| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2156 |
| Prevalence of Second Most Common Vertical Interval |
0.1865 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8649 |
| Vertical Unisons |
0.04478 |
| Vertical Minor Seconds |
0.005964 |
| Vertical Thirds |
0.3496 |
| Vertical Tritones |
0.006531 |
| Vertical Perfect Fourths |
0.08285 |
| Vertical Perfect Fifths |
0.1865 |
| Vertical Sixths |
0.1191 |
| Vertical Sevenths |
0.01856 |
| Vertical Octaves |
0.1709 |
| Perfect Vertical Intervals |
0.485 |
| Vertical Dissonance Ratio |
0.04859 |
| Vertical Minor Third Prevalence |
0.5816 |
| Vertical Major Third Prevalence |
0.6175 |
| Chord Duration |
2.038 |
| Partial Chords |
0.305 |
| Standard Triads |
0.5492 |
| Diminished and Augmented Triads |
0.01743 |
| Dominant Seventh Chords |
0.005505 |
| Seventh Chords |
0.03119 |
| Non-Standard Chords |
0.1145 |
| Complex Chords |
0.00367 |
| Minor Major Triad Ratio |
0.9168 |
| Average Number of Simultaneous Pitch Classes |
2.682 |
| Variability of Number of Simultaneous Pitch Classes |
0.6991 |
| Average Number of Simultaneous Pitches |
3.504 |
| Variability of Number of Simultaneous Pitches |
1.106 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.156 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
31.14 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1866 |
| Stepwise Motion |
0.619 |
| Melodic Thirds |
0.1663 |
| Melodic Perfect Fourths |
0.05152 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04684 |
| Melodic Sixths |
0.007806 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01249 |
| Melodic Large Intervals |
0.003123 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.266 |
| Melodic Embellishments |
0.04121 |
| Direction of Melodic Motion |
0.4604 |
| Average Length of Melodic Arcs |
1.877 |
| Average Interval Spanned by Melodic Arcs |
5.081 |
| Melodic Pitch Variety |
5.141 |
| Mean Melodic Interval |
2.472 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4325 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4314 |
| Amount of Arpeggiation |
0.3208 |
| Repeated Notes |
0.0929 |
| Importance of Middle Register |
0.6641 |
| Importance of High Register |
0.003888 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.13 |
| Mean Pitch Class |
5.278 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1089 |
| Prevalence of Most Common Pitch Class |
0.1773 |
| Relative Prevalence of Top Pitches |
0.9643 |
| Relative Prevalence of Top Pitch Classes |
0.9737 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
7.261 |
| Pitch Class Variability |
3.398 |
| Pitch Class Variability After Folding |
4.0 |
| Pitch Skewness |
0.274 |
| Pitch Class Skewness |
0.2451 |
| Pitch Class Skewness After Folding |
0.9278 |
| Pitch Kurtosis |
5.444 |
| Pitch Class Kurtosis |
4.845 |
| Pitch Class Kurtosis After Folding |
5.065 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.332 |
| Note Density per Quarter Note |
1.115 |
| Note Density per Quarter Note per Voice |
0.2231 |
| Note Density per Quarter Note Variability |
0.5127 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001555 |
| Prevalence of Medium Rhythmic Values |
0.465 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7729 |
| Prevalence of Very Long Rhythmic Values |
0.119 |
| Prevalence of Dotted Notes |
0.126 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.25 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3351 |
| Relative Prevalence of Most Common Rhythmic Values |
0.71 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.186 |
| Rhythmic Value Skewness |
0.3436 |
| Rhythmic Value Kurtosis |
8.638 |
| Mean Rhythmic Value Run Length |
1.752 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.441 |
| Mean Rhythmic Value Offset |
0.1229 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.699 |
| Complete Rests Fraction |
0.0008601 |
| Partial Rests Fraction |
0.6739 |
| Average Rest Fraction Across Voices |
0.2482 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
112.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
10.44 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.17 |
| Variability Across Voices of Combined Rests |
113.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5098 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2361 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.159 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.746 |
| Rhythmic Variability - Tempo Standardized |
0.0476 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1286.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.508 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
13.33 |
| Average Note Duration |
0.7021 |
| Variability of Note Durations |
0.652 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2978 |
| Strength of Second Strongest Rhythmic Pulse |
0.2127 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.4 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5105 |
| Rhythmic Variability |
0.03467 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000002229 |
| Duration in Seconds |
240.2 |
| Note Density |
5.354 |
| Note Density Variability |
1.95 |
| Average Time Between Attacks |
0.3701 |
| Average Time Between Attacks for Each Voice |
1.002 |
| Variability of Time Between Attacks |
0.2213 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.3833 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.2566 |
| Relative Note Durations of Lowest Line |
0.9235 |
| Relative Size of Melodic Intervals in Lowest Line |
1.25 |
| Voice Overlap |
0.832 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.363 |
| Parallel Motion |
0.04828 |
| Average Number of Independent Voices |
3.762 |
| Similar Motion |
0.1372 |
| Contrary Motion |
0.1487 |
| Oblique Motion |
0.6659 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.004598 |
| Variability of Number of Independent Voices |
1.137 |
| Voice Equality - Number of Notes |
101.5 |
| Voice Equality - Note Duration |
23.62 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
4.159 |
| Importance of Loudest Voice |
13.75 |