| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2339 |
| Prevalence of Second Most Common Vertical Interval |
0.1996 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8535 |
| Vertical Unisons |
0.06058 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.359 |
| Vertical Tritones |
0.01688 |
| Vertical Perfect Fourths |
0.05958 |
| Vertical Perfect Fifths |
0.1678 |
| Vertical Sixths |
0.1753 |
| Vertical Sevenths |
0.01589 |
| Vertical Octaves |
0.139 |
| Perfect Vertical Intervals |
0.427 |
| Vertical Dissonance Ratio |
0.04029 |
| Vertical Minor Third Prevalence |
0.4351 |
| Vertical Major Third Prevalence |
0.274 |
| Chord Duration |
1.936 |
| Partial Chords |
0.6223 |
| Standard Triads |
0.2899 |
| Diminished and Augmented Triads |
0.03723 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.08777 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.271 |
| Average Number of Simultaneous Pitch Classes |
2.245 |
| Variability of Number of Simultaneous Pitch Classes |
0.6143 |
| Average Number of Simultaneous Pitches |
2.577 |
| Variability of Number of Simultaneous Pitches |
0.6075 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1546 |
| Stepwise Motion |
0.6812 |
| Melodic Thirds |
0.1981 |
| Melodic Perfect Fourths |
0.05314 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.01449 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0314 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.562 |
| Melodic Embellishments |
0.007194 |
| Direction of Melodic Motion |
0.4519 |
| Average Length of Melodic Arcs |
1.695 |
| Average Interval Spanned by Melodic Arcs |
4.46 |
| Melodic Pitch Variety |
5.336 |
| Mean Melodic Interval |
2.623 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5266 |
| Relative Prevalence of Most Common Melodic Intervals |
0.2936 |
| Amount of Arpeggiation |
0.2657 |
| Repeated Notes |
0.02174 |
| Importance of Middle Register |
0.8993 |
| Importance of High Register |
0.02398 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.9 |
| Mean Pitch Class |
5.281 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1343 |
| Prevalence of Most Common Pitch Class |
0.1775 |
| Relative Prevalence of Top Pitches |
0.8036 |
| Relative Prevalence of Top Pitch Classes |
0.9459 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
5.729 |
| Pitch Class Variability |
3.567 |
| Pitch Class Variability After Folding |
3.127 |
| Pitch Skewness |
0.3014 |
| Pitch Class Skewness |
0.2359 |
| Pitch Class Skewness After Folding |
0.283 |
| Pitch Kurtosis |
5.417 |
| Pitch Class Kurtosis |
4.853 |
| Pitch Class Kurtosis After Folding |
7.41 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
16.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.07674 |
| Note Density per Quarter Note |
1.0 |
| Note Density per Quarter Note per Voice |
0.3333 |
| Note Density per Quarter Note Variability |
0.3576 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5971 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8777 |
| Prevalence of Very Long Rhythmic Values |
0.02878 |
| Prevalence of Dotted Notes |
0.05755 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.719 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4748 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7121 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.265 |
| Rhythmic Value Skewness |
1.706 |
| Rhythmic Value Kurtosis |
7.067 |
| Mean Rhythmic Value Run Length |
1.539 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8195 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.002378 |
| Partial Rests Fraction |
0.2422 |
| Average Rest Fraction Across Voices |
0.09351 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.342 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.058 |
| Variability Across Voices of Combined Rests |
12.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7094 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1489 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.766 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8583 |
| Rhythmic Variability - Tempo Standardized |
0.05806 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
417.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3671 |
| Minimum Note Duration |
0.2381 |
| Maximum Note Duration |
1.905 |
| Average Note Duration |
0.6475 |
| Variability of Note Durations |
0.3013 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
42.0 |
| Second Strongest Rhythmic Pulse |
63.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3059 |
| Strength of Second Strongest Rhythmic Pulse |
0.2882 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.061 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5942 |
| Rhythmic Variability |
0.0402 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001528 |
| Duration in Seconds |
99.28 |
| Note Density |
4.2 |
| Note Density Variability |
1.014 |
| Average Time Between Attacks |
0.4396 |
| Average Time Between Attacks for Each Voice |
0.6812 |
| Variability of Time Between Attacks |
0.2081 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5833 |
| Relative Range Isolation of Loudest Voice |
0.3556 |
| Relative Range of Highest Line |
0.5833 |
| Relative Note Density of Highest Line |
0.482 |
| Relative Note Durations of Lowest Line |
1.001 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8082 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.07006 |
| Average Number of Independent Voices |
2.726 |
| Similar Motion |
0.1401 |
| Contrary Motion |
0.2611 |
| Oblique Motion |
0.5287 |
| Parallel Fifths |
0.006369 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.516 |
| Voice Equality - Number of Notes |
4.0 |
| Voice Equality - Note Duration |
2.857 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |