File

Last modified on: April 14, 2020, 12:30 a.m.

Ock1002b-Missa_Au_travail_suis-Gloria.mid


Source
RenComp7
Musical Work
Missa Au travail suis
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
7.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2103
Prevalence of Second Most Common Vertical Interval 0.1948
Prevalence Ratio of Two Most Common Vertical Intervals 0.9263
Vertical Unisons 0.02747
Vertical Minor Seconds 0.0007102
Vertical Thirds 0.3625
Vertical Tritones 0.01291
Vertical Perfect Fourths 0.04857
Vertical Perfect Fifths 0.1942
Vertical Sixths 0.1586
Vertical Sevenths 0.01985
Vertical Octaves 0.1673
Perfect Vertical Intervals 0.4376
Vertical Dissonance Ratio 0.04313
Vertical Minor Third Prevalence 0.4224
Vertical Major Third Prevalence 0.3466
Chord Duration 3.411
Partial Chords 0.6164
Standard Triads 0.3378
Diminished and Augmented Triads 0.01509
Dominant Seventh Chords 0.003482
Seventh Chords 0.004643
Non-Standard Chords 0.04121
Complex Chords 0.0
Minor Major Triad Ratio 2.384
Average Number of Simultaneous Pitch Classes 2.178
Variability of Number of Simultaneous Pitch Classes 0.6897
Average Number of Simultaneous Pitches 2.629
Variability of Number of Simultaneous Pitches 0.999
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 8.986
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 94.2
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1721
Stepwise Motion 0.5515
Melodic Thirds 0.1775
Melodic Perfect Fourths 0.06504
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02439
Melodic Sixths 0.00271
Melodic Sevenths 0.00271
Melodic Octaves 0.006775
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.673
Melodic Embellishments 0.02423
Direction of Melodic Motion 0.4763
Average Length of Melodic Arcs 1.99
Average Interval Spanned by Melodic Arcs 5.101
Melodic Pitch Variety 4.83
Mean Melodic Interval 2.156
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3794
Relative Prevalence of Most Common Melodic Intervals 0.4536
Amount of Arpeggiation 0.3808
Repeated Notes 0.1694
Importance of Middle Register 0.6151
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 57.53
Mean Pitch Class 5.067
Most Common Pitch 53.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.09825
Prevalence of Most Common Pitch Class 0.2086
Relative Prevalence of Top Pitches 0.9863
Relative Prevalence of Top Pitch Classes 0.7935
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.533
Pitch Class Variability 3.357
Pitch Class Variability After Folding 3.553
Pitch Skewness 0.4277
Pitch Class Skewness 0.06014
Pitch Class Skewness After Folding 0.7568
Pitch Kurtosis 4.873
Pitch Class Kurtosis 4.883
Pitch Class Kurtosis After Folding 6.028
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 24.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.3849
Note Density per Quarter Note 0.7249
Note Density per Quarter Note per Voice 0.1812
Note Density per Quarter Note Variability 0.516
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.006729
Prevalence of Medium Rhythmic Values 0.3917
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9166
Prevalence of Very Long Rhythmic Values 0.1642
Prevalence of Dotted Notes 0.1036
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.712
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.4038
Relative Prevalence of Most Common Rhythmic Values 0.7633
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.177
Rhythmic Value Skewness -0.3969
Rhythmic Value Kurtosis 8.103
Mean Rhythmic Value Run Length 1.708
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.409
Mean Rhythmic Value Offset 0.008075
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.1516
Complete Rests Fraction 0.004471
Partial Rests Fraction 0.6544
Average Rest Fraction Across Voices 0.3317
Longest Complete Rest 3.672
Longest Partial Rest 110.2
Mean Complete Rest Duration 2.291
Mean Partial Rest Duration 26.66
Median Complete Rest Duration 3.672
Median Partial Rest Duration 18.19
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.953
Variability of Partial Rest Durations 28.93
Variability Across Voices of Combined Rests 31.07
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6739
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1578
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.27
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8318
Rhythmic Variability - Tempo Standardized 0.05561
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 743.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 2.142
Minimum Note Duration 0.09615
Maximum Note Duration 3.077
Average Note Duration 0.7735
Variability of Note Durations 0.4246
Amount of Staccato 0.002692
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 289.5
Strongest Rhythmic Pulse 72.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.357
Strength of Second Strongest Rhythmic Pulse 0.2519
Strength Ratio of Two Strongest Rhythmic Pulses 1.418
Combined Strength of Two Strongest Rhythmic Pulses 0.6089
Rhythmic Variability 0.03909
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.04
Duration in Seconds 214.7
Note Density 3.461
Note Density Variability 1.702
Average Time Between Attacks 0.5519
Average Time Between Attacks for Each Voice 1.123
Variability of Time Between Attacks 0.3255
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5862
Relative Range Isolation of Loudest Voice 0.1238
Relative Range of Highest Line 0.5862
Relative Note Density of Highest Line 0.3553
Relative Note Durations of Lowest Line 1.115
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.9664
Voice Separation 5.333
Variability of Voice Separation 3.512
Parallel Motion 0.07394
Average Number of Independent Voices 2.702
Similar Motion 0.1682
Contrary Motion 0.2495
Oblique Motion 0.5083
Parallel Fifths 0.003697
Parallel Octaves 0.007394
Variability of Number of Independent Voices 0.9928
Voice Equality - Number of Notes 11.59
Voice Equality - Note Duration 6.508
Voice Equality - Dynamics 10.31
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.5
Importance of Loudest Voice 15.0