| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2162 |
| Prevalence of Second Most Common Vertical Interval |
0.1925 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8902 |
| Vertical Unisons |
0.05564 |
| Vertical Minor Seconds |
0.008961 |
| Vertical Thirds |
0.3904 |
| Vertical Tritones |
0.008482 |
| Vertical Perfect Fourths |
0.05397 |
| Vertical Perfect Fifths |
0.1674 |
| Vertical Sixths |
0.127 |
| Vertical Sevenths |
0.0276 |
| Vertical Octaves |
0.1368 |
| Perfect Vertical Intervals |
0.4139 |
| Vertical Dissonance Ratio |
0.0739 |
| Vertical Minor Third Prevalence |
0.4877 |
| Vertical Major Third Prevalence |
0.4079 |
| Chord Duration |
1.913 |
| Partial Chords |
0.5073 |
| Standard Triads |
0.3691 |
| Diminished and Augmented Triads |
0.01273 |
| Dominant Seventh Chords |
0.0009091 |
| Seventh Chords |
0.007273 |
| Non-Standard Chords |
0.1164 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5263 |
| Average Number of Simultaneous Pitch Classes |
2.374 |
| Variability of Number of Simultaneous Pitch Classes |
0.6875 |
| Average Number of Simultaneous Pitches |
2.757 |
| Variability of Number of Simultaneous Pitches |
0.7895 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.35 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
24.02 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2339 |
| Stepwise Motion |
0.6601 |
| Melodic Thirds |
0.1295 |
| Melodic Perfect Fourths |
0.04003 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06044 |
| Melodic Sixths |
0.005495 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01805 |
| Melodic Large Intervals |
0.002355 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.619 |
| Melodic Embellishments |
0.02191 |
| Direction of Melodic Motion |
0.4807 |
| Average Length of Melodic Arcs |
1.809 |
| Average Interval Spanned by Melodic Arcs |
4.803 |
| Melodic Pitch Variety |
5.048 |
| Mean Melodic Interval |
2.444 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4262 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5488 |
| Amount of Arpeggiation |
0.2936 |
| Repeated Notes |
0.08399 |
| Importance of Middle Register |
0.7872 |
| Importance of High Register |
0.01017 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.23 |
| Mean Pitch Class |
5.097 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1291 |
| Prevalence of Most Common Pitch Class |
0.2121 |
| Relative Prevalence of Top Pitches |
0.8667 |
| Relative Prevalence of Top Pitch Classes |
0.8229 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
6.353 |
| Pitch Class Variability |
3.517 |
| Pitch Class Variability After Folding |
3.019 |
| Pitch Skewness |
-0.09386 |
| Pitch Class Skewness |
0.08277 |
| Pitch Class Skewness After Folding |
0.2457 |
| Pitch Kurtosis |
5.58 |
| Pitch Class Kurtosis |
4.97 |
| Pitch Class Kurtosis After Folding |
7.434 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
35.0 |
| Importance of Bass Register |
0.2027 |
| Note Density per Quarter Note |
1.05 |
| Note Density per Quarter Note per Voice |
0.2625 |
| Note Density per Quarter Note Variability |
0.4339 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5837 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7856 |
| Prevalence of Very Long Rhythmic Values |
0.05399 |
| Prevalence of Dotted Notes |
0.1025 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.748 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3693 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7606 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.706 |
| Rhythmic Value Skewness |
1.316 |
| Rhythmic Value Kurtosis |
11.96 |
| Mean Rhythmic Value Run Length |
1.555 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.024 |
| Mean Rhythmic Value Offset |
0.03756 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5471 |
| Complete Rests Fraction |
0.0008149 |
| Partial Rests Fraction |
0.7387 |
| Average Rest Fraction Across Voices |
0.2687 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
138.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
14.53 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
22.04 |
| Variability Across Voices of Combined Rests |
78.09 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5707 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.22 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.594 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7908 |
| Rhythmic Variability - Tempo Standardized |
0.05073 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1278.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.284 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.5803 |
| Variability of Note Durations |
0.4116 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2535 |
| Strength of Second Strongest Rhythmic Pulse |
0.2517 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.007 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5051 |
| Rhythmic Variability |
0.03517 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000003569 |
| Duration in Seconds |
253.5 |
| Note Density |
5.041 |
| Note Density Variability |
1.545 |
| Average Time Between Attacks |
0.3667 |
| Average Time Between Attacks for Each Voice |
0.7484 |
| Variability of Time Between Attacks |
0.1765 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5429 |
| Relative Range Isolation of Loudest Voice |
0.2043 |
| Relative Range of Highest Line |
0.5429 |
| Relative Note Density of Highest Line |
0.2066 |
| Relative Note Durations of Lowest Line |
0.9877 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9311 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.05827 |
| Average Number of Independent Voices |
2.928 |
| Similar Motion |
0.1626 |
| Contrary Motion |
0.2011 |
| Oblique Motion |
0.578 |
| Parallel Fifths |
0.00282 |
| Parallel Octaves |
0.0009398 |
| Variability of Number of Independent Voices |
0.8017 |
| Voice Equality - Number of Notes |
24.02 |
| Voice Equality - Note Duration |
16.27 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.464 |
| Importance of Loudest Voice |
11.67 |