File

Last modified on: April 14, 2020, 12:29 a.m.

Ock2001-Alma_redemptoris_mater.mid


Source
RenComp7
Musical Work
Alma redemptoris mater
File Type
Symbolic Music
File Format
.mid
File Size
10.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2184
Prevalence of Second Most Common Vertical Interval 0.1779
Prevalence Ratio of Two Most Common Vertical Intervals 0.8144
Vertical Unisons 0.03793
Vertical Minor Seconds 0.002204
Vertical Thirds 0.3162
Vertical Tritones 0.009202
Vertical Perfect Fourths 0.08788
Vertical Perfect Fifths 0.1756
Vertical Sixths 0.1587
Vertical Sevenths 0.01852
Vertical Octaves 0.1805
Perfect Vertical Intervals 0.4819
Vertical Dissonance Ratio 0.04517
Vertical Minor Third Prevalence 0.4028
Vertical Major Third Prevalence 0.4809
Chord Duration 2.727
Partial Chords 0.4371
Standard Triads 0.45
Diminished and Augmented Triads 0.02571
Dominant Seventh Chords 0.001837
Seventh Chords 0.01561
Non-Standard Chords 0.09734
Complex Chords 0.0
Minor Major Triad Ratio 0.5961
Average Number of Simultaneous Pitch Classes 2.439
Variability of Number of Simultaneous Pitch Classes 0.6992
Average Number of Simultaneous Pitches 3.06
Variability of Number of Simultaneous Pitches 0.9057
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 20.0
Variation of Dynamics 7.454
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 42.38
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.199
Stepwise Motion 0.6429
Melodic Thirds 0.1829
Melodic Perfect Fourths 0.06571
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04762
Melodic Sixths 0.00381
Melodic Sevenths 0.0
Melodic Octaves 0.006667
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.097
Melodic Embellishments 0.02846
Direction of Melodic Motion 0.4794
Average Length of Melodic Arcs 1.867
Average Interval Spanned by Melodic Arcs 4.82
Melodic Pitch Variety 5.068
Mean Melodic Interval 2.469
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4438
Relative Prevalence of Most Common Melodic Intervals 0.4485
Amount of Arpeggiation 0.2876
Repeated Notes 0.05048
Importance of Middle Register 0.7647
Importance of High Register 0.1176
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 63.17
Mean Pitch Class 4.897
Most Common Pitch 67.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1015
Prevalence of Most Common Pitch Class 0.1907
Relative Prevalence of Top Pitches 0.8972
Relative Prevalence of Top Pitch Classes 0.99
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.668
Pitch Class Variability 3.483
Pitch Class Variability After Folding 3.376
Pitch Skewness -0.1837
Pitch Class Skewness -0.08908
Pitch Class Skewness After Folding 1.142
Pitch Kurtosis 5.338
Pitch Class Kurtosis 4.934
Pitch Class Kurtosis After Folding 6.736
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.1176
Note Density per Quarter Note 0.8747
Note Density per Quarter Note per Voice 0.2187
Note Density per Quarter Note Variability 0.4378
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.003795
Prevalence of Medium Rhythmic Values 0.4061
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9023
Prevalence of Very Long Rhythmic Values 0.1584
Prevalence of Dotted Notes 0.09583
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.657
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3947
Relative Prevalence of Most Common Rhythmic Values 0.7812
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.187
Rhythmic Value Skewness -0.4712
Rhythmic Value Kurtosis 8.046
Mean Rhythmic Value Run Length 1.575
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.128
Mean Rhythmic Value Offset 0.005693
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.1377
Complete Rests Fraction 0.0004961
Partial Rests Fraction 0.527
Average Rest Fraction Across Voices 0.2118
Longest Complete Rest 0.5978
Longest Partial Rest 173.4
Mean Complete Rest Duration 0.5978
Mean Partial Rest Duration 13.61
Median Complete Rest Duration 0.5978
Median Partial Rest Duration 3.686
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 29.27
Variability Across Voices of Combined Rests 120.6
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7273
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.143
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 5.087
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8703
Rhythmic Variability - Tempo Standardized 0.05912
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1054.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 1.331
Minimum Note Duration 0.119
Maximum Note Duration 3.077
Average Note Duration 0.7522
Variability of Note Durations 0.4276
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 299.1
Strongest Rhythmic Pulse 72.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3538
Strength of Second Strongest Rhythmic Pulse 0.2731
Strength Ratio of Two Strongest Rhythmic Pulses 1.295
Combined Strength of Two Strongest Rhythmic Pulses 0.6268
Rhythmic Variability 0.04001
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 68.58
Duration in Seconds 251.5
Note Density 4.192
Note Density Variability 1.418
Average Time Between Attacks 0.4669
Average Time Between Attacks for Each Voice 0.902
Variability of Time Between Attacks 0.237
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5588
Relative Range Isolation of Loudest Voice 0.2283
Relative Range of Highest Line 0.5588
Relative Note Density of Highest Line 0.2694
Relative Note Durations of Lowest Line 1.089
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.8529
Voice Separation 6.0
Variability of Voice Separation 1.0
Parallel Motion 0.06821
Average Number of Independent Voices 3.206
Similar Motion 0.1385
Contrary Motion 0.2246
Oblique Motion 0.5687
Parallel Fifths 0.005247
Parallel Octaves 0.002099
Variability of Number of Independent Voices 0.8934
Voice Equality - Number of Notes 42.38
Voice Equality - Note Duration 25.16
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.5
Importance of Loudest Voice 11.67