| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2185 |
| Prevalence of Second Most Common Vertical Interval |
0.1921 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8794 |
| Vertical Unisons |
0.05489 |
| Vertical Minor Seconds |
0.006895 |
| Vertical Thirds |
0.3813 |
| Vertical Tritones |
0.005263 |
| Vertical Perfect Fourths |
0.05845 |
| Vertical Perfect Fifths |
0.1778 |
| Vertical Sixths |
0.1378 |
| Vertical Sevenths |
0.02095 |
| Vertical Octaves |
0.1372 |
| Perfect Vertical Intervals |
0.4284 |
| Vertical Dissonance Ratio |
0.05547 |
| Vertical Minor Third Prevalence |
0.3392 |
| Vertical Major Third Prevalence |
0.3039 |
| Chord Duration |
2.005 |
| Partial Chords |
0.6917 |
| Standard Triads |
0.2531 |
| Diminished and Augmented Triads |
0.001253 |
| Dominant Seventh Chords |
0.001253 |
| Seventh Chords |
0.002506 |
| Non-Standard Chords |
0.05263 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
3.81 |
| Average Number of Simultaneous Pitch Classes |
2.093 |
| Variability of Number of Simultaneous Pitch Classes |
0.6707 |
| Average Number of Simultaneous Pitches |
2.39 |
| Variability of Number of Simultaneous Pitches |
0.8674 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.439 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
123.6 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2154 |
| Stepwise Motion |
0.6441 |
| Melodic Thirds |
0.1692 |
| Melodic Perfect Fourths |
0.04513 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.08103 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02564 |
| Melodic Large Intervals |
0.002051 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.342 |
| Melodic Embellishments |
0.00715 |
| Direction of Melodic Motion |
0.5249 |
| Average Length of Melodic Arcs |
1.623 |
| Average Interval Spanned by Melodic Arcs |
4.599 |
| Melodic Pitch Variety |
5.061 |
| Mean Melodic Interval |
2.751 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4287 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5024 |
| Amount of Arpeggiation |
0.3108 |
| Repeated Notes |
0.03282 |
| Importance of Middle Register |
0.6547 |
| Importance of High Register |
0.01328 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.34 |
| Mean Pitch Class |
5.291 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1021 |
| Prevalence of Most Common Pitch Class |
0.192 |
| Relative Prevalence of Top Pitches |
0.98 |
| Relative Prevalence of Top Pitch Classes |
0.9628 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.261 |
| Pitch Class Variability |
3.465 |
| Pitch Class Variability After Folding |
3.348 |
| Pitch Skewness |
0.3819 |
| Pitch Class Skewness |
0.2521 |
| Pitch Class Skewness After Folding |
0.7241 |
| Pitch Kurtosis |
5.276 |
| Pitch Class Kurtosis |
4.783 |
| Pitch Class Kurtosis After Folding |
6.304 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
62.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.332 |
| Note Density per Quarter Note |
1.015 |
| Note Density per Quarter Note per Voice |
0.2536 |
| Note Density per Quarter Note Variability |
0.554 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7467 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.668 |
| Prevalence of Very Long Rhythmic Values |
0.06946 |
| Prevalence of Dotted Notes |
0.1032 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.46 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4147 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8005 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.122 |
| Rhythmic Value Skewness |
0.6497 |
| Rhythmic Value Kurtosis |
14.65 |
| Mean Rhythmic Value Run Length |
2.491 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
3.182 |
| Mean Rhythmic Value Offset |
0.01839 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4286 |
| Complete Rests Fraction |
0.0009777 |
| Partial Rests Fraction |
0.7622 |
| Average Rest Fraction Across Voices |
0.3616 |
| Longest Complete Rest |
0.9435 |
| Longest Partial Rest |
327.3 |
| Mean Complete Rest Duration |
0.9435 |
| Mean Partial Rest Duration |
21.47 |
| Median Complete Rest Duration |
0.9435 |
| Median Partial Rest Duration |
1.903 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
59.37 |
| Variability Across Voices of Combined Rests |
154.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5273 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.24 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.197 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7674 |
| Rhythmic Variability - Tempo Standardized |
0.04896 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
979.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.855 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.5512 |
| Variability of Note Durations |
0.5429 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
276.2 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
137.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.986 |
| Strength of Strongest Rhythmic Pulse |
0.2296 |
| Strength of Second Strongest Rhythmic Pulse |
0.2287 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.004 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4583 |
| Rhythmic Variability |
0.03367 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
22.87 |
| Duration in Seconds |
211.3 |
| Note Density |
4.633 |
| Note Density Variability |
2.025 |
| Average Time Between Attacks |
0.3611 |
| Average Time Between Attacks for Each Voice |
1.097 |
| Variability of Time Between Attacks |
0.2184 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.4529 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.2697 |
| Relative Note Durations of Lowest Line |
0.8526 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8161 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04979 |
| Average Number of Independent Voices |
2.517 |
| Similar Motion |
0.1646 |
| Contrary Motion |
0.2282 |
| Oblique Motion |
0.5574 |
| Parallel Fifths |
0.001383 |
| Parallel Octaves |
0.001383 |
| Variability of Number of Independent Voices |
0.9114 |
| Voice Equality - Number of Notes |
123.6 |
| Voice Equality - Note Duration |
33.74 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
11.67 |