File

Last modified on: April 14, 2020, 12:43 a.m.

Jos1101b-Missa_Hercules_dux_Ferrarie-Gloria.mid


Source
RenComp7
Musical Work
Missa Hercules dux Ferrarie
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
8.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2067
Prevalence of Second Most Common Vertical Interval 0.1994
Prevalence Ratio of Two Most Common Vertical Intervals 0.9649
Vertical Unisons 0.04973
Vertical Minor Seconds 0.005359
Vertical Thirds 0.3602
Vertical Tritones 0.006873
Vertical Perfect Fourths 0.05828
Vertical Perfect Fifths 0.1875
Vertical Sixths 0.1272
Vertical Sevenths 0.02063
Vertical Octaves 0.1569
Perfect Vertical Intervals 0.4525
Vertical Dissonance Ratio 0.06393
Vertical Minor Third Prevalence 0.4398
Vertical Major Third Prevalence 0.3965
Chord Duration 1.679
Partial Chords 0.5606
Standard Triads 0.3294
Diminished and Augmented Triads 0.00543
Dominant Seventh Chords 0.001357
Seventh Chords 0.009502
Non-Standard Chords 0.1005
Complex Chords 0.0
Minor Major Triad Ratio 0.9783
Average Number of Simultaneous Pitch Classes 2.342
Variability of Number of Simultaneous Pitch Classes 0.6797
Average Number of Simultaneous Pitches 2.821
Variability of Number of Simultaneous Pitches 0.895
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 5.203
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 121.3
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1913
Stepwise Motion 0.612
Melodic Thirds 0.1923
Melodic Perfect Fourths 0.03716
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06011
Melodic Sixths 0.001093
Melodic Sevenths 0.001093
Melodic Octaves 0.01093
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.885
Melodic Embellishments 0.02394
Direction of Melodic Motion 0.5173
Average Length of Melodic Arcs 1.84
Average Interval Spanned by Melodic Arcs 4.866
Melodic Pitch Variety 4.897
Mean Melodic Interval 2.435
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4208
Relative Prevalence of Most Common Melodic Intervals 0.4545
Amount of Arpeggiation 0.3497
Repeated Notes 0.08525
Importance of Middle Register 0.7225
Importance of High Register 0.005441
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.58
Mean Pitch Class 5.376
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1121
Prevalence of Most Common Pitch Class 0.1926
Relative Prevalence of Top Pitches 0.8641
Relative Prevalence of Top Pitch Classes 0.9548
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.141
Pitch Class Variability 3.453
Pitch Class Variability After Folding 3.361
Pitch Skewness -0.3854
Pitch Class Skewness 0.3271
Pitch Class Skewness After Folding 0.7168
Pitch Kurtosis 5.24
Pitch Class Kurtosis 4.775
Pitch Class Kurtosis After Folding 6.25
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.272
Note Density per Quarter Note 1.136
Note Density per Quarter Note per Voice 0.284
Note Density per Quarter Note Variability 0.4626
Range of Rhythmic Values 8.0
Number of Different Rhythmic Values Present 9.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6779
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7367
Prevalence of Very Long Rhythmic Values 0.07182
Prevalence of Dotted Notes 0.1273
Shortest Rhythmic Value 0.75
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.576
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4146
Relative Prevalence of Most Common Rhythmic Values 0.601
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.837
Rhythmic Value Skewness 0.9404
Rhythmic Value Kurtosis 11.06
Mean Rhythmic Value Run Length 1.935
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.084
Mean Rhythmic Value Offset 0.05504
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.021
Complete Rests Fraction 0.001226
Partial Rests Fraction 0.6325
Average Rest Fraction Across Voices 0.2544
Longest Complete Rest 0.9917
Longest Partial Rest 64.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 10.83
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 19.03
Variability Across Voices of Combined Rests 120.8
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5321
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2345
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.269
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7667
Rhythmic Variability - Tempo Standardized 0.04851
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 919.0
Initial Tempo 288.0
Average Variability of Time Between Attacks for Each Voice 1.659
Minimum Note Duration 0.1389
Maximum Note Duration 8.333
Average Note Duration 0.5469
Variability of Note Durations 0.4845
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 288.0
Strongest Rhythmic Pulse 48.0
Second Strongest Rhythmic Pulse 144.0
Harmonicity of Two Strongest Rhythmic Pulses 3.0
Strength of Strongest Rhythmic Pulse 0.2287
Strength of Second Strongest Rhythmic Pulse 0.2266
Strength Ratio of Two Strongest Rhythmic Pulses 1.009
Combined Strength of Two Strongest Rhythmic Pulses 0.4554
Rhythmic Variability 0.03337
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 1.153e-10
Duration in Seconds 168.5
Note Density 5.453
Note Density Variability 1.741
Average Time Between Attacks 0.3296
Average Time Between Attacks for Each Voice 1.197
Variability of Time Between Attacks 0.1588
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5152
Relative Range Isolation of Loudest Voice 0.5952
Relative Range of Highest Line 0.5152
Relative Note Density of Highest Line 0.2873
Relative Note Durations of Lowest Line 0.9028
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.7628
Voice Separation 5.0
Variability of Voice Separation 2.0
Parallel Motion 0.04987
Average Number of Independent Voices 2.986
Similar Motion 0.1228
Contrary Motion 0.2008
Oblique Motion 0.6266
Parallel Fifths 0.002558
Parallel Octaves 0.002558
Variability of Number of Independent Voices 0.9023
Voice Equality - Number of Notes 121.3
Voice Equality - Note Duration 25.17
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 2.517
Importance of Loudest Voice 11.67