File

Last modified on: April 14, 2020, 12:30 a.m.

Ock1008e-Missa_Lhomme_arme-Agnus.mid


Source
RenComp7
Musical Work
Missa Lhomme arme
Section
Agnus
File Type
Symbolic Music
File Format
.mid
File Size
9.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2164
Prevalence of Second Most Common Vertical Interval 0.1944
Prevalence Ratio of Two Most Common Vertical Intervals 0.8983
Vertical Unisons 0.03765
Vertical Minor Seconds 0.001881
Vertical Thirds 0.3003
Vertical Tritones 0.008026
Vertical Perfect Fourths 0.08876
Vertical Perfect Fifths 0.1944
Vertical Sixths 0.1581
Vertical Sevenths 0.01839
Vertical Octaves 0.1788
Perfect Vertical Intervals 0.4996
Vertical Dissonance Ratio 0.0438
Vertical Minor Third Prevalence 0.3956
Vertical Major Third Prevalence 0.3191
Chord Duration 2.448
Partial Chords 0.5647
Standard Triads 0.3452
Diminished and Augmented Triads 0.01907
Dominant Seventh Chords 0.001845
Seventh Chords 0.01661
Non-Standard Chords 0.07349
Complex Chords 0.0
Minor Major Triad Ratio 1.503
Average Number of Simultaneous Pitch Classes 2.28
Variability of Number of Simultaneous Pitch Classes 0.7093
Average Number of Simultaneous Pitches 2.764
Variability of Number of Simultaneous Pitches 0.8979
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 5.784
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 113.8
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1869
Stepwise Motion 0.6293
Melodic Thirds 0.1808
Melodic Perfect Fourths 0.06162
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05657
Melodic Sixths 0.00404
Melodic Sevenths 0.0
Melodic Octaves 0.005051
Melodic Large Intervals 0.00101
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.887
Melodic Embellishments 0.02515
Direction of Melodic Motion 0.4779
Average Length of Melodic Arcs 1.919
Average Interval Spanned by Melodic Arcs 5.058
Melodic Pitch Variety 5.175
Mean Melodic Interval 2.495
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4424
Relative Prevalence of Most Common Melodic Intervals 0.4224
Amount of Arpeggiation 0.304
Repeated Notes 0.06162
Importance of Middle Register 0.7032
Importance of High Register 0.0
Dominant Spread 5.0
Strong Tonal Centres 1.0
Mean Pitch 57.5
Mean Pitch Class 5.323
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1137
Prevalence of Most Common Pitch Class 0.2002
Relative Prevalence of Top Pitches 0.823
Relative Prevalence of Top Pitch Classes 0.8693
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.885
Pitch Class Variability 3.454
Pitch Class Variability After Folding 3.641
Pitch Skewness -0.01271
Pitch Class Skewness 0.2805
Pitch Class Skewness After Folding 1.4
Pitch Kurtosis 5.343
Pitch Class Kurtosis 4.804
Pitch Class Kurtosis After Folding 5.75
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.2968
Note Density per Quarter Note 0.801
Note Density per Quarter Note per Voice 0.2002
Note Density per Quarter Note Variability 0.4438
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01006
Prevalence of Medium Rhythmic Values 0.5171
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8179
Prevalence of Very Long Rhythmic Values 0.165
Prevalence of Dotted Notes 0.1338
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.435
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.335
Relative Prevalence of Most Common Rhythmic Values 0.7568
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.562
Rhythmic Value Skewness 1.68
Rhythmic Value Kurtosis 8.389
Mean Rhythmic Value Run Length 1.551
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.039
Mean Rhythmic Value Offset 0.1579
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.011
Complete Rests Fraction 0.0007226
Partial Rests Fraction 0.7126
Average Rest Fraction Across Voices 0.2841
Longest Complete Rest 0.8967
Longest Partial Rest 309.0
Mean Complete Rest Duration 0.8967
Mean Partial Rest Duration 27.12
Median Complete Rest Duration 0.8967
Median Partial Rest Duration 4.478
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 52.18
Variability Across Voices of Combined Rests 182.2
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.548
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2308
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.374
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7788
Rhythmic Variability - Tempo Standardized 0.0493
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 994.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 3.497
Minimum Note Duration 0.09615
Maximum Note Duration 5.714
Average Note Duration 0.7604
Variability of Note Durations 0.6614
Amount of Staccato 0.002012
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 285.3
Strongest Rhythmic Pulse 71.0
Second Strongest Rhythmic Pulse 47.0
Harmonicity of Two Strongest Rhythmic Pulses 1.511
Strength of Strongest Rhythmic Pulse 0.2759
Strength of Second Strongest Rhythmic Pulse 0.2377
Strength Ratio of Two Strongest Rhythmic Pulses 1.161
Combined Strength of Two Strongest Rhythmic Pulses 0.5136
Rhythmic Variability 0.03488
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 29.82
Duration in Seconds 263.9
Note Density 3.766
Note Density Variability 1.469
Average Time Between Attacks 0.4359
Average Time Between Attacks for Each Voice 1.389
Variability of Time Between Attacks 0.2722
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.6129
Relative Range Isolation of Loudest Voice 0.2857
Relative Range of Highest Line 0.6129
Relative Note Density of Highest Line 0.2616
Relative Note Durations of Lowest Line 2.146
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.9125
Voice Separation 5.333
Variability of Voice Separation 2.887
Parallel Motion 0.04473
Average Number of Independent Voices 2.878
Similar Motion 0.1246
Contrary Motion 0.1874
Oblique Motion 0.6432
Parallel Fifths 0.005325
Parallel Octaves 0.00213
Variability of Number of Independent Voices 0.8635
Voice Equality - Number of Notes 113.8
Voice Equality - Note Duration 38.74
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.517
Importance of Loudest Voice 11.67