| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2016 |
| Prevalence of Second Most Common Vertical Interval |
0.1752 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8693 |
| Vertical Unisons |
0.02836 |
| Vertical Minor Seconds |
0.001795 |
| Vertical Thirds |
0.3189 |
| Vertical Tritones |
0.008239 |
| Vertical Perfect Fourths |
0.1101 |
| Vertical Perfect Fifths |
0.1629 |
| Vertical Sixths |
0.1767 |
| Vertical Sevenths |
0.01015 |
| Vertical Octaves |
0.1732 |
| Perfect Vertical Intervals |
0.4746 |
| Vertical Dissonance Ratio |
0.03081 |
| Vertical Minor Third Prevalence |
0.6479 |
| Vertical Major Third Prevalence |
0.6092 |
| Chord Duration |
2.505 |
| Partial Chords |
0.1904 |
| Standard Triads |
0.6842 |
| Diminished and Augmented Triads |
0.03915 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01957 |
| Non-Standard Chords |
0.1059 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.101 |
| Average Number of Simultaneous Pitch Classes |
2.836 |
| Variability of Number of Simultaneous Pitch Classes |
0.4996 |
| Average Number of Simultaneous Pitches |
3.82 |
| Variability of Number of Simultaneous Pitches |
0.8738 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.943 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
86.82 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1723 |
| Stepwise Motion |
0.5828 |
| Melodic Thirds |
0.1359 |
| Melodic Perfect Fourths |
0.06595 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03634 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002692 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.483 |
| Melodic Embellishments |
0.005348 |
| Direction of Melodic Motion |
0.4837 |
| Average Length of Melodic Arcs |
1.734 |
| Average Interval Spanned by Melodic Arcs |
4.295 |
| Melodic Pitch Variety |
4.181 |
| Mean Melodic Interval |
2.057 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4105 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4295 |
| Amount of Arpeggiation |
0.3513 |
| Repeated Notes |
0.1763 |
| Importance of Middle Register |
0.5294 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
53.94 |
| Mean Pitch Class |
5.48 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1217 |
| Prevalence of Most Common Pitch Class |
0.2313 |
| Relative Prevalence of Top Pitches |
0.7253 |
| Relative Prevalence of Top Pitch Classes |
0.7861 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.061 |
| Pitch Class Variability |
3.394 |
| Pitch Class Variability After Folding |
3.083 |
| Pitch Skewness |
-0.2493 |
| Pitch Class Skewness |
0.4242 |
| Pitch Class Skewness After Folding |
0.5476 |
| Pitch Kurtosis |
5.149 |
| Pitch Class Kurtosis |
4.874 |
| Pitch Class Kurtosis After Folding |
7.264 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
35.0 |
| Importance of Bass Register |
0.4706 |
| Note Density per Quarter Note |
1.315 |
| Note Density per Quarter Note per Voice |
0.2629 |
| Note Density per Quarter Note Variability |
0.5327 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002674 |
| Prevalence of Medium Rhythmic Values |
0.5134 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9652 |
| Prevalence of Very Long Rhythmic Values |
0.03209 |
| Prevalence of Dotted Notes |
0.04947 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.019 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4786 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8911 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.342 |
| Rhythmic Value Skewness |
2.277 |
| Rhythmic Value Kurtosis |
14.09 |
| Mean Rhythmic Value Run Length |
2.016 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.726 |
| Mean Rhythmic Value Offset |
0.01604 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.253 |
| Complete Rests Fraction |
0.001743 |
| Partial Rests Fraction |
0.645 |
| Average Rest Fraction Across Voices |
0.2021 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
11.06 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
11.83 |
| Variability Across Voices of Combined Rests |
50.77 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8459 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.09156 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
9.239 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9374 |
| Rhythmic Variability - Tempo Standardized |
0.06714 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
748.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7833 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.5836 |
| Variability of Note Durations |
0.2822 |
| Amount of Staccato |
0.002674 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3518 |
| Strength of Second Strongest Rhythmic Pulse |
0.3076 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.143 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6594 |
| Rhythmic Variability |
0.04217 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000005093 |
| Duration in Seconds |
109.4 |
| Note Density |
6.836 |
| Note Density Variability |
1.852 |
| Average Time Between Attacks |
0.411 |
| Average Time Between Attacks for Each Voice |
0.7116 |
| Variability of Time Between Attacks |
0.1591 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4286 |
| Relative Range Isolation of Loudest Voice |
0.3147 |
| Relative Range of Highest Line |
0.4286 |
| Relative Note Density of Highest Line |
0.4278 |
| Relative Note Durations of Lowest Line |
1.045 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.8997 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
1.291 |
| Parallel Motion |
0.1095 |
| Average Number of Independent Voices |
3.996 |
| Similar Motion |
0.2222 |
| Contrary Motion |
0.3007 |
| Oblique Motion |
0.3676 |
| Parallel Fifths |
0.003268 |
| Parallel Octaves |
0.00817 |
| Variability of Number of Independent Voices |
0.8537 |
| Voice Equality - Number of Notes |
19.31 |
| Voice Equality - Note Duration |
9.764 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
0.7071 |
| Importance of Loudest Voice |
13.75 |