| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2007 |
| Prevalence of Second Most Common Vertical Interval |
0.1764 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8792 |
| Vertical Unisons |
0.04219 |
| Vertical Minor Seconds |
0.003646 |
| Vertical Thirds |
0.3265 |
| Vertical Tritones |
0.007172 |
| Vertical Perfect Fourths |
0.1032 |
| Vertical Perfect Fifths |
0.1764 |
| Vertical Sixths |
0.1553 |
| Vertical Sevenths |
0.01497 |
| Vertical Octaves |
0.1585 |
| Perfect Vertical Intervals |
0.4803 |
| Vertical Dissonance Ratio |
0.03929 |
| Vertical Minor Third Prevalence |
0.7108 |
| Vertical Major Third Prevalence |
0.7402 |
| Chord Duration |
3.121 |
| Partial Chords |
0.08812 |
| Standard Triads |
0.7594 |
| Diminished and Augmented Triads |
0.02178 |
| Dominant Seventh Chords |
0.00495 |
| Seventh Chords |
0.03663 |
| Non-Standard Chords |
0.1158 |
| Complex Chords |
0.00297 |
| Minor Major Triad Ratio |
0.7472 |
| Average Number of Simultaneous Pitch Classes |
2.993 |
| Variability of Number of Simultaneous Pitch Classes |
0.482 |
| Average Number of Simultaneous Pitches |
3.99 |
| Variability of Number of Simultaneous Pitches |
0.8068 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.005 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
187.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1545 |
| Stepwise Motion |
0.4951 |
| Melodic Thirds |
0.1303 |
| Melodic Perfect Fourths |
0.06289 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02336 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0008985 |
| Melodic Octaves |
0.002695 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.014 |
| Melodic Embellishments |
0.01073 |
| Direction of Melodic Motion |
0.4862 |
| Average Length of Melodic Arcs |
1.723 |
| Average Interval Spanned by Melodic Arcs |
4.327 |
| Melodic Pitch Variety |
3.859 |
| Mean Melodic Interval |
1.81 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3405 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8364 |
| Amount of Arpeggiation |
0.442 |
| Repeated Notes |
0.2848 |
| Importance of Middle Register |
0.6574 |
| Importance of High Register |
0.0 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
54.98 |
| Mean Pitch Class |
5.363 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.2174 |
| Prevalence of Most Common Pitch Class |
0.2683 |
| Relative Prevalence of Top Pitches |
0.6173 |
| Relative Prevalence of Top Pitch Classes |
0.6 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.022 |
| Pitch Class Variability |
3.412 |
| Pitch Class Variability After Folding |
2.862 |
| Pitch Skewness |
0.2433 |
| Pitch Class Skewness |
-1.439 |
| Pitch Class Skewness After Folding |
0.8365 |
| Pitch Kurtosis |
5.707 |
| Pitch Class Kurtosis |
4.907 |
| Pitch Class Kurtosis After Folding |
8.643 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.3426 |
| Note Density per Quarter Note |
1.091 |
| Note Density per Quarter Note per Voice |
0.2181 |
| Note Density per Quarter Note Variability |
0.3965 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.3784 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9714 |
| Prevalence of Very Long Rhythmic Values |
0.1682 |
| Prevalence of Dotted Notes |
0.07245 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.859 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4445 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7867 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.157 |
| Rhythmic Value Skewness |
-0.1966 |
| Rhythmic Value Kurtosis |
8.423 |
| Mean Rhythmic Value Run Length |
1.918 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.908 |
| Mean Rhythmic Value Offset |
0.06082 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7054 |
| Complete Rests Fraction |
0.00487 |
| Partial Rests Fraction |
0.5219 |
| Average Rest Fraction Across Voices |
0.145 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
80.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
11.61 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
15.09 |
| Variability Across Voices of Combined Rests |
94.58 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8902 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.05767 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
15.44 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9479 |
| Rhythmic Variability - Tempo Standardized |
0.07037 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1118.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9126 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
4.615 |
| Average Note Duration |
0.7538 |
| Variability of Note Durations |
0.4765 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.4307 |
| Strength of Second Strongest Rhythmic Pulse |
0.2797 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.54 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7104 |
| Rhythmic Variability |
0.04465 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002037 |
| Duration in Seconds |
197.1 |
| Note Density |
5.672 |
| Note Density Variability |
1.235 |
| Average Time Between Attacks |
0.4336 |
| Average Time Between Attacks for Each Voice |
0.9206 |
| Variability of Time Between Attacks |
0.1864 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4688 |
| Relative Range Isolation of Loudest Voice |
0.2211 |
| Relative Range of Highest Line |
0.4688 |
| Relative Note Density of Highest Line |
0.2862 |
| Relative Note Durations of Lowest Line |
1.206 |
| Relative Size of Melodic Intervals in Lowest Line |
1.25 |
| Voice Overlap |
0.9553 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.05394 |
| Average Number of Independent Voices |
4.296 |
| Similar Motion |
0.2082 |
| Contrary Motion |
0.1704 |
| Oblique Motion |
0.5674 |
| Parallel Fifths |
0.006472 |
| Parallel Octaves |
0.00863 |
| Variability of Number of Independent Voices |
0.7596 |
| Voice Equality - Number of Notes |
83.36 |
| Voice Equality - Note Duration |
18.19 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.8944 |
| Voice Equality - Range |
2.702 |
| Importance of Loudest Voice |
13.75 |