File

Last modified on: April 14, 2020, 12:39 a.m.

Ock1004.3b-Missa_Cuiusvis_toni-Gloria-on_F.mid


Source
RenComp7
Musical Work
Missa Cuiusvis toni (F)
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
9.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2018
Prevalence of Second Most Common Vertical Interval 0.1932
Prevalence Ratio of Two Most Common Vertical Intervals 0.9574
Vertical Unisons 0.02808
Vertical Minor Seconds 0.001683
Vertical Thirds 0.3341
Vertical Tritones 0.0242
Vertical Perfect Fourths 0.09334
Vertical Perfect Fifths 0.1589
Vertical Sixths 0.1744
Vertical Sevenths 0.01274
Vertical Octaves 0.1651
Perfect Vertical Intervals 0.4454
Vertical Dissonance Ratio 0.04837
Vertical Minor Third Prevalence 0.4252
Vertical Major Third Prevalence 0.5895
Chord Duration 2.705
Partial Chords 0.3232
Standard Triads 0.5455
Diminished and Augmented Triads 0.06313
Dominant Seventh Chords 0.0
Seventh Chords 0.01136
Non-Standard Chords 0.1199
Complex Chords 0.0
Minor Major Triad Ratio 0.4744
Average Number of Simultaneous Pitch Classes 2.651
Variability of Number of Simultaneous Pitch Classes 0.5768
Average Number of Simultaneous Pitches 3.325
Variability of Number of Simultaneous Pitches 0.7182
Most Common Vertical Interval 4.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 7.471
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 48.47
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2174
Stepwise Motion 0.5737
Melodic Thirds 0.1819
Melodic Perfect Fourths 0.04413
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02583
Melodic Sixths 0.001076
Melodic Sevenths 0.0
Melodic Octaves 0.004306
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 0.7979
Melodic Embellishments 0.02465
Direction of Melodic Motion 0.4896
Average Length of Melodic Arcs 1.767
Average Interval Spanned by Melodic Arcs 4.311
Melodic Pitch Variety 4.511
Mean Melodic Interval 2.04
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3563
Relative Prevalence of Most Common Melodic Intervals 0.6103
Amount of Arpeggiation 0.3811
Repeated Notes 0.169
Importance of Middle Register 0.7653
Importance of High Register 0.03215
Dominant Spread 3.0
Strong Tonal Centres 2.0
Mean Pitch 60.61
Mean Pitch Class 5.251
Most Common Pitch 65.0
Most Common Pitch Class 5.0
Prevalence of Most Common Pitch 0.1147
Prevalence of Most Common Pitch Class 0.2133
Relative Prevalence of Top Pitches 0.8505
Relative Prevalence of Top Pitch Classes 0.7889
Interval Between Most Prevalent Pitches 12.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.995
Pitch Class Variability 3.457
Pitch Class Variability After Folding 4.364
Pitch Skewness -0.4482
Pitch Class Skewness 0.2177
Pitch Class Skewness After Folding 1.631
Pitch Kurtosis 5.356
Pitch Class Kurtosis 4.733
Pitch Class Kurtosis After Folding 4.313
Major or Minor 0.0
First Pitch 65.0
First Pitch Class 5.0
Last Pitch 53.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 24.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 1.0
Range 32.0
Importance of Bass Register 0.2026
Note Density per Quarter Note 1.136
Note Density per Quarter Note per Voice 0.2841
Note Density per Quarter Note Variability 0.4954
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5209
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9164
Prevalence of Very Long Rhythmic Values 0.05145
Prevalence of Dotted Notes 0.1008
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.005
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4373
Relative Prevalence of Most Common Rhythmic Values 0.8211
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.612
Rhythmic Value Skewness 1.871
Rhythmic Value Kurtosis 14.8
Mean Rhythmic Value Run Length 1.744
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.982
Mean Rhythmic Value Offset 0.01286
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2266
Complete Rests Fraction 0.005488
Partial Rests Fraction 0.451
Average Rest Fraction Across Voices 0.1445
Longest Complete Rest 3.61
Longest Partial Rest 67.05
Mean Complete Rest Duration 2.253
Mean Partial Rest Duration 8.041
Median Complete Rest Duration 3.61
Median Partial Rest Duration 2.235
Duple Initial Meter 0.0
Variability of Complete Rest Durations 1.92
Variability of Partial Rest Durations 13.77
Variability Across Voices of Combined Rests 109.4
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6885
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1811
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.801
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8697
Rhythmic Variability - Tempo Standardized 0.05688
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 933.0
Initial Tempo 252.0
Average Variability of Time Between Attacks for Each Voice 0.7555
Minimum Note Duration 0.1923
Maximum Note Duration 3.077
Average Note Duration 0.6416
Variability of Note Durations 0.3533
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 284.8
Strongest Rhythmic Pulse 71.0
Second Strongest Rhythmic Pulse 47.0
Harmonicity of Two Strongest Rhythmic Pulses 1.511
Strength of Strongest Rhythmic Pulse 0.3139
Strength of Second Strongest Rhythmic Pulse 0.2705
Strength Ratio of Two Strongest Rhythmic Pulses 1.16
Combined Strength of Two Strongest Rhythmic Pulses 0.5844
Rhythmic Variability 0.0383
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 29.87
Duration in Seconds 174.9
Note Density 5.334
Note Density Variability 1.539
Average Time Between Attacks 0.4516
Average Time Between Attacks for Each Voice 0.737
Variability of Time Between Attacks 0.2445
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5938
Relative Range Isolation of Loudest Voice 0.4184
Relative Range of Highest Line 0.5938
Relative Note Density of Highest Line 0.2915
Relative Note Durations of Lowest Line 1.063
Relative Size of Melodic Intervals in Lowest Line 0.6667
Voice Overlap 0.8274
Voice Separation 5.667
Variability of Voice Separation 0.5774
Parallel Motion 0.05991
Average Number of Independent Voices 3.451
Similar Motion 0.2131
Contrary Motion 0.2569
Oblique Motion 0.47
Parallel Fifths 0.00576
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.6878
Voice Equality - Number of Notes 48.47
Voice Equality - Note Duration 23.31
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 2.63
Importance of Loudest Voice 11.67