| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2082 |
| Prevalence of Second Most Common Vertical Interval |
0.2051 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9852 |
| Vertical Unisons |
0.05056 |
| Vertical Minor Seconds |
0.002289 |
| Vertical Thirds |
0.33 |
| Vertical Tritones |
0.0111 |
| Vertical Perfect Fourths |
0.07133 |
| Vertical Perfect Fifths |
0.1909 |
| Vertical Sixths |
0.1409 |
| Vertical Sevenths |
0.02788 |
| Vertical Octaves |
0.1576 |
| Perfect Vertical Intervals |
0.4704 |
| Vertical Dissonance Ratio |
0.06237 |
| Vertical Minor Third Prevalence |
0.5297 |
| Vertical Major Third Prevalence |
0.4054 |
| Chord Duration |
1.995 |
| Partial Chords |
0.4219 |
| Standard Triads |
0.411 |
| Diminished and Augmented Triads |
0.03341 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01452 |
| Non-Standard Chords |
0.1525 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.255 |
| Average Number of Simultaneous Pitch Classes |
2.565 |
| Variability of Number of Simultaneous Pitch Classes |
0.6013 |
| Average Number of Simultaneous Pitches |
3.155 |
| Variability of Number of Simultaneous Pitches |
0.7293 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.27 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
76.29 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2001 |
| Stepwise Motion |
0.5754 |
| Melodic Thirds |
0.1573 |
| Melodic Perfect Fourths |
0.05398 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03884 |
| Melodic Sixths |
0.002633 |
| Melodic Sevenths |
0.0006583 |
| Melodic Octaves |
0.01514 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.193 |
| Melodic Embellishments |
0.01182 |
| Direction of Melodic Motion |
0.4321 |
| Average Length of Melodic Arcs |
1.894 |
| Average Interval Spanned by Melodic Arcs |
4.948 |
| Melodic Pitch Variety |
4.924 |
| Mean Melodic Interval |
2.211 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3752 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5333 |
| Amount of Arpeggiation |
0.368 |
| Repeated Notes |
0.156 |
| Importance of Middle Register |
0.7912 |
| Importance of High Register |
0.006566 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.28 |
| Mean Pitch Class |
5.131 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.128 |
| Prevalence of Most Common Pitch Class |
0.1937 |
| Relative Prevalence of Top Pitches |
0.8769 |
| Relative Prevalence of Top Pitch Classes |
0.9559 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.465 |
| Pitch Class Variability |
3.557 |
| Pitch Class Variability After Folding |
3.109 |
| Pitch Skewness |
-0.03595 |
| Pitch Class Skewness |
0.1102 |
| Pitch Class Skewness After Folding |
0.4441 |
| Pitch Kurtosis |
5.552 |
| Pitch Class Kurtosis |
4.765 |
| Pitch Class Kurtosis After Folding |
7.135 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2022 |
| Note Density per Quarter Note |
1.075 |
| Note Density per Quarter Note per Voice |
0.2687 |
| Note Density per Quarter Note Variability |
0.3539 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4977 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8267 |
| Prevalence of Very Long Rhythmic Values |
0.09783 |
| Prevalence of Dotted Notes |
0.08667 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.111 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3585 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9048 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.83 |
| Rhythmic Value Skewness |
0.1819 |
| Rhythmic Value Kurtosis |
8.006 |
| Mean Rhythmic Value Run Length |
1.745 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.189 |
| Mean Rhythmic Value Offset |
0.02101 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.458 |
| Complete Rests Fraction |
0.0006998 |
| Partial Rests Fraction |
0.5003 |
| Average Rest Fraction Across Voices |
0.1584 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
20.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.509 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.769 |
| Variability Across Voices of Combined Rests |
74.21 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.62 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1975 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.14 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8175 |
| Rhythmic Variability - Tempo Standardized |
0.05306 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1523.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7311 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.6525 |
| Variability of Note Durations |
0.4132 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3007 |
| Strength of Second Strongest Rhythmic Pulse |
0.2484 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.211 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5491 |
| Rhythmic Variability |
0.03688 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000006977 |
| Duration in Seconds |
295.2 |
| Note Density |
5.159 |
| Note Density Variability |
1.306 |
| Average Time Between Attacks |
0.3827 |
| Average Time Between Attacks for Each Voice |
0.7875 |
| Variability of Time Between Attacks |
0.1885 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.4236 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.1733 |
| Relative Note Durations of Lowest Line |
1.205 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8352 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.03237 |
| Average Number of Independent Voices |
3.369 |
| Similar Motion |
0.1278 |
| Contrary Motion |
0.1452 |
| Oblique Motion |
0.6946 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.00166 |
| Variability of Number of Independent Voices |
0.7198 |
| Voice Equality - Number of Notes |
76.29 |
| Voice Equality - Note Duration |
15.46 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
11.67 |