| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1977 |
| Prevalence of Second Most Common Vertical Interval |
0.1725 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8726 |
| Vertical Unisons |
0.03891 |
| Vertical Minor Seconds |
0.004037 |
| Vertical Thirds |
0.3419 |
| Vertical Tritones |
0.01239 |
| Vertical Perfect Fourths |
0.08272 |
| Vertical Perfect Fifths |
0.1725 |
| Vertical Sixths |
0.1519 |
| Vertical Sevenths |
0.02102 |
| Vertical Octaves |
0.1588 |
| Perfect Vertical Intervals |
0.453 |
| Vertical Dissonance Ratio |
0.0562 |
| Vertical Minor Third Prevalence |
0.4393 |
| Vertical Major Third Prevalence |
0.4299 |
| Chord Duration |
1.945 |
| Partial Chords |
0.4935 |
| Standard Triads |
0.3804 |
| Diminished and Augmented Triads |
0.02839 |
| Dominant Seventh Chords |
0.002505 |
| Seventh Chords |
0.02129 |
| Non-Standard Chords |
0.1048 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.804 |
| Average Number of Simultaneous Pitch Classes |
2.446 |
| Variability of Number of Simultaneous Pitch Classes |
0.6591 |
| Average Number of Simultaneous Pitches |
2.953 |
| Variability of Number of Simultaneous Pitches |
0.8554 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.662 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
234.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1982 |
| Stepwise Motion |
0.6642 |
| Melodic Thirds |
0.1676 |
| Melodic Perfect Fourths |
0.0545 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04564 |
| Melodic Sixths |
0.001362 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0109 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.795 |
| Melodic Embellishments |
0.01358 |
| Direction of Melodic Motion |
0.4668 |
| Average Length of Melodic Arcs |
1.974 |
| Average Interval Spanned by Melodic Arcs |
5.04 |
| Melodic Pitch Variety |
5.297 |
| Mean Melodic Interval |
2.427 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4659 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4254 |
| Amount of Arpeggiation |
0.28 |
| Repeated Notes |
0.05586 |
| Importance of Middle Register |
0.5655 |
| Importance of High Register |
0.002716 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.44 |
| Mean Pitch Class |
5.171 |
| Most Common Pitch |
53.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.08758 |
| Prevalence of Most Common Pitch Class |
0.1772 |
| Relative Prevalence of Top Pitches |
0.9535 |
| Relative Prevalence of Top Pitch Classes |
0.908 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
7.595 |
| Pitch Class Variability |
3.467 |
| Pitch Class Variability After Folding |
4.108 |
| Pitch Skewness |
0.4264 |
| Pitch Class Skewness |
0.148 |
| Pitch Class Skewness After Folding |
0.946 |
| Pitch Kurtosis |
5.228 |
| Pitch Class Kurtosis |
4.723 |
| Pitch Class Kurtosis After Folding |
4.877 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
0.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.4318 |
| Note Density per Quarter Note |
1.153 |
| Note Density per Quarter Note per Voice |
0.2884 |
| Note Density per Quarter Note Variability |
0.4747 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0258 |
| Prevalence of Medium Rhythmic Values |
0.6158 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7977 |
| Prevalence of Very Long Rhythmic Values |
0.05363 |
| Prevalence of Dotted Notes |
0.1059 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.67 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4134 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6388 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.636 |
| Rhythmic Value Skewness |
1.229 |
| Rhythmic Value Kurtosis |
13.06 |
| Mean Rhythmic Value Run Length |
1.701 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.266 |
| Mean Rhythmic Value Offset |
0.01086 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2082 |
| Complete Rests Fraction |
0.0006887 |
| Partial Rests Fraction |
0.5965 |
| Average Rest Fraction Across Voices |
0.2324 |
| Longest Complete Rest |
0.8795 |
| Longest Partial Rest |
312.2 |
| Mean Complete Rest Duration |
0.8795 |
| Mean Partial Rest Duration |
13.05 |
| Median Complete Rest Duration |
0.8795 |
| Median Partial Rest Duration |
2.196 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
44.24 |
| Variability Across Voices of Combined Rests |
214.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6101 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1899 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.212 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8001 |
| Rhythmic Variability - Tempo Standardized |
0.05212 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1473.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.347 |
| Minimum Note Duration |
0.09615 |
| Maximum Note Duration |
3.077 |
| Average Note Duration |
0.5782 |
| Variability of Note Durations |
0.3645 |
| Amount of Staccato |
0.008147 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
279.9 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2591 |
| Strength of Second Strongest Rhythmic Pulse |
0.252 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.028 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5111 |
| Rhythmic Variability |
0.03525 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.92 |
| Duration in Seconds |
276.9 |
| Note Density |
5.32 |
| Note Density Variability |
1.652 |
| Average Time Between Attacks |
0.3631 |
| Average Time Between Attacks for Each Voice |
0.798 |
| Variability of Time Between Attacks |
0.2118 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.4042 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.1792 |
| Relative Note Durations of Lowest Line |
0.9694 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8439 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.05386 |
| Average Number of Independent Voices |
3.089 |
| Similar Motion |
0.1366 |
| Contrary Motion |
0.2139 |
| Oblique Motion |
0.5956 |
| Parallel Fifths |
0.003123 |
| Parallel Octaves |
0.0007806 |
| Variability of Number of Independent Voices |
0.8723 |
| Voice Equality - Number of Notes |
117.9 |
| Voice Equality - Note Duration |
46.44 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
15.0 |