File

Last modified on: April 14, 2020, 12:31 a.m.

Ock1013e-Requiem-Offertory_Domine_Jesu_Christe.mid


Source
RenComp7
Musical Work
Requiem
Section
Offertory_Domine_Jesu_Christe
File Type
Symbolic Music
File Format
.mid
File Size
13.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1839
Prevalence of Second Most Common Vertical Interval 0.1716
Prevalence Ratio of Two Most Common Vertical Intervals 0.933
Vertical Unisons 0.03556
Vertical Minor Seconds 0.001062
Vertical Thirds 0.3022
Vertical Tritones 0.01304
Vertical Perfect Fourths 0.1417
Vertical Perfect Fifths 0.1679
Vertical Sixths 0.1606
Vertical Sevenths 0.01901
Vertical Octaves 0.1484
Perfect Vertical Intervals 0.4936
Vertical Dissonance Ratio 0.04562
Vertical Minor Third Prevalence 0.4369
Vertical Major Third Prevalence 0.3446
Chord Duration 2.97
Partial Chords 0.4511
Standard Triads 0.4426
Diminished and Augmented Triads 0.02842
Dominant Seventh Chords 0.001754
Seventh Chords 0.004912
Non-Standard Chords 0.1014
Complex Chords 0.0
Minor Major Triad Ratio 1.69
Average Number of Simultaneous Pitch Classes 2.435
Variability of Number of Simultaneous Pitch Classes 0.6507
Average Number of Simultaneous Pitches 2.892
Variability of Number of Simultaneous Pitches 0.8297
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 7.67
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 121.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2246
Stepwise Motion 0.6564
Melodic Thirds 0.1707
Melodic Perfect Fourths 0.07111
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0262
Melodic Sixths 0.002994
Melodic Sevenths 0.0
Melodic Octaves 0.007485
Melodic Large Intervals 0.0007485
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.257
Melodic Embellishments 0.01939
Direction of Melodic Motion 0.4808
Average Length of Melodic Arcs 1.86
Average Interval Spanned by Melodic Arcs 4.574
Melodic Pitch Variety 4.96
Mean Melodic Interval 2.317
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4319
Relative Prevalence of Most Common Melodic Intervals 0.5199
Amount of Arpeggiation 0.2687
Repeated Notes 0.06437
Importance of Middle Register 0.5913
Importance of High Register 0.002237
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 55.43
Mean Pitch Class 5.08
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1119
Prevalence of Most Common Pitch Class 0.2088
Relative Prevalence of Top Pitches 0.9333
Relative Prevalence of Top Pitch Classes 0.8536
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.448
Pitch Class Variability 3.476
Pitch Class Variability After Folding 3.33
Pitch Skewness -0.4625
Pitch Class Skewness 0.06886
Pitch Class Skewness After Folding 0.608
Pitch Kurtosis 5.257
Pitch Class Kurtosis 4.773
Pitch Class Kurtosis After Folding 6.445
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 62.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.4064
Note Density per Quarter Note 0.6494
Note Density per Quarter Note per Voice 0.1299
Note Density per Quarter Note Variability 0.4079
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.3057
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9292
Prevalence of Very Long Rhythmic Values 0.2714
Prevalence of Dotted Notes 0.1223
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 4.481
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3893
Relative Prevalence of Most Common Rhythmic Values 0.6034
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.719
Rhythmic Value Skewness 0.5303
Rhythmic Value Kurtosis 6.486
Mean Rhythmic Value Run Length 1.62
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.106
Mean Rhythmic Value Offset 0.1632
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.093
Complete Rests Fraction 0.0004576
Partial Rests Fraction 1.0
Average Rest Fraction Across Voices 0.395
Longest Complete Rest 0.9448
Longest Partial Rest 1858.0
Mean Complete Rest Duration 0.9448
Mean Partial Rest Duration 50.98
Median Complete Rest Duration 0.9448
Median Partial Rest Duration 3.775
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 217.9
Variability Across Voices of Combined Rests 614.1
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.709
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1325
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 5.35
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8415
Rhythmic Variability - Tempo Standardized 0.05756
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 6.0
Total Number of Notes 1341.0
Initial Tempo 315.0
Average Variability of Time Between Attacks for Each Voice 1.782
Minimum Note Duration 0.1818
Maximum Note Duration 5.714
Average Note Duration 0.9401
Variability of Note Durations 0.6712
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 300.5
Strongest Rhythmic Pulse 75.0
Second Strongest Rhythmic Pulse 50.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.4242
Strength of Second Strongest Rhythmic Pulse 0.2308
Strength Ratio of Two Strongest Rhythmic Pulses 1.838
Combined Strength of Two Strongest Rhythmic Pulses 0.655
Rhythmic Variability 0.04156
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.89
Duration in Seconds 416.8
Note Density 3.217
Note Density Variability 1.407
Average Time Between Attacks 0.6033
Average Time Between Attacks for Each Voice 1.202
Variability of Time Between Attacks 0.4233
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.6774
Relative Range Isolation of Loudest Voice 0.03016
Relative Range of Highest Line 0.3871
Relative Note Density of Highest Line 0.2349
Relative Note Durations of Lowest Line 1.061
Relative Size of Melodic Intervals in Lowest Line 0.5556
Voice Overlap 0.9903
Voice Separation 3.75
Variability of Voice Separation 2.062
Parallel Motion 0.09358
Average Number of Independent Voices 3.012
Similar Motion 0.1872
Contrary Motion 0.2111
Oblique Motion 0.5081
Parallel Fifths 0.00464
Parallel Octaves 0.001547
Variability of Number of Independent Voices 0.8037
Voice Equality - Number of Notes 147.3
Voice Equality - Note Duration 124.0
Voice Equality - Dynamics 8.216
Voice Equality - Melodic Leaps 0.4472
Voice Equality - Range 3.493
Importance of Loudest Voice 7.5