| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1935 |
| Prevalence of Second Most Common Vertical Interval |
0.1815 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9381 |
| Vertical Unisons |
0.01918 |
| Vertical Minor Seconds |
0.003224 |
| Vertical Thirds |
0.2955 |
| Vertical Tritones |
0.009927 |
| Vertical Perfect Fourths |
0.09279 |
| Vertical Perfect Fifths |
0.1935 |
| Vertical Sixths |
0.1806 |
| Vertical Sevenths |
0.03243 |
| Vertical Octaves |
0.1623 |
| Perfect Vertical Intervals |
0.4678 |
| Vertical Dissonance Ratio |
0.05948 |
| Vertical Minor Third Prevalence |
0.3276 |
| Vertical Major Third Prevalence |
0.2272 |
| Chord Duration |
3.545 |
| Partial Chords |
0.6404 |
| Standard Triads |
0.2721 |
| Diminished and Augmented Triads |
0.02005 |
| Dominant Seventh Chords |
0.001337 |
| Seventh Chords |
0.002674 |
| Non-Standard Chords |
0.08489 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.769 |
| Average Number of Simultaneous Pitch Classes |
2.164 |
| Variability of Number of Simultaneous Pitch Classes |
0.6606 |
| Average Number of Simultaneous Pitches |
2.514 |
| Variability of Number of Simultaneous Pitches |
0.7316 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.016 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
73.04 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2237 |
| Stepwise Motion |
0.6962 |
| Melodic Thirds |
0.1603 |
| Melodic Perfect Fourths |
0.03947 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04426 |
| Melodic Sixths |
0.001196 |
| Melodic Sevenths |
0.001196 |
| Melodic Octaves |
0.01196 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.627 |
| Melodic Embellishments |
0.02735 |
| Direction of Melodic Motion |
0.49 |
| Average Length of Melodic Arcs |
1.97 |
| Average Interval Spanned by Melodic Arcs |
4.872 |
| Melodic Pitch Variety |
4.965 |
| Mean Melodic Interval |
2.384 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4725 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4734 |
| Amount of Arpeggiation |
0.2632 |
| Repeated Notes |
0.04545 |
| Importance of Middle Register |
0.7836 |
| Importance of High Register |
0.002378 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
59.3 |
| Mean Pitch Class |
5.547 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1201 |
| Prevalence of Most Common Pitch Class |
0.1962 |
| Relative Prevalence of Top Pitches |
0.7624 |
| Relative Prevalence of Top Pitch Classes |
0.8667 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.491 |
| Pitch Class Variability |
3.391 |
| Pitch Class Variability After Folding |
3.588 |
| Pitch Skewness |
-0.1731 |
| Pitch Class Skewness |
0.484 |
| Pitch Class Skewness After Folding |
0.7159 |
| Pitch Kurtosis |
5.27 |
| Pitch Class Kurtosis |
4.843 |
| Pitch Class Kurtosis After Folding |
5.839 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.214 |
| Note Density per Quarter Note |
0.4798 |
| Note Density per Quarter Note per Voice |
0.09595 |
| Note Density per Quarter Note Variability |
0.2739 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.22 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9631 |
| Prevalence of Very Long Rhythmic Values |
0.3757 |
| Prevalence of Dotted Notes |
0.1474 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.056 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4007 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5786 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.731 |
| Rhythmic Value Skewness |
1.16 |
| Rhythmic Value Kurtosis |
6.064 |
| Mean Rhythmic Value Run Length |
1.521 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.004 |
| Mean Rhythmic Value Offset |
0.2711 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
2.052 |
| Complete Rests Fraction |
0.0005657 |
| Partial Rests Fraction |
1.0 |
| Average Rest Fraction Across Voices |
0.4889 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
1528.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
99.65 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
311.1 |
| Variability Across Voices of Combined Rests |
513.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8191 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.118 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.942 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9371 |
| Rhythmic Variability - Tempo Standardized |
0.06532 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
841.0 |
| Initial Tempo |
312.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.924 |
| Minimum Note Duration |
0.1923 |
| Maximum Note Duration |
9.231 |
| Average Note Duration |
1.024 |
| Variability of Note Durations |
0.7556 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.0 |
| Strongest Rhythmic Pulse |
78.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5106 |
| Strength of Second Strongest Rhythmic Pulse |
0.2376 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.149 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7482 |
| Rhythmic Variability |
0.04681 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000001065 |
| Duration in Seconds |
337.1 |
| Note Density |
2.495 |
| Note Density Variability |
1.019 |
| Average Time Between Attacks |
0.6509 |
| Average Time Between Attacks for Each Voice |
1.314 |
| Variability of Time Between Attacks |
0.3555 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5342 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.3924 |
| Relative Note Durations of Lowest Line |
1.329 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8333 |
| Voice Overlap |
0.7836 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
3.862 |
| Parallel Motion |
0.0527 |
| Average Number of Independent Voices |
2.557 |
| Similar Motion |
0.1331 |
| Contrary Motion |
0.2016 |
| Oblique Motion |
0.6126 |
| Parallel Fifths |
0.00527 |
| Parallel Octaves |
0.001318 |
| Variability of Number of Independent Voices |
0.7342 |
| Voice Equality - Number of Notes |
104.4 |
| Voice Equality - Note Duration |
98.65 |
| Voice Equality - Dynamics |
9.354 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
3.05 |
| Importance of Loudest Voice |
12.5 |