File

Last modified on: April 14, 2020, 12:33 a.m.

Ock1002d-Missa_Au_travail_suis-Sanctus.mid


Source
RenComp7
Musical Work
Missa Au travail suis
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
5.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 1.0
Prevalence of Most Common Vertical Interval 0.1923
Prevalence of Second Most Common Vertical Interval 0.1868
Prevalence Ratio of Two Most Common Vertical Intervals 0.9714
Vertical Unisons 0.02183
Vertical Minor Seconds 0.0007899
Vertical Thirds 0.3791
Vertical Tritones 0.004062
Vertical Perfect Fourths 0.07239
Vertical Perfect Fifths 0.1843
Vertical Sixths 0.1521
Vertical Sevenths 0.01688
Vertical Octaves 0.1621
Perfect Vertical Intervals 0.4407
Vertical Dissonance Ratio 0.02893
Vertical Minor Third Prevalence 0.3734
Vertical Major Third Prevalence 0.3594
Chord Duration 3.55
Partial Chords 0.6258
Standard Triads 0.3442
Diminished and Augmented Triads 0.007509
Dominant Seventh Chords 0.0
Seventh Chords 0.005006
Non-Standard Chords 0.02503
Complex Chords 0.0
Minor Major Triad Ratio 1.007
Average Number of Simultaneous Pitch Classes 2.183
Variability of Number of Simultaneous Pitch Classes 0.6678
Average Number of Simultaneous Pitches 2.608
Variability of Number of Simultaneous Pitches 0.9871
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 4.0
Dynamic Range 20.0
Variation of Dynamics 8.879
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 72.17
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1874
Stepwise Motion 0.5659
Melodic Thirds 0.2226
Melodic Perfect Fourths 0.05751
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0334
Melodic Sixths 0.001855
Melodic Sevenths 0.003711
Melodic Octaves 0.007421
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.791
Melodic Embellishments 0.03663
Direction of Melodic Motion 0.4761
Average Length of Melodic Arcs 1.775
Average Interval Spanned by Melodic Arcs 4.631
Melodic Pitch Variety 5.139
Mean Melodic Interval 2.354
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3785
Relative Prevalence of Most Common Melodic Intervals 0.4951
Amount of Arpeggiation 0.3748
Repeated Notes 0.1076
Importance of Middle Register 0.6447
Importance of High Register 0.001832
Dominant Spread 6.0
Strong Tonal Centres 3.0
Mean Pitch 57.96
Mean Pitch Class 5.473
Most Common Pitch 53.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.09158
Prevalence of Most Common Pitch Class 0.207
Relative Prevalence of Top Pitches 0.96
Relative Prevalence of Top Pitch Classes 0.7965
Interval Between Most Prevalent Pitches 16.0
Interval Between Most Prevalent Pitch Classes 4.0
Pitch Variability 7.709
Pitch Class Variability 3.406
Pitch Class Variability After Folding 3.621
Pitch Skewness 0.1711
Pitch Class Skewness 0.4162
Pitch Class Skewness After Folding 0.7921
Pitch Kurtosis 4.917
Pitch Class Kurtosis 4.919
Pitch Class Kurtosis After Folding 5.826
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.3535
Note Density per Quarter Note 0.5778
Note Density per Quarter Note per Voice 0.1444
Note Density per Quarter Note Variability 0.3915
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.003663
Prevalence of Medium Rhythmic Values 0.3919
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9231
Prevalence of Very Long Rhythmic Values 0.2289
Prevalence of Dotted Notes 0.1612
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 4.209
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3297
Relative Prevalence of Most Common Rhythmic Values 0.9556
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.932
Rhythmic Value Skewness 0.2137
Rhythmic Value Kurtosis 7.185
Mean Rhythmic Value Run Length 1.611
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.17
Mean Rhythmic Value Offset 0.3443
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.739
Complete Rests Fraction 0.01338
Partial Rests Fraction 0.692
Average Rest Fraction Across Voices 0.3451
Longest Complete Rest 7.254
Longest Partial Rest 203.1
Mean Complete Rest Duration 4.215
Mean Partial Rest Duration 33.45
Median Complete Rest Duration 4.491
Median Partial Rest Duration 4.491
Duple Initial Meter 1.0
Variability of Complete Rest Durations 3.187
Variability of Partial Rest Durations 49.69
Variability Across Voices of Combined Rests 41.67
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7197
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1509
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.769
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8706
Rhythmic Variability - Tempo Standardized 0.05864
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 546.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 3.498
Minimum Note Duration 0.119
Maximum Note Duration 6.154
Average Note Duration 0.9678
Variability of Note Durations 0.804
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 286.1
Strongest Rhythmic Pulse 71.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.479
Strength of Strongest Rhythmic Pulse 0.3237
Strength of Second Strongest Rhythmic Pulse 0.2813
Strength Ratio of Two Strongest Rhythmic Pulses 1.151
Combined Strength of Two Strongest Rhythmic Pulses 0.605
Rhythmic Variability 0.03919
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.72
Duration in Seconds 200.4
Note Density 2.724
Note Density Variability 1.239
Average Time Between Attacks 0.6269
Average Time Between Attacks for Each Voice 1.439
Variability of Time Between Attacks 0.5346
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.3871
Relative Range Isolation of Loudest Voice 0.2015
Relative Range of Highest Line 0.3871
Relative Note Density of Highest Line 0.4908
Relative Note Durations of Lowest Line 1.051
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.9505
Voice Separation 5.333
Variability of Voice Separation 3.512
Parallel Motion 0.04324
Average Number of Independent Voices 2.65
Similar Motion 0.1595
Contrary Motion 0.2324
Oblique Motion 0.5649
Parallel Fifths 0.005405
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.9539
Voice Equality - Number of Notes 9.883
Voice Equality - Note Duration 8.838
Voice Equality - Dynamics 10.31
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.944
Importance of Loudest Voice 15.0