File

Last modified on: April 14, 2020, 12:51 a.m.

Jos0801a-Missa_Faisant_regretz-Kyrie.mid


Source
RenComp7
Musical Work
Missa Faisant regretz
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
5.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.217
Prevalence of Second Most Common Vertical Interval 0.2115
Prevalence Ratio of Two Most Common Vertical Intervals 0.9743
Vertical Unisons 0.03232
Vertical Minor Seconds 0.002399
Vertical Thirds 0.3476
Vertical Tritones 0.009504
Vertical Perfect Fourths 0.07688
Vertical Perfect Fifths 0.1737
Vertical Sixths 0.1395
Vertical Sevenths 0.01747
Vertical Octaves 0.1847
Perfect Vertical Intervals 0.4676
Vertical Dissonance Ratio 0.04742
Vertical Minor Third Prevalence 0.5528
Vertical Major Third Prevalence 0.3574
Chord Duration 2.461
Partial Chords 0.4048
Standard Triads 0.4623
Diminished and Augmented Triads 0.02778
Dominant Seventh Chords 0.003968
Seventh Chords 0.0119
Non-Standard Chords 0.121
Complex Chords 0.0
Minor Major Triad Ratio 1.774
Average Number of Simultaneous Pitch Classes 2.445
Variability of Number of Simultaneous Pitch Classes 0.7295
Average Number of Simultaneous Pitches 3.053
Variability of Number of Simultaneous Pitches 0.8665
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 7.061
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 34.48
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1989
Stepwise Motion 0.6364
Melodic Thirds 0.2311
Melodic Perfect Fourths 0.04735
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04167
Melodic Sixths 0.003788
Melodic Sevenths 0.003788
Melodic Octaves 0.003788
Melodic Large Intervals 0.001894
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.88
Melodic Embellishments 0.0282
Direction of Melodic Motion 0.4727
Average Length of Melodic Arcs 1.455
Average Interval Spanned by Melodic Arcs 3.676
Melodic Pitch Variety 4.565
Mean Melodic Interval 2.487
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4375
Relative Prevalence of Most Common Melodic Intervals 0.4545
Amount of Arpeggiation 0.3125
Repeated Notes 0.0303
Importance of Middle Register 0.7575
Importance of High Register 0.02632
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.58
Mean Pitch Class 5.453
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1165
Prevalence of Most Common Pitch Class 0.2256
Relative Prevalence of Top Pitches 0.9355
Relative Prevalence of Top Pitch Classes 0.8833
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.42
Pitch Class Variability 3.274
Pitch Class Variability After Folding 3.906
Pitch Skewness 0.006839
Pitch Class Skewness -0.5012
Pitch Class Skewness After Folding 1.639
Pitch Kurtosis 5.232
Pitch Class Kurtosis 4.772
Pitch Class Kurtosis After Folding 5.012
Major or Minor 0.0
First Pitch 53.0
First Pitch Class 5.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 32.0
Importance of Bass Register 0.2162
Note Density per Quarter Note 0.935
Note Density per Quarter Note per Voice 0.2337
Note Density per Quarter Note Variability 0.6253
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5132
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8665
Prevalence of Very Long Rhythmic Values 0.1297
Prevalence of Dotted Notes 0.1259
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.338
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3797
Relative Prevalence of Most Common Rhythmic Values 0.7772
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.314
Rhythmic Value Skewness 1.735
Rhythmic Value Kurtosis 9.974
Mean Rhythmic Value Run Length 1.632
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.331
Mean Rhythmic Value Offset 0.05263
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4562
Complete Rests Fraction 0.00191
Partial Rests Fraction 0.5562
Average Rest Fraction Across Voices 0.204
Longest Complete Rest 1.087
Longest Partial Rest 60.03
Mean Complete Rest Duration 1.087
Mean Partial Rest Duration 10.8
Median Complete Rest Duration 1.087
Median Partial Rest Duration 2.192
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 16.78
Variability Across Voices of Combined Rests 42.95
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6513
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1877
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.47
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.839
Rhythmic Variability - Tempo Standardized 0.05472
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 532.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.415
Minimum Note Duration 0.2083
Maximum Note Duration 4.138
Average Note Duration 0.8036
Variability of Note Durations 0.577
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 257.2
Strongest Rhythmic Pulse 64.0
Second Strongest Rhythmic Pulse 43.0
Harmonicity of Two Strongest Rhythmic Pulses 1.488
Strength of Strongest Rhythmic Pulse 0.3092
Strength of Second Strongest Rhythmic Pulse 0.2781
Strength Ratio of Two Strongest Rhythmic Pulses 1.112
Combined Strength of Two Strongest Rhythmic Pulses 0.5872
Rhythmic Variability 0.03935
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 27.86
Duration in Seconds 134.3
Note Density 3.962
Note Density Variability 1.858
Average Time Between Attacks 0.5054
Average Time Between Attacks for Each Voice 0.993
Variability of Time Between Attacks 0.3407
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.625
Relative Range Isolation of Loudest Voice 0.4857
Relative Range of Highest Line 0.625
Relative Note Density of Highest Line 0.5038
Relative Note Durations of Lowest Line 1.09
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.7726
Voice Separation 5.667
Variability of Voice Separation 2.309
Parallel Motion 0.0451
Average Number of Independent Voices 3.176
Similar Motion 0.1176
Contrary Motion 0.2706
Oblique Motion 0.5667
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.8745
Voice Equality - Number of Notes 34.48
Voice Equality - Note Duration 10.14
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.363
Importance of Loudest Voice 11.67