| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2452 |
| Prevalence of Second Most Common Vertical Interval |
0.1946 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7936 |
| Vertical Unisons |
0.03785 |
| Vertical Minor Seconds |
0.002838 |
| Vertical Thirds |
0.2903 |
| Vertical Tritones |
0.007919 |
| Vertical Perfect Fourths |
0.09886 |
| Vertical Perfect Fifths |
0.1946 |
| Vertical Sixths |
0.1213 |
| Vertical Sevenths |
0.01912 |
| Vertical Octaves |
0.2074 |
| Perfect Vertical Intervals |
0.5387 |
| Vertical Dissonance Ratio |
0.05228 |
| Vertical Minor Third Prevalence |
0.3952 |
| Vertical Major Third Prevalence |
0.3784 |
| Chord Duration |
2.243 |
| Partial Chords |
0.5632 |
| Standard Triads |
0.3163 |
| Diminished and Augmented Triads |
0.01588 |
| Dominant Seventh Chords |
0.001985 |
| Seventh Chords |
0.006618 |
| Non-Standard Chords |
0.1138 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.166 |
| Average Number of Simultaneous Pitch Classes |
2.332 |
| Variability of Number of Simultaneous Pitch Classes |
0.6451 |
| Average Number of Simultaneous Pitches |
2.931 |
| Variability of Number of Simultaneous Pitches |
0.8658 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.521 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
110.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1932 |
| Stepwise Motion |
0.5928 |
| Melodic Thirds |
0.1612 |
| Melodic Perfect Fourths |
0.05212 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0681 |
| Melodic Sixths |
0.004864 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01598 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.362 |
| Melodic Embellishments |
0.02353 |
| Direction of Melodic Motion |
0.4682 |
| Average Length of Melodic Arcs |
1.861 |
| Average Interval Spanned by Melodic Arcs |
5.155 |
| Melodic Pitch Variety |
5.196 |
| Mean Melodic Interval |
2.495 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3996 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4835 |
| Amount of Arpeggiation |
0.3502 |
| Repeated Notes |
0.1049 |
| Importance of Middle Register |
0.7273 |
| Importance of High Register |
0.002076 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.51 |
| Mean Pitch Class |
5.567 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1197 |
| Prevalence of Most Common Pitch Class |
0.2332 |
| Relative Prevalence of Top Pitches |
0.7688 |
| Relative Prevalence of Top Pitch Classes |
0.7033 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.984 |
| Pitch Class Variability |
3.295 |
| Pitch Class Variability After Folding |
3.733 |
| Pitch Skewness |
0.0005946 |
| Pitch Class Skewness |
-1.305 |
| Pitch Class Skewness After Folding |
1.532 |
| Pitch Kurtosis |
5.466 |
| Pitch Class Kurtosis |
4.875 |
| Pitch Class Kurtosis After Folding |
5.413 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2706 |
| Note Density per Quarter Note |
0.8763 |
| Note Density per Quarter Note per Voice |
0.1753 |
| Note Density per Quarter Note Variability |
0.3843 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4969 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8727 |
| Prevalence of Very Long Rhythmic Values |
0.1322 |
| Prevalence of Dotted Notes |
0.1087 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.397 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3696 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8315 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.307 |
| Rhythmic Value Skewness |
0.5162 |
| Rhythmic Value Kurtosis |
9.215 |
| Mean Rhythmic Value Run Length |
1.874 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.354 |
| Mean Rhythmic Value Offset |
0.1014 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7672 |
| Complete Rests Fraction |
0.0006014 |
| Partial Rests Fraction |
1.0 |
| Average Rest Fraction Across Voices |
0.3885 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
976.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
33.36 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
115.2 |
| Variability Across Voices of Combined Rests |
496.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.658 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1658 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.968 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8239 |
| Rhythmic Variability - Tempo Standardized |
0.05479 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1445.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.04 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
5.0 |
| Average Note Duration |
0.7281 |
| Variability of Note Durations |
0.5754 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3193 |
| Strength of Second Strongest Rhythmic Pulse |
0.2451 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.303 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5644 |
| Rhythmic Variability |
0.03745 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000009895 |
| Duration in Seconds |
343.5 |
| Note Density |
4.206 |
| Note Density Variability |
1.342 |
| Average Time Between Attacks |
0.4248 |
| Average Time Between Attacks for Each Voice |
0.9225 |
| Variability of Time Between Attacks |
0.2269 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4545 |
| Relative Range Isolation of Loudest Voice |
0.3333 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.2318 |
| Relative Note Durations of Lowest Line |
0.8774 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.9246 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.872 |
| Parallel Motion |
0.03534 |
| Average Number of Independent Voices |
3.059 |
| Similar Motion |
0.1323 |
| Contrary Motion |
0.1677 |
| Oblique Motion |
0.6647 |
| Parallel Fifths |
0.003759 |
| Parallel Octaves |
0.0007519 |
| Variability of Number of Independent Voices |
0.8477 |
| Voice Equality - Number of Notes |
138.4 |
| Voice Equality - Note Duration |
103.3 |
| Voice Equality - Dynamics |
7.583 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
3.286 |
| Importance of Loudest Voice |
10.0 |