| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2129 |
| Prevalence of Second Most Common Vertical Interval |
0.1785 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8384 |
| Vertical Unisons |
0.03792 |
| Vertical Minor Seconds |
0.006837 |
| Vertical Thirds |
0.2947 |
| Vertical Tritones |
0.01537 |
| Vertical Perfect Fourths |
0.09192 |
| Vertical Perfect Fifths |
0.1785 |
| Vertical Sixths |
0.1288 |
| Vertical Sevenths |
0.03877 |
| Vertical Octaves |
0.175 |
| Perfect Vertical Intervals |
0.4834 |
| Vertical Dissonance Ratio |
0.1027 |
| Vertical Minor Third Prevalence |
0.3743 |
| Vertical Major Third Prevalence |
0.3443 |
| Chord Duration |
1.83 |
| Partial Chords |
0.5064 |
| Standard Triads |
0.2951 |
| Diminished and Augmented Triads |
0.03559 |
| Dominant Seventh Chords |
0.001483 |
| Seventh Chords |
0.008898 |
| Non-Standard Chords |
0.1896 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6537 |
| Average Number of Simultaneous Pitch Classes |
2.37 |
| Variability of Number of Simultaneous Pitch Classes |
0.6905 |
| Average Number of Simultaneous Pitches |
2.879 |
| Variability of Number of Simultaneous Pitches |
0.827 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.579 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
110.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2497 |
| Stepwise Motion |
0.6765 |
| Melodic Thirds |
0.1248 |
| Melodic Perfect Fourths |
0.03972 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03216 |
| Melodic Sixths |
0.001261 |
| Melodic Sevenths |
0.001261 |
| Melodic Octaves |
0.01765 |
| Melodic Large Intervals |
0.0006305 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.667 |
| Melodic Embellishments |
0.03019 |
| Direction of Melodic Motion |
0.4506 |
| Average Length of Melodic Arcs |
1.851 |
| Average Interval Spanned by Melodic Arcs |
4.503 |
| Melodic Pitch Variety |
4.848 |
| Mean Melodic Interval |
2.182 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4269 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5849 |
| Amount of Arpeggiation |
0.2825 |
| Repeated Notes |
0.1059 |
| Importance of Middle Register |
0.6742 |
| Importance of High Register |
0.002516 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.49 |
| Mean Pitch Class |
4.855 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1245 |
| Prevalence of Most Common Pitch Class |
0.2308 |
| Relative Prevalence of Top Pitches |
0.7273 |
| Relative Prevalence of Top Pitch Classes |
0.6621 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.938 |
| Pitch Class Variability |
3.677 |
| Pitch Class Variability After Folding |
3.23 |
| Pitch Skewness |
0.2605 |
| Pitch Class Skewness |
-0.118 |
| Pitch Class Skewness After Folding |
0.1741 |
| Pitch Kurtosis |
5.349 |
| Pitch Class Kurtosis |
4.772 |
| Pitch Class Kurtosis After Folding |
6.984 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3233 |
| Note Density per Quarter Note |
1.056 |
| Note Density per Quarter Note per Voice |
0.2641 |
| Note Density per Quarter Note Variability |
0.4387 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5868 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7447 |
| Prevalence of Very Long Rhythmic Values |
0.06855 |
| Prevalence of Dotted Notes |
0.1132 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.772 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3314 |
| Relative Prevalence of Most Common Rhythmic Values |
0.778 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.893 |
| Rhythmic Value Skewness |
1.223 |
| Rhythmic Value Kurtosis |
11.4 |
| Mean Rhythmic Value Run Length |
1.683 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.421 |
| Mean Rhythmic Value Offset |
0.06352 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.138 |
| Complete Rests Fraction |
0.005975 |
| Partial Rests Fraction |
0.6983 |
| Average Rest Fraction Across Voices |
0.2515 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
272.0 |
| Mean Complete Rest Duration |
2.997 |
| Mean Partial Rest Duration |
11.56 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
1.737 |
| Variability of Partial Rest Durations |
32.8 |
| Variability Across Voices of Combined Rests |
138.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5378 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2289 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.349 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7667 |
| Rhythmic Variability - Tempo Standardized |
0.04911 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1590.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.155 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.5904 |
| Variability of Note Durations |
0.5121 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
72.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2499 |
| Strength of Second Strongest Rhythmic Pulse |
0.2415 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.035 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4915 |
| Rhythmic Variability |
0.03441 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000008189 |
| Duration in Seconds |
313.5 |
| Note Density |
5.071 |
| Note Density Variability |
1.489 |
| Average Time Between Attacks |
0.3684 |
| Average Time Between Attacks for Each Voice |
0.8236 |
| Variability of Time Between Attacks |
0.2116 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.1747 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.166 |
| Relative Note Durations of Lowest Line |
1.032 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.905 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.03973 |
| Average Number of Independent Voices |
3.012 |
| Similar Motion |
0.165 |
| Contrary Motion |
0.1596 |
| Oblique Motion |
0.6357 |
| Parallel Fifths |
0.002694 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8101 |
| Voice Equality - Number of Notes |
110.7 |
| Voice Equality - Note Duration |
28.87 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
11.67 |