File

Last modified on: April 14, 2020, 12:30 a.m.

Ock1011c-Missa_Prolationum-Credo.mid


Source
RenComp7
Musical Work
Missa Prolationum
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
18.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.224
Prevalence of Second Most Common Vertical Interval 0.1922
Prevalence Ratio of Two Most Common Vertical Intervals 0.8583
Vertical Unisons 0.05373
Vertical Minor Seconds 0.00266
Vertical Thirds 0.3269
Vertical Tritones 0.006933
Vertical Perfect Fourths 0.0624
Vertical Perfect Fifths 0.1848
Vertical Sixths 0.1576
Vertical Sevenths 0.01766
Vertical Octaves 0.1702
Perfect Vertical Intervals 0.4711
Vertical Dissonance Ratio 0.04633
Vertical Minor Third Prevalence 0.3323
Vertical Major Third Prevalence 0.4281
Chord Duration 2.353
Partial Chords 0.5899
Standard Triads 0.3259
Diminished and Augmented Triads 0.01217
Dominant Seventh Chords 0.00291
Seventh Chords 0.0127
Non-Standard Chords 0.07143
Complex Chords 0.0
Minor Major Triad Ratio 0.5815
Average Number of Simultaneous Pitch Classes 2.31
Variability of Number of Simultaneous Pitch Classes 0.6605
Average Number of Simultaneous Pitches 2.813
Variability of Number of Simultaneous Pitches 0.8487
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 5.0
Variation of Dynamics 2.481
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 176.8
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 2.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1993
Stepwise Motion 0.6438
Melodic Thirds 0.1761
Melodic Perfect Fourths 0.08628
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03582
Melodic Sixths 0.002018
Melodic Sevenths 0.0
Melodic Octaves 0.004036
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.958
Melodic Embellishments 0.02367
Direction of Melodic Motion 0.4838
Average Length of Melodic Arcs 1.796
Average Interval Spanned by Melodic Arcs 4.574
Melodic Pitch Variety 5.23
Mean Melodic Interval 2.423
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4445
Relative Prevalence of Most Common Melodic Intervals 0.4484
Amount of Arpeggiation 0.2679
Repeated Notes 0.05197
Importance of Middle Register 0.8434
Importance of High Register 0.02417
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 60.84
Mean Pitch Class 5.006
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1128
Prevalence of Most Common Pitch Class 0.1818
Relative Prevalence of Top Pitches 0.9286
Relative Prevalence of Top Pitch Classes 0.8892
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.442
Pitch Class Variability 3.488
Pitch Class Variability After Folding 3.756
Pitch Skewness -0.2125
Pitch Class Skewness 0.005196
Pitch Class Skewness After Folding 0.6129
Pitch Kurtosis 5.556
Pitch Class Kurtosis 4.823
Pitch Class Kurtosis After Folding 5.635
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 53.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 35.0
Importance of Bass Register 0.1324
Note Density per Quarter Note 0.958
Note Density per Quarter Note per Voice 0.2395
Note Density per Quarter Note Variability 0.5029
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02518
Prevalence of Medium Rhythmic Values 0.5242
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8792
Prevalence of Very Long Rhythmic Values 0.0715
Prevalence of Dotted Notes 0.09768
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.067
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4033
Relative Prevalence of Most Common Rhythmic Values 0.834
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.917
Rhythmic Value Skewness 1.67
Rhythmic Value Kurtosis 12.33
Mean Rhythmic Value Run Length 1.582
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9714
Mean Rhythmic Value Offset 0.05035
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.8039
Complete Rests Fraction 0.000433
Partial Rests Fraction 0.6121
Average Rest Fraction Across Voices 0.2512
Longest Complete Rest 0.8976
Longest Partial Rest 398.3
Mean Complete Rest Duration 0.8976
Mean Partial Rest Duration 13.89
Median Complete Rest Duration 0.8976
Median Partial Rest Duration 2.241
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 42.37
Variability Across Voices of Combined Rests 177.3
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6661
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1658
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.017
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8319
Rhythmic Variability - Tempo Standardized 0.05525
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1986.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 2.517
Minimum Note Duration 0.09615
Maximum Note Duration 8.571
Average Note Duration 0.6642
Variability of Note Durations 0.5119
Amount of Staccato 0.01007
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 285.6
Strongest Rhythmic Pulse 71.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.479
Strength of Strongest Rhythmic Pulse 0.2901
Strength of Second Strongest Rhythmic Pulse 0.2669
Strength Ratio of Two Strongest Rhythmic Pulses 1.087
Combined Strength of Two Strongest Rhythmic Pulses 0.557
Rhythmic Variability 0.03701
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.78
Duration in Seconds 440.4
Note Density 4.509
Note Density Variability 1.968
Average Time Between Attacks 0.4221
Average Time Between Attacks for Each Voice 0.8999
Variability of Time Between Attacks 0.2821
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4571
Relative Range Isolation of Loudest Voice 0.3869
Relative Range of Highest Line 0.4571
Relative Note Density of Highest Line 0.137
Relative Note Durations of Lowest Line 1.014
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8862
Voice Separation 5.0
Variability of Voice Separation 3.464
Parallel Motion 0.04545
Average Number of Independent Voices 2.988
Similar Motion 0.1544
Contrary Motion 0.2136
Oblique Motion 0.5866
Parallel Fifths 0.004981
Parallel Octaves 0.001868
Variability of Number of Independent Voices 0.895
Voice Equality - Number of Notes 76.91
Voice Equality - Note Duration 37.67
Voice Equality - Dynamics 2.887
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.887
Importance of Loudest Voice 3.333