| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2012 |
| Prevalence of Second Most Common Vertical Interval |
0.1993 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9908 |
| Vertical Unisons |
0.05008 |
| Vertical Minor Seconds |
0.009395 |
| Vertical Thirds |
0.3398 |
| Vertical Tritones |
0.0111 |
| Vertical Perfect Fourths |
0.05889 |
| Vertical Perfect Fifths |
0.1939 |
| Vertical Sixths |
0.1355 |
| Vertical Sevenths |
0.02342 |
| Vertical Octaves |
0.1492 |
| Perfect Vertical Intervals |
0.4521 |
| Vertical Dissonance Ratio |
0.07836 |
| Vertical Minor Third Prevalence |
0.4706 |
| Vertical Major Third Prevalence |
0.3455 |
| Chord Duration |
2.244 |
| Partial Chords |
0.5444 |
| Standard Triads |
0.3314 |
| Diminished and Augmented Triads |
0.01203 |
| Dominant Seventh Chords |
0.0006812 |
| Seventh Chords |
0.004768 |
| Non-Standard Chords |
0.1194 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.309 |
| Average Number of Simultaneous Pitch Classes |
2.37 |
| Variability of Number of Simultaneous Pitch Classes |
0.6988 |
| Average Number of Simultaneous Pitches |
2.808 |
| Variability of Number of Simultaneous Pitches |
0.8847 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.741 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
183.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2113 |
| Stepwise Motion |
0.627 |
| Melodic Thirds |
0.1567 |
| Melodic Perfect Fourths |
0.05078 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.08464 |
| Melodic Sixths |
0.00815 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01066 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.289 |
| Melodic Embellishments |
0.01438 |
| Direction of Melodic Motion |
0.5241 |
| Average Length of Melodic Arcs |
1.773 |
| Average Interval Spanned by Melodic Arcs |
4.898 |
| Melodic Pitch Variety |
5.1 |
| Mean Melodic Interval |
2.602 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4157 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5083 |
| Amount of Arpeggiation |
0.3141 |
| Repeated Notes |
0.06207 |
| Importance of Middle Register |
0.8155 |
| Importance of High Register |
0.06254 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
61.73 |
| Mean Pitch Class |
5.465 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09131 |
| Prevalence of Most Common Pitch Class |
0.172 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.8982 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.797 |
| Pitch Class Variability |
3.33 |
| Pitch Class Variability After Folding |
4.096 |
| Pitch Skewness |
-0.01435 |
| Pitch Class Skewness |
0.4186 |
| Pitch Class Skewness After Folding |
1.091 |
| Pitch Kurtosis |
5.321 |
| Pitch Class Kurtosis |
4.798 |
| Pitch Class Kurtosis After Folding |
4.743 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.122 |
| Note Density per Quarter Note |
0.9938 |
| Note Density per Quarter Note per Voice |
0.2484 |
| Note Density per Quarter Note Variability |
0.5237 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002502 |
| Prevalence of Medium Rhythmic Values |
0.5966 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7261 |
| Prevalence of Very Long Rhythmic Values |
0.1163 |
| Prevalence of Dotted Notes |
0.212 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.906 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3227 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7791 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.296 |
| Rhythmic Value Skewness |
1.183 |
| Rhythmic Value Kurtosis |
11.15 |
| Mean Rhythmic Value Run Length |
1.533 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.06 |
| Mean Rhythmic Value Offset |
0.1091 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.079 |
| Complete Rests Fraction |
0.0005949 |
| Partial Rests Fraction |
0.5773 |
| Average Rest Fraction Across Voices |
0.2517 |
| Longest Complete Rest |
0.9572 |
| Longest Partial Rest |
455.6 |
| Mean Complete Rest Duration |
0.9572 |
| Mean Partial Rest Duration |
17.24 |
| Median Complete Rest Duration |
0.9572 |
| Median Partial Rest Duration |
2.396 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
56.95 |
| Variability Across Voices of Combined Rests |
276.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
6.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4724 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2476 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.908 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.72 |
| Rhythmic Variability - Tempo Standardized |
0.04525 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1599.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.522 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
9.31 |
| Average Note Duration |
0.65 |
| Variability of Note Durations |
0.6353 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
279.6 |
| Strongest Rhythmic Pulse |
70.0 |
| Second Strongest Rhythmic Pulse |
47.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.489 |
| Strength of Strongest Rhythmic Pulse |
0.2243 |
| Strength of Second Strongest Rhythmic Pulse |
0.2228 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.007 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4471 |
| Rhythmic Variability |
0.03225 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
19.95 |
| Duration in Seconds |
347.3 |
| Note Density |
4.604 |
| Note Density Variability |
1.734 |
| Average Time Between Attacks |
0.37 |
| Average Time Between Attacks for Each Voice |
1.136 |
| Variability of Time Between Attacks |
0.2339 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.3415 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.1751 |
| Relative Note Durations of Lowest Line |
0.9819 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8405 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.04188 |
| Average Number of Independent Voices |
2.975 |
| Similar Motion |
0.1224 |
| Contrary Motion |
0.1872 |
| Oblique Motion |
0.6486 |
| Parallel Fifths |
0.002618 |
| Parallel Octaves |
0.001309 |
| Variability of Number of Independent Voices |
0.9525 |
| Voice Equality - Number of Notes |
183.0 |
| Voice Equality - Note Duration |
59.67 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.082 |
| Importance of Loudest Voice |
11.67 |