| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2253 |
| Prevalence of Second Most Common Vertical Interval |
0.2054 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9116 |
| Vertical Unisons |
0.00805 |
| Vertical Minor Seconds |
0.003073 |
| Vertical Thirds |
0.3614 |
| Vertical Tritones |
0.009255 |
| Vertical Perfect Fourths |
0.02768 |
| Vertical Perfect Fifths |
0.203 |
| Vertical Sixths |
0.1563 |
| Vertical Sevenths |
0.02342 |
| Vertical Octaves |
0.1973 |
| Perfect Vertical Intervals |
0.4361 |
| Vertical Dissonance Ratio |
0.04844 |
| Vertical Minor Third Prevalence |
0.2703 |
| Vertical Major Third Prevalence |
0.4409 |
| Chord Duration |
2.952 |
| Partial Chords |
0.565 |
| Standard Triads |
0.3239 |
| Diminished and Augmented Triads |
0.02448 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1111 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2199 |
| Average Number of Simultaneous Pitch Classes |
2.287 |
| Variability of Number of Simultaneous Pitch Classes |
0.6409 |
| Average Number of Simultaneous Pitches |
2.785 |
| Variability of Number of Simultaneous Pitches |
0.4928 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.309 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
13.87 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2193 |
| Stepwise Motion |
0.6509 |
| Melodic Thirds |
0.09906 |
| Melodic Perfect Fourths |
0.09906 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03774 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004717 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.8 |
| Melodic Embellishments |
0.02576 |
| Direction of Melodic Motion |
0.4471 |
| Average Length of Melodic Arcs |
1.688 |
| Average Interval Spanned by Melodic Arcs |
4.147 |
| Melodic Pitch Variety |
4.378 |
| Mean Melodic Interval |
2.231 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4316 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5082 |
| Amount of Arpeggiation |
0.25 |
| Repeated Notes |
0.1085 |
| Importance of Middle Register |
0.7049 |
| Importance of High Register |
0.03279 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.45 |
| Mean Pitch Class |
5.405 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
10.0 |
| Prevalence of Most Common Pitch |
0.1054 |
| Prevalence of Most Common Pitch Class |
0.2084 |
| Relative Prevalence of Top Pitches |
0.9778 |
| Relative Prevalence of Top Pitch Classes |
0.8652 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.59 |
| Pitch Class Variability |
3.39 |
| Pitch Class Variability After Folding |
4.369 |
| Pitch Skewness |
-0.05184 |
| Pitch Class Skewness |
0.3585 |
| Pitch Class Skewness After Folding |
-1.947 |
| Pitch Kurtosis |
5.153 |
| Pitch Class Kurtosis |
4.746 |
| Pitch Class Kurtosis After Folding |
4.266 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
46.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2623 |
| Note Density per Quarter Note |
0.7201 |
| Note Density per Quarter Note per Voice |
0.24 |
| Note Density per Quarter Note Variability |
0.3432 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4028 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8571 |
| Prevalence of Very Long Rhythmic Values |
0.2295 |
| Prevalence of Dotted Notes |
0.1148 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.845 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3326 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7817 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.402 |
| Rhythmic Value Skewness |
-0.193 |
| Rhythmic Value Kurtosis |
6.39 |
| Mean Rhythmic Value Run Length |
1.493 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.824 |
| Mean Rhythmic Value Offset |
0.04684 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4308 |
| Complete Rests Fraction |
0.001672 |
| Partial Rests Fraction |
0.1636 |
| Average Rest Fraction Across Voices |
0.06575 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
4.332 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
3.114 |
| Variability Across Voices of Combined Rests |
10.58 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6449 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2177 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.962 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8626 |
| Rhythmic Variability - Tempo Standardized |
0.05454 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
427.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6548 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.8109 |
| Variability of Note Durations |
0.5401 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.325 |
| Strength of Second Strongest Rhythmic Pulse |
0.2618 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.242 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5868 |
| Rhythmic Variability |
0.03814 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001901 |
| Duration in Seconds |
123.5 |
| Note Density |
3.456 |
| Note Density Variability |
1.303 |
| Average Time Between Attacks |
0.5642 |
| Average Time Between Attacks for Each Voice |
0.8611 |
| Variability of Time Between Attacks |
0.3393 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5806 |
| Relative Range Isolation of Loudest Voice |
0.4351 |
| Relative Range of Highest Line |
0.5806 |
| Relative Note Density of Highest Line |
0.4707 |
| Relative Note Durations of Lowest Line |
0.9495 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.6557 |
| Voice Separation |
8.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.06219 |
| Average Number of Independent Voices |
2.807 |
| Similar Motion |
0.199 |
| Contrary Motion |
0.2189 |
| Oblique Motion |
0.5199 |
| Parallel Fifths |
0.002488 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4651 |
| Voice Equality - Number of Notes |
13.87 |
| Voice Equality - Note Duration |
2.205 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.309 |
| Importance of Loudest Voice |
12.5 |