File

Last modified on: April 14, 2020, 12:37 a.m.

Ock1007c-Missa_Fors_seulement-Credo.mid


Source
RenComp7
Musical Work
Missa Fors seulement
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
18.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1979
Prevalence of Second Most Common Vertical Interval 0.1866
Prevalence Ratio of Two Most Common Vertical Intervals 0.943
Vertical Unisons 0.03512
Vertical Minor Seconds 0.002825
Vertical Thirds 0.33
Vertical Tritones 0.01475
Vertical Perfect Fourths 0.08106
Vertical Perfect Fifths 0.1674
Vertical Sixths 0.1713
Vertical Sevenths 0.02056
Vertical Octaves 0.1628
Perfect Vertical Intervals 0.4463
Vertical Dissonance Ratio 0.05521
Vertical Minor Third Prevalence 0.507
Vertical Major Third Prevalence 0.3862
Chord Duration 1.91
Partial Chords 0.482
Standard Triads 0.3971
Diminished and Augmented Triads 0.02977
Dominant Seventh Chords 0.00387
Seventh Chords 0.02709
Non-Standard Chords 0.09378
Complex Chords 0.005656
Minor Major Triad Ratio 1.522
Average Number of Simultaneous Pitch Classes 2.416
Variability of Number of Simultaneous Pitch Classes 0.7472
Average Number of Simultaneous Pitches 2.966
Variability of Number of Simultaneous Pitches 1.07
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 7.724
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 146.8
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2184
Stepwise Motion 0.6558
Melodic Thirds 0.1321
Melodic Perfect Fourths 0.05705
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04291
Melodic Sixths 0.0004876
Melodic Sevenths 0.00195
Melodic Octaves 0.004388
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.519
Melodic Embellishments 0.01848
Direction of Melodic Motion 0.4649
Average Length of Melodic Arcs 1.842
Average Interval Spanned by Melodic Arcs 4.491
Melodic Pitch Variety 4.819
Mean Melodic Interval 2.189
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4373
Relative Prevalence of Most Common Melodic Intervals 0.4994
Amount of Arpeggiation 0.2867
Repeated Notes 0.1053
Importance of Middle Register 0.659
Importance of High Register 0.0107
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 57.8
Mean Pitch Class 5.338
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1021
Prevalence of Most Common Pitch Class 0.1946
Relative Prevalence of Top Pitches 0.8
Relative Prevalence of Top Pitch Classes 0.8575
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.346
Pitch Class Variability 3.552
Pitch Class Variability After Folding 3.177
Pitch Skewness 0.1031
Pitch Class Skewness 0.2855
Pitch Class Skewness After Folding 0.5736
Pitch Kurtosis 5.185
Pitch Class Kurtosis 4.772
Pitch Class Kurtosis After Folding 6.853
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 29.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.3303
Note Density per Quarter Note 1.098
Note Density per Quarter Note per Voice 0.2195
Note Density per Quarter Note Variability 0.5779
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02675
Prevalence of Medium Rhythmic Values 0.5525
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7879
Prevalence of Very Long Rhythmic Values 0.06177
Prevalence of Dotted Notes 0.1051
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.804
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3405
Relative Prevalence of Most Common Rhythmic Values 0.8914
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.696
Rhythmic Value Skewness 1.423
Rhythmic Value Kurtosis 9.27
Mean Rhythmic Value Run Length 1.665
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.183
Mean Rhythmic Value Offset 0.01556
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4497
Complete Rests Fraction 0.002665
Partial Rests Fraction 0.8302
Average Rest Fraction Across Voices 0.3809
Longest Complete Rest 4.0
Longest Partial Rest 256.0
Mean Complete Rest Duration 2.496
Mean Partial Rest Duration 21.62
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 2.127
Variability of Partial Rest Durations 37.21
Variability Across Voices of Combined Rests 231.9
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5626
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2092
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.689
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7718
Rhythmic Variability - Tempo Standardized 0.04977
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 2056.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 3.146
Minimum Note Duration 0.119
Maximum Note Duration 6.667
Average Note Duration 0.6714
Variability of Note Durations 0.4367
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 252.0
Strongest Rhythmic Pulse 63.0
Second Strongest Rhythmic Pulse 42.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.287
Strength of Second Strongest Rhythmic Pulse 0.2567
Strength Ratio of Two Strongest Rhythmic Pulses 1.118
Combined Strength of Two Strongest Rhythmic Pulses 0.5437
Rhythmic Variability 0.03704
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 6.058e-10
Duration in Seconds 445.9
Note Density 4.61
Note Density Variability 1.833
Average Time Between Attacks 0.4171
Average Time Between Attacks for Each Voice 1.217
Variability of Time Between Attacks 0.2366
Maximum Number of Independent Voices 5.0
Relative Range of Loudest Voice 0.4848
Relative Range Isolation of Loudest Voice 0.3208
Relative Range of Highest Line 0.4848
Relative Note Density of Highest Line 0.1654
Relative Note Durations of Lowest Line 0.9539
Relative Size of Melodic Intervals in Lowest Line 0.625
Voice Overlap 0.8735
Voice Separation 4.75
Variability of Voice Separation 1.893
Parallel Motion 0.04784
Average Number of Independent Voices 3.104
Similar Motion 0.1581
Contrary Motion 0.1804
Oblique Motion 0.6136
Parallel Fifths 0.00364
Parallel Octaves 0.00416
Variability of Number of Independent Voices 1.157
Voice Equality - Number of Notes 131.6
Voice Equality - Note Duration 55.22
Voice Equality - Dynamics 8.944
Voice Equality - Melodic Leaps 0.5477
Voice Equality - Range 1.304
Importance of Loudest Voice 13.75