File

Last modified on: April 14, 2020, 12:44 a.m.

Jos0801e-Missa_Faisant_regretz-Agnus.mid


Source
RenComp7
Musical Work
Missa Faisant regretz
Section
Agnus
File Type
Symbolic Music
File Format
.mid
File Size
8.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2412
Prevalence of Second Most Common Vertical Interval 0.1927
Prevalence Ratio of Two Most Common Vertical Intervals 0.799
Vertical Unisons 0.07869
Vertical Minor Seconds 0.005577
Vertical Thirds 0.3387
Vertical Tritones 0.01134
Vertical Perfect Fourths 0.06624
Vertical Perfect Fifths 0.1866
Vertical Sixths 0.1163
Vertical Sevenths 0.0171
Vertical Octaves 0.1625
Perfect Vertical Intervals 0.494
Vertical Dissonance Ratio 0.05371
Vertical Minor Third Prevalence 0.4663
Vertical Major Third Prevalence 0.3581
Chord Duration 2.525
Partial Chords 0.5224
Standard Triads 0.3602
Diminished and Augmented Triads 0.02375
Dominant Seventh Chords 0.001319
Seventh Chords 0.006596
Non-Standard Chords 0.1108
Complex Chords 0.0
Minor Major Triad Ratio 2.289
Average Number of Simultaneous Pitch Classes 2.319
Variability of Number of Simultaneous Pitch Classes 0.6978
Average Number of Simultaneous Pitches 2.788
Variability of Number of Simultaneous Pitches 0.8797
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 7.065
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 25.75
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1876
Stepwise Motion 0.5627
Melodic Thirds 0.2063
Melodic Perfect Fourths 0.04338
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04338
Melodic Sixths 0.008206
Melodic Sevenths 0.004689
Melodic Octaves 0.03751
Melodic Large Intervals 0.001172
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.259
Melodic Embellishments 0.01284
Direction of Melodic Motion 0.4755
Average Length of Melodic Arcs 1.36
Average Interval Spanned by Melodic Arcs 4.065
Melodic Pitch Variety 4.572
Mean Melodic Interval 2.722
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3751
Relative Prevalence of Most Common Melodic Intervals 0.5
Amount of Arpeggiation 0.3857
Repeated Notes 0.09261
Importance of Middle Register 0.7643
Importance of High Register 0.0105
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 58.93
Mean Pitch Class 5.321
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1342
Prevalence of Most Common Pitch Class 0.2217
Relative Prevalence of Top Pitches 0.8087
Relative Prevalence of Top Pitch Classes 0.8368
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.948
Pitch Class Variability 3.266
Pitch Class Variability After Folding 3.795
Pitch Skewness -0.2841
Pitch Class Skewness 0.2947
Pitch Class Skewness After Folding 0.8607
Pitch Kurtosis 5.398
Pitch Class Kurtosis 4.704
Pitch Class Kurtosis After Folding 5.219
Major or Minor 0.0
First Pitch 58.0
First Pitch Class 10.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.2252
Note Density per Quarter Note 0.9954
Note Density per Quarter Note per Voice 0.2488
Note Density per Quarter Note Variability 0.4725
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5286
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8891
Prevalence of Very Long Rhythmic Values 0.05834
Prevalence of Dotted Notes 0.08518
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.036
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4177
Relative Prevalence of Most Common Rhythmic Values 0.8352
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.805
Rhythmic Value Skewness 1.722
Rhythmic Value Kurtosis 13.34
Mean Rhythmic Value Run Length 1.632
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.249
Mean Rhythmic Value Offset 0.03267
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4523
Complete Rests Fraction 0.001096
Partial Rests Fraction 0.6261
Average Rest Fraction Across Voices 0.2335
Longest Complete Rest 0.944
Longest Partial Rest 44.91
Mean Complete Rest Duration 0.944
Mean Partial Rest Duration 8.292
Median Complete Rest Duration 0.944
Median Partial Rest Duration 3.808
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 8.606
Variability Across Voices of Combined Rests 50.7
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.69
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1719
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.013
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8619
Rhythmic Variability - Tempo Standardized 0.05693
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 857.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.019
Minimum Note Duration 0.2083
Maximum Note Duration 4.167
Average Note Duration 0.6741
Variability of Note Durations 0.4453
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 276.3
Strongest Rhythmic Pulse 69.0
Second Strongest Rhythmic Pulse 46.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2875
Strength of Second Strongest Rhythmic Pulse 0.2804
Strength Ratio of Two Strongest Rhythmic Pulses 1.025
Combined Strength of Two Strongest Rhythmic Pulses 0.5679
Rhythmic Variability 0.03805
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 22.77
Duration in Seconds 188.4
Note Density 4.548
Note Density Variability 1.473
Average Time Between Attacks 0.4165
Average Time Between Attacks for Each Voice 0.8546
Variability of Time Between Attacks 0.2279
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4839
Relative Range Isolation of Loudest Voice 0.4844
Relative Range of Highest Line 0.4839
Relative Note Density of Highest Line 0.3127
Relative Note Durations of Lowest Line 0.8866
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.8098
Voice Separation 5.333
Variability of Voice Separation 4.619
Parallel Motion 0.04088
Average Number of Independent Voices 3.058
Similar Motion 0.1305
Contrary Motion 0.2374
Oblique Motion 0.5912
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.843
Voice Equality - Number of Notes 25.75
Voice Equality - Note Duration 11.09
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.915
Importance of Loudest Voice 11.67