File

Last modified on: April 14, 2020, 12:45 a.m.

Jos0901c-Missa_Malheur_me_bat-Credo.mid


Source
RenComp7
Musical Work
Missa Malheur me bat
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
18.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2008
Prevalence of Second Most Common Vertical Interval 0.1938
Prevalence Ratio of Two Most Common Vertical Intervals 0.9653
Vertical Unisons 0.03526
Vertical Minor Seconds 0.00494
Vertical Thirds 0.3618
Vertical Tritones 0.009785
Vertical Perfect Fourths 0.07108
Vertical Perfect Fifths 0.1743
Vertical Sixths 0.1382
Vertical Sevenths 0.02042
Vertical Octaves 0.1655
Perfect Vertical Intervals 0.4462
Vertical Dissonance Ratio 0.05689
Vertical Minor Third Prevalence 0.5532
Vertical Major Third Prevalence 0.5088
Chord Duration 1.989
Partial Chords 0.3756
Standard Triads 0.4878
Diminished and Augmented Triads 0.013
Dominant Seventh Chords 0.001238
Seventh Chords 0.01176
Non-Standard Chords 0.1248
Complex Chords 0.0
Minor Major Triad Ratio 1.231
Average Number of Simultaneous Pitch Classes 2.568
Variability of Number of Simultaneous Pitch Classes 0.6531
Average Number of Simultaneous Pitches 3.218
Variability of Number of Simultaneous Pitches 0.8202
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 7.224
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 50.21
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2069
Stepwise Motion 0.5947
Melodic Thirds 0.1472
Melodic Perfect Fourths 0.05776
Melodic Tritones 0.0005023
Melodic Perfect Fifths 0.0663
Melodic Sixths 0.002009
Melodic Sevenths 0.0
Melodic Octaves 0.01356
Melodic Large Intervals 0.0005023
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.22
Melodic Embellishments 0.02055
Direction of Melodic Motion 0.5094
Average Length of Melodic Arcs 1.656
Average Interval Spanned by Melodic Arcs 4.518
Melodic Pitch Variety 4.746
Mean Melodic Interval 2.412
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3877
Relative Prevalence of Most Common Melodic Intervals 0.5337
Amount of Arpeggiation 0.3451
Repeated Notes 0.1175
Importance of Middle Register 0.7734
Importance of High Register 0.01504
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 59.08
Mean Pitch Class 5.366
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1208
Prevalence of Most Common Pitch Class 0.1895
Relative Prevalence of Top Pitches 0.8548
Relative Prevalence of Top Pitch Classes 0.9815
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 3.0
Pitch Variability 6.655
Pitch Class Variability 3.503
Pitch Class Variability After Folding 2.987
Pitch Skewness 0.2802
Pitch Class Skewness 0.3133
Pitch Class Skewness After Folding 0.2225
Pitch Kurtosis 5.518
Pitch Class Kurtosis 4.929
Pitch Class Kurtosis After Folding 7.594
Major or Minor 0.0
First Pitch 52.0
First Pitch Class 4.0
Last Pitch 40.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 36.0
Importance of Bass Register 0.2115
Note Density per Quarter Note 1.165
Note Density per Quarter Note per Voice 0.2912
Note Density per Quarter Note Variability 0.4291
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5734
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8426
Prevalence of Very Long Rhythmic Values 0.05865
Prevalence of Dotted Notes 0.08471
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.863
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.416
Relative Prevalence of Most Common Rhythmic Values 0.741
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.701
Rhythmic Value Skewness 1.523
Rhythmic Value Kurtosis 11.89
Mean Rhythmic Value Run Length 1.858
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.574
Mean Rhythmic Value Offset 0.03033
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4094
Complete Rests Fraction 0.0005789
Partial Rests Fraction 0.4407
Average Rest Fraction Across Voices 0.1576
Longest Complete Rest 0.9917
Longest Partial Rest 52.0
Mean Complete Rest Duration 0.9917
Mean Partial Rest Duration 6.879
Median Complete Rest Duration 0.9917
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 10.79
Variability Across Voices of Combined Rests 76.33
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6584
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1727
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.812
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8312
Rhythmic Variability - Tempo Standardized 0.05504
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 1995.0
Initial Tempo 288.0
Average Variability of Time Between Attacks for Each Voice 0.9221
Minimum Note Duration 0.2083
Maximum Note Duration 5.0
Average Note Duration 0.6028
Variability of Note Durations 0.3959
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 288.0
Strongest Rhythmic Pulse 72.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2898
Strength of Second Strongest Rhythmic Pulse 0.2589
Strength Ratio of Two Strongest Rhythmic Pulses 1.119
Combined Strength of Two Strongest Rhythmic Pulses 0.5487
Rhythmic Variability 0.03721
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 1.056e-09
Duration in Seconds 356.9
Note Density 5.59
Note Density Variability 1.528
Average Time Between Attacks 0.3677
Average Time Between Attacks for Each Voice 0.7061
Variability of Time Between Attacks 0.1701
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4722
Relative Range Isolation of Loudest Voice 0.3901
Relative Range of Highest Line 0.4722
Relative Note Density of Highest Line 0.1363
Relative Note Durations of Lowest Line 1.001
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.8947
Voice Separation 5.333
Variability of Voice Separation 2.517
Parallel Motion 0.04802
Average Number of Independent Voices 3.371
Similar Motion 0.1524
Contrary Motion 0.2239
Oblique Motion 0.5757
Parallel Fifths 0.004697
Parallel Octaves 0.00261
Variability of Number of Independent Voices 0.8102
Voice Equality - Number of Notes 50.21
Voice Equality - Note Duration 15.9
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.217
Importance of Loudest Voice 11.67