| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2127 |
| Prevalence of Second Most Common Vertical Interval |
0.2076 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.976 |
| Vertical Unisons |
0.03621 |
| Vertical Minor Seconds |
0.004408 |
| Vertical Thirds |
0.3566 |
| Vertical Tritones |
0.007061 |
| Vertical Perfect Fourths |
0.07046 |
| Vertical Perfect Fifths |
0.184 |
| Vertical Sixths |
0.1345 |
| Vertical Sevenths |
0.01404 |
| Vertical Octaves |
0.1765 |
| Perfect Vertical Intervals |
0.4672 |
| Vertical Dissonance Ratio |
0.0435 |
| Vertical Minor Third Prevalence |
0.4914 |
| Vertical Major Third Prevalence |
0.4105 |
| Chord Duration |
2.549 |
| Partial Chords |
0.5067 |
| Standard Triads |
0.4092 |
| Diminished and Augmented Triads |
0.01402 |
| Dominant Seventh Chords |
0.00163 |
| Seventh Chords |
0.01076 |
| Non-Standard Chords |
0.07336 |
| Complex Chords |
0.001956 |
| Minor Major Triad Ratio |
1.561 |
| Average Number of Simultaneous Pitch Classes |
2.387 |
| Variability of Number of Simultaneous Pitch Classes |
0.6959 |
| Average Number of Simultaneous Pitches |
2.991 |
| Variability of Number of Simultaneous Pitches |
1.07 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.787 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
160.7 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1746 |
| Stepwise Motion |
0.521 |
| Melodic Thirds |
0.1252 |
| Melodic Perfect Fourths |
0.04879 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03467 |
| Melodic Sixths |
0.005523 |
| Melodic Sevenths |
0.0006137 |
| Melodic Octaves |
0.008592 |
| Melodic Large Intervals |
0.0003068 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.091 |
| Melodic Embellishments |
0.02206 |
| Direction of Melodic Motion |
0.4705 |
| Average Length of Melodic Arcs |
1.854 |
| Average Interval Spanned by Melodic Arcs |
4.785 |
| Melodic Pitch Variety |
4.154 |
| Mean Melodic Interval |
1.929 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3464 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7369 |
| Amount of Arpeggiation |
0.4247 |
| Repeated Notes |
0.2553 |
| Importance of Middle Register |
0.7475 |
| Importance of High Register |
0.01042 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.09 |
| Mean Pitch Class |
5.143 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.102 |
| Prevalence of Most Common Pitch Class |
0.1811 |
| Relative Prevalence of Top Pitches |
0.9429 |
| Relative Prevalence of Top Pitch Classes |
0.8596 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.866 |
| Pitch Class Variability |
3.491 |
| Pitch Class Variability After Folding |
3.076 |
| Pitch Skewness |
-0.1238 |
| Pitch Class Skewness |
0.123 |
| Pitch Class Skewness After Folding |
0.4102 |
| Pitch Kurtosis |
5.288 |
| Pitch Class Kurtosis |
4.885 |
| Pitch Class Kurtosis After Folding |
7.213 |
| Major or Minor |
0.0 |
| First Pitch |
59.0 |
| First Pitch Class |
11.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.242 |
| Note Density per Quarter Note |
0.9665 |
| Note Density per Quarter Note per Voice |
0.1933 |
| Note Density per Quarter Note Variability |
0.4738 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5502 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.868 |
| Prevalence of Very Long Rhythmic Values |
0.1253 |
| Prevalence of Dotted Notes |
0.1225 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.16 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4182 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6652 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.048 |
| Rhythmic Value Skewness |
1.699 |
| Rhythmic Value Kurtosis |
10.2 |
| Mean Rhythmic Value Run Length |
1.787 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.379 |
| Mean Rhythmic Value Offset |
0.07966 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8394 |
| Complete Rests Fraction |
0.0002937 |
| Partial Rests Fraction |
0.8721 |
| Average Rest Fraction Across Voices |
0.3738 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
224.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
23.37 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
37.68 |
| Variability Across Voices of Combined Rests |
708.3 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6925 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1546 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.478 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8471 |
| Rhythmic Variability - Tempo Standardized |
0.05704 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
3264.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.335 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
8.333 |
| Average Note Duration |
0.6749 |
| Variability of Note Durations |
0.5232 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.319 |
| Strength of Second Strongest Rhythmic Pulse |
0.2595 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.229 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5786 |
| Rhythmic Variability |
0.03844 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.000000001901 |
| Duration in Seconds |
703.5 |
| Note Density |
4.639 |
| Note Density Variability |
1.576 |
| Average Time Between Attacks |
0.4258 |
| Average Time Between Attacks for Each Voice |
1.521 |
| Variability of Time Between Attacks |
0.2223 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.545 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
0.1042 |
| Relative Note Durations of Lowest Line |
1.061 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8398 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
4.655 |
| Parallel Motion |
0.04907 |
| Average Number of Independent Voices |
3.132 |
| Similar Motion |
0.155 |
| Contrary Motion |
0.2215 |
| Oblique Motion |
0.5745 |
| Parallel Fifths |
0.001303 |
| Parallel Octaves |
0.001737 |
| Variability of Number of Independent Voices |
1.13 |
| Voice Equality - Number of Notes |
282.9 |
| Voice Equality - Note Duration |
147.6 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.7071 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
13.75 |