| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2067 |
| Prevalence of Second Most Common Vertical Interval |
0.1994 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9649 |
| Vertical Unisons |
0.04973 |
| Vertical Minor Seconds |
0.005359 |
| Vertical Thirds |
0.3602 |
| Vertical Tritones |
0.006873 |
| Vertical Perfect Fourths |
0.05828 |
| Vertical Perfect Fifths |
0.1875 |
| Vertical Sixths |
0.1272 |
| Vertical Sevenths |
0.02063 |
| Vertical Octaves |
0.1569 |
| Perfect Vertical Intervals |
0.4525 |
| Vertical Dissonance Ratio |
0.06393 |
| Vertical Minor Third Prevalence |
0.4398 |
| Vertical Major Third Prevalence |
0.3965 |
| Chord Duration |
1.679 |
| Partial Chords |
0.5606 |
| Standard Triads |
0.3294 |
| Diminished and Augmented Triads |
0.00543 |
| Dominant Seventh Chords |
0.001357 |
| Seventh Chords |
0.009502 |
| Non-Standard Chords |
0.1005 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9783 |
| Average Number of Simultaneous Pitch Classes |
2.342 |
| Variability of Number of Simultaneous Pitch Classes |
0.6797 |
| Average Number of Simultaneous Pitches |
2.821 |
| Variability of Number of Simultaneous Pitches |
0.895 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.203 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
121.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1913 |
| Stepwise Motion |
0.612 |
| Melodic Thirds |
0.1923 |
| Melodic Perfect Fourths |
0.03716 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06011 |
| Melodic Sixths |
0.001093 |
| Melodic Sevenths |
0.001093 |
| Melodic Octaves |
0.01093 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.885 |
| Melodic Embellishments |
0.02394 |
| Direction of Melodic Motion |
0.5173 |
| Average Length of Melodic Arcs |
1.84 |
| Average Interval Spanned by Melodic Arcs |
4.866 |
| Melodic Pitch Variety |
4.897 |
| Mean Melodic Interval |
2.435 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4208 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4545 |
| Amount of Arpeggiation |
0.3497 |
| Repeated Notes |
0.08525 |
| Importance of Middle Register |
0.7225 |
| Importance of High Register |
0.005441 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.58 |
| Mean Pitch Class |
5.376 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1121 |
| Prevalence of Most Common Pitch Class |
0.1926 |
| Relative Prevalence of Top Pitches |
0.8641 |
| Relative Prevalence of Top Pitch Classes |
0.9548 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.141 |
| Pitch Class Variability |
3.453 |
| Pitch Class Variability After Folding |
3.361 |
| Pitch Skewness |
-0.3854 |
| Pitch Class Skewness |
0.3271 |
| Pitch Class Skewness After Folding |
0.7168 |
| Pitch Kurtosis |
5.24 |
| Pitch Class Kurtosis |
4.775 |
| Pitch Class Kurtosis After Folding |
6.25 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.272 |
| Note Density per Quarter Note |
1.136 |
| Note Density per Quarter Note per Voice |
0.284 |
| Note Density per Quarter Note Variability |
0.4626 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6779 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7367 |
| Prevalence of Very Long Rhythmic Values |
0.07182 |
| Prevalence of Dotted Notes |
0.1273 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.576 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4146 |
| Relative Prevalence of Most Common Rhythmic Values |
0.601 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.837 |
| Rhythmic Value Skewness |
0.9404 |
| Rhythmic Value Kurtosis |
11.06 |
| Mean Rhythmic Value Run Length |
1.935 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.084 |
| Mean Rhythmic Value Offset |
0.05504 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.021 |
| Complete Rests Fraction |
0.001226 |
| Partial Rests Fraction |
0.6325 |
| Average Rest Fraction Across Voices |
0.2544 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
64.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.83 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
19.03 |
| Variability Across Voices of Combined Rests |
120.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5321 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2345 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.269 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7667 |
| Rhythmic Variability - Tempo Standardized |
0.04851 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
919.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.659 |
| Minimum Note Duration |
0.1389 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.5469 |
| Variability of Note Durations |
0.4845 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
144.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
3.0 |
| Strength of Strongest Rhythmic Pulse |
0.2287 |
| Strength of Second Strongest Rhythmic Pulse |
0.2266 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.009 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4554 |
| Rhythmic Variability |
0.03337 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000001153 |
| Duration in Seconds |
168.5 |
| Note Density |
5.453 |
| Note Density Variability |
1.741 |
| Average Time Between Attacks |
0.3296 |
| Average Time Between Attacks for Each Voice |
1.197 |
| Variability of Time Between Attacks |
0.1588 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.5952 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.2873 |
| Relative Note Durations of Lowest Line |
0.9028 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7628 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
2.0 |
| Parallel Motion |
0.04987 |
| Average Number of Independent Voices |
2.986 |
| Similar Motion |
0.1228 |
| Contrary Motion |
0.2008 |
| Oblique Motion |
0.6266 |
| Parallel Fifths |
0.002558 |
| Parallel Octaves |
0.002558 |
| Variability of Number of Independent Voices |
0.9023 |
| Voice Equality - Number of Notes |
121.3 |
| Voice Equality - Note Duration |
25.17 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.517 |
| Importance of Loudest Voice |
11.67 |