| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2263 |
| Prevalence of Second Most Common Vertical Interval |
0.1723 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7615 |
| Vertical Unisons |
0.03106 |
| Vertical Minor Seconds |
0.003936 |
| Vertical Thirds |
0.3248 |
| Vertical Tritones |
0.008618 |
| Vertical Perfect Fourths |
0.07285 |
| Vertical Perfect Fifths |
0.1722 |
| Vertical Sixths |
0.1556 |
| Vertical Sevenths |
0.02086 |
| Vertical Octaves |
0.1952 |
| Perfect Vertical Intervals |
0.4714 |
| Vertical Dissonance Ratio |
0.05071 |
| Vertical Minor Third Prevalence |
0.3597 |
| Vertical Major Third Prevalence |
0.3436 |
| Chord Duration |
2.04 |
| Partial Chords |
0.6249 |
| Standard Triads |
0.2876 |
| Diminished and Augmented Triads |
0.0175 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01301 |
| Non-Standard Chords |
0.07447 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.357 |
| Average Number of Simultaneous Pitch Classes |
2.232 |
| Variability of Number of Simultaneous Pitch Classes |
0.6928 |
| Average Number of Simultaneous Pitches |
2.752 |
| Variability of Number of Simultaneous Pitches |
0.9902 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.559 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.05 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2162 |
| Stepwise Motion |
0.6141 |
| Melodic Thirds |
0.1883 |
| Melodic Perfect Fourths |
0.04111 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06366 |
| Melodic Sixths |
0.007958 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01061 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.55 |
| Melodic Embellishments |
0.01979 |
| Direction of Melodic Motion |
0.5415 |
| Average Length of Melodic Arcs |
1.694 |
| Average Interval Spanned by Melodic Arcs |
4.495 |
| Melodic Pitch Variety |
5.162 |
| Mean Melodic Interval |
2.473 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3979 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5433 |
| Amount of Arpeggiation |
0.3369 |
| Repeated Notes |
0.07427 |
| Importance of Middle Register |
0.7757 |
| Importance of High Register |
0.1293 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.57 |
| Mean Pitch Class |
5.35 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1161 |
| Prevalence of Most Common Pitch Class |
0.2177 |
| Relative Prevalence of Top Pitches |
0.9886 |
| Relative Prevalence of Top Pitch Classes |
0.9333 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.15 |
| Pitch Class Variability |
3.418 |
| Pitch Class Variability After Folding |
3.48 |
| Pitch Skewness |
0.04816 |
| Pitch Class Skewness |
0.3069 |
| Pitch Class Skewness After Folding |
0.8178 |
| Pitch Kurtosis |
5.17 |
| Pitch Class Kurtosis |
4.732 |
| Pitch Class Kurtosis After Folding |
5.969 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.09499 |
| Note Density per Quarter Note |
0.8928 |
| Note Density per Quarter Note per Voice |
0.2232 |
| Note Density per Quarter Note Variability |
0.4782 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4063 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.814 |
| Prevalence of Very Long Rhythmic Values |
0.08839 |
| Prevalence of Dotted Notes |
0.2098 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.193 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3668 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6007 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.883 |
| Rhythmic Value Skewness |
0.3069 |
| Rhythmic Value Kurtosis |
11.39 |
| Mean Rhythmic Value Run Length |
1.924 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.911 |
| Mean Rhythmic Value Offset |
0.1003 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4534 |
| Complete Rests Fraction |
0.001168 |
| Partial Rests Fraction |
0.6223 |
| Average Rest Fraction Across Voices |
0.2886 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
148.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
17.5 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
33.75 |
| Variability Across Voices of Combined Rests |
68.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4828 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1887 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.559 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6715 |
| Rhythmic Variability - Tempo Standardized |
0.04382 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
758.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.717 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.664 |
| Variability of Note Durations |
0.4408 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2675 |
| Strength of Second Strongest Rhythmic Pulse |
0.1972 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.356 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4647 |
| Rhythmic Variability |
0.03199 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001548 |
| Duration in Seconds |
176.9 |
| Note Density |
4.286 |
| Note Density Variability |
1.588 |
| Average Time Between Attacks |
0.3942 |
| Average Time Between Attacks for Each Voice |
0.8525 |
| Variability of Time Between Attacks |
0.2177 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5556 |
| Relative Range Isolation of Loudest Voice |
0.2127 |
| Relative Range of Highest Line |
0.5556 |
| Relative Note Density of Highest Line |
0.3747 |
| Relative Note Durations of Lowest Line |
1.102 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.938 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.044 |
| Average Number of Independent Voices |
2.849 |
| Similar Motion |
0.136 |
| Contrary Motion |
0.188 |
| Oblique Motion |
0.632 |
| Parallel Fifths |
0.001333 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.9941 |
| Voice Equality - Number of Notes |
29.05 |
| Voice Equality - Note Duration |
14.27 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
11.67 |