File

Last modified on: April 14, 2020, 12:33 a.m.

Ock1006c-Missa_Ecce_ancilla_domini-Credo.mid


Source
RenComp7
Musical Work
Missa Ecce ancilla domini
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
19.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1973
Prevalence of Second Most Common Vertical Interval 0.188
Prevalence Ratio of Two Most Common Vertical Intervals 0.953
Vertical Unisons 0.0278
Vertical Minor Seconds 0.003539
Vertical Thirds 0.3286
Vertical Tritones 0.01312
Vertical Perfect Fourths 0.07448
Vertical Perfect Fifths 0.1973
Vertical Sixths 0.157
Vertical Sevenths 0.02452
Vertical Octaves 0.1602
Perfect Vertical Intervals 0.4597
Vertical Dissonance Ratio 0.05775
Vertical Minor Third Prevalence 0.3641
Vertical Major Third Prevalence 0.394
Chord Duration 2.391
Partial Chords 0.5495
Standard Triads 0.3305
Diminished and Augmented Triads 0.02805
Dominant Seventh Chords 0.005658
Seventh Chords 0.02122
Non-Standard Chords 0.09877
Complex Chords 0.0
Minor Major Triad Ratio 0.6611
Average Number of Simultaneous Pitch Classes 2.341
Variability of Number of Simultaneous Pitch Classes 0.6931
Average Number of Simultaneous Pitches 2.818
Variability of Number of Simultaneous Pitches 0.9358
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 8.995
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 253.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1918
Stepwise Motion 0.66
Melodic Thirds 0.1828
Melodic Perfect Fourths 0.04558
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03799
Melodic Sixths 0.0004748
Melodic Sevenths 0.0009497
Melodic Octaves 0.008072
Melodic Large Intervals 0.0009497
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.692
Melodic Embellishments 0.02275
Direction of Melodic Motion 0.4678
Average Length of Melodic Arcs 2.007
Average Interval Spanned by Melodic Arcs 5.042
Melodic Pitch Variety 5.307
Mean Melodic Interval 2.362
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4682
Relative Prevalence of Most Common Melodic Intervals 0.4097
Amount of Arpeggiation 0.293
Repeated Notes 0.06315
Importance of Middle Register 0.6009
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 55.86
Mean Pitch Class 4.891
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.09289
Prevalence of Most Common Pitch Class 0.1877
Relative Prevalence of Top Pitches 0.9184
Relative Prevalence of Top Pitch Classes 0.8611
Interval Between Most Prevalent Pitches 12.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.668
Pitch Class Variability 3.416
Pitch Class Variability After Folding 4.053
Pitch Skewness -0.208
Pitch Class Skewness -0.09572
Pitch Class Skewness After Folding 0.8061
Pitch Kurtosis 5.088
Pitch Class Kurtosis 4.77
Pitch Class Kurtosis After Folding 5.022
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 32.0
Importance of Bass Register 0.3991
Note Density per Quarter Note 0.8983
Note Density per Quarter Note per Voice 0.2246
Note Density per Quarter Note Variability 0.437
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.005687
Prevalence of Medium Rhythmic Values 0.4848
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8645
Prevalence of Very Long Rhythmic Values 0.09384
Prevalence of Dotted Notes 0.1156
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.195
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3493
Relative Prevalence of Most Common Rhythmic Values 0.9946
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.979
Rhythmic Value Skewness 0.2959
Rhythmic Value Kurtosis 10.79
Mean Rhythmic Value Run Length 1.59
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.33
Mean Rhythmic Value Offset 0.03981
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.7731
Complete Rests Fraction 0.0003793
Partial Rests Fraction 0.6318
Average Rest Fraction Across Voices 0.277
Longest Complete Rest 0.8909
Longest Partial Rest 440.5
Mean Complete Rest Duration 0.8909
Mean Partial Rest Duration 22.06
Median Complete Rest Duration 0.8909
Median Partial Rest Duration 3.594
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 61.51
Variability Across Voices of Combined Rests 359.1
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6038
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.21
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.875
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8138
Rhythmic Variability - Tempo Standardized 0.05218
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 2110.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 2.567
Minimum Note Duration 0.09615
Maximum Note Duration 6.154
Average Note Duration 0.6891
Variability of Note Durations 0.4978
Amount of Staccato 0.0009479
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 283.5
Strongest Rhythmic Pulse 70.0
Second Strongest Rhythmic Pulse 47.0
Harmonicity of Two Strongest Rhythmic Pulses 1.489
Strength of Strongest Rhythmic Pulse 0.3096
Strength of Second Strongest Rhythmic Pulse 0.2475
Strength Ratio of Two Strongest Rhythmic Pulses 1.251
Combined Strength of Two Strongest Rhythmic Pulses 0.5571
Rhythmic Variability 0.0367
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.96
Duration in Seconds 502.8
Note Density 4.196
Note Density Variability 1.6
Average Time Between Attacks 0.4347
Average Time Between Attacks for Each Voice 0.9596
Variability of Time Between Attacks 0.2433
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5312
Relative Range Isolation of Loudest Voice 0.2183
Relative Range of Highest Line 0.5312
Relative Note Density of Highest Line 0.1213
Relative Note Durations of Lowest Line 0.9925
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.9365
Voice Separation 5.667
Variability of Voice Separation 2.517
Parallel Motion 0.04377
Average Number of Independent Voices 2.907
Similar Motion 0.1615
Contrary Motion 0.214
Oblique Motion 0.5807
Parallel Fifths 0.003405
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.9497
Voice Equality - Number of Notes 179.1
Voice Equality - Note Duration 76.86
Voice Equality - Dynamics 10.31
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.258
Importance of Loudest Voice 15.0