File

Last modified on: April 13, 2020, 5:25 p.m.

F164_48_Anon_Amoureuse_mi_TrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Amoreuse mi fault estre
File Type
Symbolic Music
File Format
midi
File Size
3.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2359
Prevalence of Second Most Common Vertical Interval 0.1978
Prevalence Ratio of Two Most Common Vertical Intervals 0.8385
Vertical Unisons 0.0509
Vertical Minor Seconds 0.007846
Vertical Thirds 0.2902
Vertical Tritones 0.009764
Vertical Perfect Fourths 0.1079
Vertical Perfect Fifths 0.1978
Vertical Sixths 0.1148
Vertical Sevenths 0.0201
Vertical Octaves 0.185
Perfect Vertical Intervals 0.5416
Vertical Dissonance Ratio 0.05639
Vertical Minor Third Prevalence 0.3875
Vertical Major Third Prevalence 0.4531
Chord Duration 1.974
Partial Chords 0.4792
Standard Triads 0.3946
Diminished and Augmented Triads 0.01278
Dominant Seventh Chords 0.0
Seventh Chords 0.003195
Non-Standard Chords 0.123
Complex Chords 0.0
Minor Major Triad Ratio 0.6467
Average Number of Simultaneous Pitch Classes 2.511
Variability of Number of Simultaneous Pitch Classes 0.5835
Average Number of Simultaneous Pitches 3.225
Variability of Number of Simultaneous Pitches 0.7742
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.841
Variation of Dynamics In Each Voice 1.83
Average Note to Note Change in Dynamics 2.072
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1783
Stepwise Motion 0.5989
Melodic Thirds 0.1532
Melodic Perfect Fourths 0.1058
Melodic Tritones 0.002786
Melodic Perfect Fifths 0.005571
Melodic Sixths 0.002786
Melodic Sevenths 0.0
Melodic Octaves 0.0
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.056
Melodic Embellishments 0.04683
Direction of Melodic Motion 0.4423
Average Length of Melodic Arcs 1.677
Average Interval Spanned by Melodic Arcs 4.048
Melodic Pitch Variety 4.336
Mean Melodic Interval 2.136
Number of Common Melodic Intervals 5.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4206
Relative Prevalence of Most Common Melodic Intervals 0.4238
Amount of Arpeggiation 0.2897
Repeated Notes 0.1309
Importance of Middle Register 0.7769
Importance of High Register 0.00551
Dominant Spread 6.0
Strong Tonal Centres 3.0
Mean Pitch 59.76
Mean Pitch Class 5.121
Most Common Pitch 53.0
Most Common Pitch Class 5.0
Prevalence of Most Common Pitch 0.1047
Prevalence of Most Common Pitch Class 0.1928
Relative Prevalence of Top Pitches 1.0
Relative Prevalence of Top Pitch Classes 0.8429
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 2.0
Pitch Variability 6.34
Pitch Class Variability 3.205
Pitch Class Variability After Folding 4.105
Pitch Skewness 0.07691
Pitch Class Skewness 0.1135
Pitch Class Skewness After Folding 0.9825
Pitch Kurtosis 5.0
Pitch Class Kurtosis 4.942
Pitch Class Kurtosis After Folding 4.964
Major or Minor 0.0
First Pitch 50.0
First Pitch Class 2.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 16.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 26.0
Importance of Bass Register 0.2176
Note Density per Quarter Note 1.134
Note Density per Quarter Note per Voice 0.2836
Note Density per Quarter Note Variability 0.5236
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01102
Prevalence of Medium Rhythmic Values 0.5262
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8072
Prevalence of Very Long Rhythmic Values 0.1102
Prevalence of Dotted Notes 0.1791
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.992
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3333
Relative Prevalence of Most Common Rhythmic Values 0.8099
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.895
Rhythmic Value Skewness 1.57
Rhythmic Value Kurtosis 10.78
Mean Rhythmic Value Run Length 1.47
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.9785
Mean Rhythmic Value Offset 0.04408
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4181
Complete Rests Fraction 3.255e-06
Partial Rests Fraction 0.3563
Average Rest Fraction Across Voices 0.1391
Longest Complete Rest 0.0
Longest Partial Rest 24.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 11.13
Median Complete Rest Duration 0.0
Median Partial Rest Duration 8.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 7.191
Variability Across Voices of Combined Rests 20.29
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5679
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2331
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.436
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.801
Rhythmic Variability - Tempo Standardized 0.05046
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 363.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.6665
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.5692
Variability of Note Durations 0.4005
Amount of Staccato 0.01102
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2218
Strength of Second Strongest Rhythmic Pulse 0.2084
Strength Ratio of Two Strongest Rhythmic Pulses 1.064
Combined Strength of Two Strongest Rhythmic Pulses 0.4302
Rhythmic Variability 0.03226
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 0.0
Duration in Seconds 60.0
Note Density 6.05
Note Density Variability 1.679
Average Time Between Attacks 0.3312
Average Time Between Attacks for Each Voice 0.639
Variability of Time Between Attacks 0.2086
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.3846
Relative Range Isolation of Loudest Voice 0.587
Relative Range of Highest Line 0.3846
Relative Note Density of Highest Line 0.7493
Relative Note Durations of Lowest Line 0.9674
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.7383
Voice Separation 5.333
Variability of Voice Separation 0.5774
Parallel Motion 0.009119
Average Number of Independent Voices 3.444
Similar Motion 0.09726
Contrary Motion 0.1641
Oblique Motion 0.7295
Parallel Fifths 0.0
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.8043
Voice Equality - Number of Notes 16.54
Voice Equality - Note Duration 3.804
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 0.5774
Importance of Loudest Voice 0.3333