File

Last modified on: April 14, 2020, 12:34 a.m.

Ock1004.2d-Missa_Cuiusvis_toni-Sanctus-on_E.mid


Source
RenComp7
Musical Work
Missa Cuiusvis toni (E)
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
10.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2196
Prevalence of Second Most Common Vertical Interval 0.1933
Prevalence Ratio of Two Most Common Vertical Intervals 0.8802
Vertical Unisons 0.02765
Vertical Minor Seconds 0.004682
Vertical Thirds 0.3624
Vertical Tritones 0.02108
Vertical Perfect Fourths 0.07007
Vertical Perfect Fifths 0.1652
Vertical Sixths 0.1579
Vertical Sevenths 0.01598
Vertical Octaves 0.1657
Perfect Vertical Intervals 0.4286
Vertical Dissonance Ratio 0.05383
Vertical Minor Third Prevalence 0.5425
Vertical Major Third Prevalence 0.3962
Chord Duration 2.308
Partial Chords 0.4156
Standard Triads 0.4524
Diminished and Augmented Triads 0.05169
Dominant Seventh Chords 0.001024
Seventh Chords 0.006141
Non-Standard Chords 0.1259
Complex Chords 0.0
Minor Major Triad Ratio 2.027
Average Number of Simultaneous Pitch Classes 2.476
Variability of Number of Simultaneous Pitch Classes 0.6612
Average Number of Simultaneous Pitches 3.03
Variability of Number of Simultaneous Pitches 0.8132
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 6.67
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 72.92
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2287
Stepwise Motion 0.6538
Melodic Thirds 0.1974
Melodic Perfect Fourths 0.05326
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03398
Melodic Sixths 0.0
Melodic Sevenths 0.0009183
Melodic Octaves 0.008264
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.389
Melodic Embellishments 0.01921
Direction of Melodic Motion 0.4893
Average Length of Melodic Arcs 1.752
Average Interval Spanned by Melodic Arcs 4.355
Melodic Pitch Variety 4.915
Mean Melodic Interval 2.366
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4252
Relative Prevalence of Most Common Melodic Intervals 0.5378
Amount of Arpeggiation 0.2929
Repeated Notes 0.05234
Importance of Middle Register 0.6816
Importance of High Register 0.00183
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 57.21
Mean Pitch Class 5.555
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1144
Prevalence of Most Common Pitch Class 0.1995
Relative Prevalence of Top Pitches 0.816
Relative Prevalence of Top Pitch Classes 0.9128
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.952
Pitch Class Variability 3.599
Pitch Class Variability After Folding 3.01
Pitch Skewness 0.2902
Pitch Class Skewness 0.4629
Pitch Class Skewness After Folding 0.4569
Pitch Kurtosis 5.407
Pitch Class Kurtosis 4.822
Pitch Class Kurtosis After Folding 7.31
Major or Minor 0.0
First Pitch 64.0
First Pitch Class 4.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.3166
Note Density per Quarter Note 1.03
Note Density per Quarter Note per Voice 0.2575
Note Density per Quarter Note Variability 0.4935
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01738
Prevalence of Medium Rhythmic Values 0.5489
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8463
Prevalence of Very Long Rhythmic Values 0.08783
Prevalence of Dotted Notes 0.1043
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.025
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3952
Relative Prevalence of Most Common Rhythmic Values 0.7569
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.949
Rhythmic Value Skewness 1.577
Rhythmic Value Kurtosis 10.94
Mean Rhythmic Value Run Length 1.605
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.156
Mean Rhythmic Value Offset 0.01098
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2094
Complete Rests Fraction 0.0008584
Partial Rests Fraction 0.6405
Average Rest Fraction Across Voices 0.2186
Longest Complete Rest 0.9107
Longest Partial Rest 309.5
Mean Complete Rest Duration 0.9107
Mean Partial Rest Duration 15.73
Median Complete Rest Duration 0.9107
Median Partial Rest Duration 3.674
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 44.83
Variability Across Voices of Combined Rests 195.1
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6074
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2028
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.995
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8102
Rhythmic Variability - Tempo Standardized 0.052
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1093.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 1.272
Minimum Note Duration 0.09615
Maximum Note Duration 3.81
Average Note Duration 0.6353
Variability of Note Durations 0.4158
Amount of Staccato 0.01189
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 289.6
Strongest Rhythmic Pulse 72.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2817
Strength of Second Strongest Rhythmic Pulse 0.2482
Strength Ratio of Two Strongest Rhythmic Pulses 1.135
Combined Strength of Two Strongest Rhythmic Pulses 0.5299
Rhythmic Variability 0.03563
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.02
Duration in Seconds 222.2
Note Density 4.92
Note Density Variability 1.566
Average Time Between Attacks 0.402
Average Time Between Attacks for Each Voice 0.7511
Variability of Time Between Attacks 0.2419
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5
Relative Range Isolation of Loudest Voice 0.3127
Relative Range of Highest Line 0.5
Relative Note Density of Highest Line 0.2379
Relative Note Durations of Lowest Line 1.037
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8591
Voice Separation 5.333
Variability of Voice Separation 2.082
Parallel Motion 0.05969
Average Number of Independent Voices 3.13
Similar Motion 0.1696
Contrary Motion 0.2474
Oblique Motion 0.5234
Parallel Fifths 0.002595
Parallel Octaves 0.00173
Variability of Number of Independent Voices 0.7648
Voice Equality - Number of Notes 72.92
Voice Equality - Note Duration 40.84
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.217
Importance of Loudest Voice 11.67