodic Embellishments |
0.0241 |
| Direction of Melodic Motion |
0.4738 |
| Average Length of Melodic Arcs |
1.972 |
| Average Interval Spanned by Melodic Arcs |
5.327 |
| Melodic Pitch Variety |
5.674 |
| Mean Melodic Interval |
2.589 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4319 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4536 |
| Amount of Arpeggiation |
0.2843 |
| Repeated Notes |
0.04665 |
| Importance of Middle Register |
0.7327 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
58.24 |
| Mean Pitch Class |
5.293 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1156 |
| Prevalence of Most Common Pitch Class |
0.213 |
| Relative Prevalence of Top Pitches |
0.7678 |
| Relative Prevalence of Top Pitch Classes |
0.7352 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.904 |
| Pitch Class Variability |
3.52 |
| Pitch Class Variability After Folding |
3.189 |
| Pitch Skewness |
-0.1811 |
| Pitch Class Skewness |
0.2497 |
| Pitch Class Skewness After Folding |
1.16 |
| Pitch Kurtosis |
5.253 |
| Pitch Class Kurtosis |
4.866 |
| Pitch Class Kurtosis After Folding |
7.1 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.2673 |
| Note Density per Quarter Note |
0.7255 |
| Note Density per Quarter Note per Voice |
0.1814 |
| Note Density per Quarter Note Variability |
0.3454 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004381 |
| Prevalence of Medium Rhythmic Values |
0.4578 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.879 |
| Prevalence of Very Long Rhythmic Values |
0.1846 |
| Prevalence of Dotted Notes |
0.1512 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.764 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3368 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8959 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.691 |
| Rhythmic Value Skewness |
0.8514 |
| Rhythmic Value Kurtosis |
8.075 |
| Mean Rhythmic Value Run Length |
1.575 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.228 |
| Mean Rhythmic Value Offset |
0.3245 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.514 |
| Complete Rests Fraction |
0.0004289 |
| Partial Rests Fraction |
0.6844 |
| Average Rest Fraction Across Voices |
0.2601 |
| Longest Complete Rest |
1.079 |
| Longest Partial Rest |
290.9 |
| Mean Complete Rest Duration |
1.079 |
| Mean Partial Rest Duration |
24.25 |
| Median Complete Rest Duration |
1.079 |
| Median Partial Rest Duration |
4.354 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
56.44 |
| Variability Across Voices of Combined Rests |
439.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6415 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1732 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.703 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8147 |
| Rhythmic Variability - Tempo Standardized |
0.05364 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1826.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.657 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
11.43 |
| Average Note Duration |
0.8924 |
| Variability of Note Durations |
0.9493 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
277.4 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3145 |
| Strength of Second Strongest Rhythmic Pulse |
0.2549 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.234 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5694 |
| Rhythmic Variability |
0.03732 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.64 |
| Duration in Seconds |
550.6 |
| Note Density |
3.317 |
| Note Density Variability |
1.111 |
| Average Time Between Attacks |
0.5023 |
| Average Time Between Attacks for Each Voice |
1.699 |
| Variability of Time Between Attacks |
0.3063 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5862 |
| Relative Range Isolation of Loudest Voice |
0.2539 |
| Relative Range of Highest Line |
0.5862 |
| Relative Note Density of Highest Line |
0.1424 |
| Relative Note Durations of Lowest Line |
0.986 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8823 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.05485 |
| Average Number of Independent Voices |
2.963 |
| Similar Motion |
0.1332 |
| Contrary Motion |
0.164 |
| Oblique Motion |
0.648 |
| Parallel Fifths |
0.003617 |
| Parallel Octaves |
0.003014 |
| Variability of Number of Independent Voices |
0.8224 |
| Voice Equality - Number of Notes |
236.2 |
| Voice Equality - Note Duration |
96.17 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
11.67 |