File

Last modified on: April 14, 2020, 12:41 a.m.

Jos1101d-Missa_Hercules_dux_Ferrarie-Sanctus.mid


Source
RenComp7
Musical Work
Missa Hercules dux Ferrarie
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
9.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2185
Prevalence of Second Most Common Vertical Interval 0.1921
Prevalence Ratio of Two Most Common Vertical Intervals 0.8794
Vertical Unisons 0.05489
Vertical Minor Seconds 0.006895
Vertical Thirds 0.3813
Vertical Tritones 0.005263
Vertical Perfect Fourths 0.05845
Vertical Perfect Fifths 0.1778
Vertical Sixths 0.1378
Vertical Sevenths 0.02095
Vertical Octaves 0.1372
Perfect Vertical Intervals 0.4284
Vertical Dissonance Ratio 0.05547
Vertical Minor Third Prevalence 0.3392
Vertical Major Third Prevalence 0.3039
Chord Duration 2.005
Partial Chords 0.6917
Standard Triads 0.2531
Diminished and Augmented Triads 0.001253
Dominant Seventh Chords 0.001253
Seventh Chords 0.002506
Non-Standard Chords 0.05263
Complex Chords 0.0
Minor Major Triad Ratio 3.81
Average Number of Simultaneous Pitch Classes 2.093
Variability of Number of Simultaneous Pitch Classes 0.6707
Average Number of Simultaneous Pitches 2.39
Variability of Number of Simultaneous Pitches 0.8674
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 5.439
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 123.6
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2154
Stepwise Motion 0.6441
Melodic Thirds 0.1692
Melodic Perfect Fourths 0.04513
Melodic Tritones 0.0
Melodic Perfect Fifths 0.08103
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.02564
Melodic Large Intervals 0.002051
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.342
Melodic Embellishments 0.00715
Direction of Melodic Motion 0.5249
Average Length of Melodic Arcs 1.623
Average Interval Spanned by Melodic Arcs 4.599
Melodic Pitch Variety 5.061
Mean Melodic Interval 2.751
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4287
Relative Prevalence of Most Common Melodic Intervals 0.5024
Amount of Arpeggiation 0.3108
Repeated Notes 0.03282
Importance of Middle Register 0.6547
Importance of High Register 0.01328
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 57.34
Mean Pitch Class 5.291
Most Common Pitch 57.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1021
Prevalence of Most Common Pitch Class 0.192
Relative Prevalence of Top Pitches 0.98
Relative Prevalence of Top Pitch Classes 0.9628
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.261
Pitch Class Variability 3.465
Pitch Class Variability After Folding 3.348
Pitch Skewness 0.3819
Pitch Class Skewness 0.2521
Pitch Class Skewness After Folding 0.7241
Pitch Kurtosis 5.276
Pitch Class Kurtosis 4.783
Pitch Class Kurtosis After Folding 6.304
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 62.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.332
Note Density per Quarter Note 1.015
Note Density per Quarter Note per Voice 0.2536
Note Density per Quarter Note Variability 0.554
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.7467
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.668
Prevalence of Very Long Rhythmic Values 0.06946
Prevalence of Dotted Notes 0.1032
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.46
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4147
Relative Prevalence of Most Common Rhythmic Values 0.8005
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.122
Rhythmic Value Skewness 0.6497
Rhythmic Value Kurtosis 14.65
Mean Rhythmic Value Run Length 2.491
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 3.182
Mean Rhythmic Value Offset 0.01839
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4286
Complete Rests Fraction 0.0009777
Partial Rests Fraction 0.7622
Average Rest Fraction Across Voices 0.3616
Longest Complete Rest 0.9435
Longest Partial Rest 327.3
Mean Complete Rest Duration 0.9435
Mean Partial Rest Duration 21.47
Median Complete Rest Duration 0.9435
Median Partial Rest Duration 1.903
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 59.37
Variability Across Voices of Combined Rests 154.1
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5273
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.24
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.197
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7674
Rhythmic Variability - Tempo Standardized 0.04896
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 979.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 3.855
Minimum Note Duration 0.2083
Maximum Note Duration 6.207
Average Note Duration 0.5512
Variability of Note Durations 0.5429
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 6.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 276.2
Strongest Rhythmic Pulse 69.0
Second Strongest Rhythmic Pulse 137.0
Harmonicity of Two Strongest Rhythmic Pulses 1.986
Strength of Strongest Rhythmic Pulse 0.2296
Strength of Second Strongest Rhythmic Pulse 0.2287
Strength Ratio of Two Strongest Rhythmic Pulses 1.004
Combined Strength of Two Strongest Rhythmic Pulses 0.4583
Rhythmic Variability 0.03367
Rhythmic Looseness 0.0
Polyrhythms 0.3333
Tempo Variability 22.87
Duration in Seconds 211.3
Note Density 4.633
Note Density Variability 2.025
Average Time Between Attacks 0.3611
Average Time Between Attacks for Each Voice 1.097
Variability of Time Between Attacks 0.2184
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5758
Relative Range Isolation of Loudest Voice 0.4529
Relative Range of Highest Line 0.5758
Relative Note Density of Highest Line 0.2697
Relative Note Durations of Lowest Line 0.8526
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8161
Voice Separation 5.333
Variability of Voice Separation 1.528
Parallel Motion 0.04979
Average Number of Independent Voices 2.517
Similar Motion 0.1646
Contrary Motion 0.2282
Oblique Motion 0.5574
Parallel Fifths 0.001383
Parallel Octaves 0.001383
Variability of Number of Independent Voices 0.9114
Voice Equality - Number of Notes 123.6
Voice Equality - Note Duration 33.74
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.155
Importance of Loudest Voice 11.67