File

Last modified on: April 14, 2020, 12:37 a.m.

Ock1008a-Missa_Lhomme_arme-Kyrie.mid


Source
RenComp7
Musical Work
Missa Lhomme arme
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
4.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2283
Prevalence of Second Most Common Vertical Interval 0.2006
Prevalence Ratio of Two Most Common Vertical Intervals 0.8785
Vertical Unisons 0.07027
Vertical Minor Seconds 0.002802
Vertical Thirds 0.242
Vertical Tritones 0.01472
Vertical Perfect Fourths 0.1291
Vertical Perfect Fifths 0.2006
Vertical Sixths 0.1385
Vertical Sevenths 0.01792
Vertical Octaves 0.1581
Perfect Vertical Intervals 0.558
Vertical Dissonance Ratio 0.06552
Vertical Minor Third Prevalence 0.3615
Vertical Major Third Prevalence 0.489
Chord Duration 2.185
Partial Chords 0.3383
Standard Triads 0.4826
Diminished and Augmented Triads 0.02985
Dominant Seventh Chords 0.007463
Seventh Chords 0.0199
Non-Standard Chords 0.1592
Complex Chords 0.0
Minor Major Triad Ratio 0.6371
Average Number of Simultaneous Pitch Classes 2.675
Variability of Number of Simultaneous Pitch Classes 0.5698
Average Number of Simultaneous Pitches 3.333
Variability of Number of Simultaneous Pitches 0.5872
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.862
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 28.02
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.162
Stepwise Motion 0.5486
Melodic Thirds 0.1852
Melodic Perfect Fourths 0.1088
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0463
Melodic Sixths 0.002315
Melodic Sevenths 0.002315
Melodic Octaves 0.006944
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.581
Melodic Embellishments 0.01835
Direction of Melodic Motion 0.4627
Average Length of Melodic Arcs 1.898
Average Interval Spanned by Melodic Arcs 5.302
Melodic Pitch Variety 5.174
Mean Melodic Interval 2.556
Number of Common Melodic Intervals 5.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3866
Relative Prevalence of Most Common Melodic Intervals 0.4192
Amount of Arpeggiation 0.3403
Repeated Notes 0.09954
Importance of Middle Register 0.8693
Importance of High Register 0.02752
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 61.26
Mean Pitch Class 5.388
Most Common Pitch 62.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1307
Prevalence of Most Common Pitch Class 0.2362
Relative Prevalence of Top Pitches 0.9298
Relative Prevalence of Top Pitch Classes 0.7961
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.239
Pitch Class Variability 3.374
Pitch Class Variability After Folding 3.226
Pitch Skewness -0.06507
Pitch Class Skewness 0.3447
Pitch Class Skewness After Folding 1.218
Pitch Kurtosis 5.361
Pitch Class Kurtosis 4.989
Pitch Class Kurtosis After Folding 7.067
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 21.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.1032
Note Density per Quarter Note 1.066
Note Density per Quarter Note per Voice 0.2665
Note Density per Quarter Note Variability 0.5008
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01376
Prevalence of Medium Rhythmic Values 0.4862
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8647
Prevalence of Very Long Rhythmic Values 0.1376
Prevalence of Dotted Notes 0.1353
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.44
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3509
Relative Prevalence of Most Common Rhythmic Values 0.915
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.421
Rhythmic Value Skewness 0.5457
Rhythmic Value Kurtosis 9.838
Mean Rhythmic Value Run Length 1.463
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9536
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.002425
Partial Rests Fraction 0.3007
Average Rest Fraction Across Voices 0.08311
Longest Complete Rest 0.9917
Longest Partial Rest 36.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 5.439
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 2.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 7.595
Variability Across Voices of Combined Rests 30.53
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5905
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.207
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.852
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7975
Rhythmic Variability - Tempo Standardized 0.05119
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 436.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 0.7978
Minimum Note Duration 0.119
Maximum Note Duration 2.857
Average Note Duration 0.8191
Variability of Note Durations 0.5765
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 252.0
Strongest Rhythmic Pulse 63.0
Second Strongest Rhythmic Pulse 42.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3007
Strength of Second Strongest Rhythmic Pulse 0.2727
Strength Ratio of Two Strongest Rhythmic Pulses 1.103
Combined Strength of Two Strongest Rhythmic Pulses 0.5734
Rhythmic Variability 0.03817
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 1.414e-10
Duration in Seconds 97.38
Note Density 4.477
Note Density Variability 1.468
Average Time Between Attacks 0.4625
Average Time Between Attacks for Each Voice 0.9244
Variability of Time Between Attacks 0.353
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.6897
Relative Range Isolation of Loudest Voice 0.3286
Relative Range of Highest Line 0.6897
Relative Note Density of Highest Line 0.6147
Relative Note Durations of Lowest Line 1.041
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.883
Voice Separation 4.333
Variability of Voice Separation 2.082
Parallel Motion 0.0554
Average Number of Independent Voices 3.676
Similar Motion 0.1274
Contrary Motion 0.1219
Oblique Motion 0.6953
Parallel Fifths 0.00554
Parallel Octaves 0.00277
Variability of Number of Independent Voices 0.5176
Voice Equality - Number of Notes 28.02
Voice Equality - Note Duration 7.269
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 3.202
Importance of Loudest Voice 11.67