| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2451 |
| Prevalence of Second Most Common Vertical Interval |
0.1933 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7888 |
| Vertical Unisons |
0.02002 |
| Vertical Minor Seconds |
0.008838 |
| Vertical Thirds |
0.3829 |
| Vertical Tritones |
0.01848 |
| Vertical Perfect Fourths |
0.05928 |
| Vertical Perfect Fifths |
0.1933 |
| Vertical Sixths |
0.1362 |
| Vertical Sevenths |
0.02536 |
| Vertical Octaves |
0.1318 |
| Perfect Vertical Intervals |
0.4044 |
| Vertical Dissonance Ratio |
0.08272 |
| Vertical Minor Third Prevalence |
0.4286 |
| Vertical Major Third Prevalence |
0.2602 |
| Chord Duration |
2.325 |
| Partial Chords |
0.6769 |
| Standard Triads |
0.2089 |
| Diminished and Augmented Triads |
0.02507 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1142 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5957 |
| Average Number of Simultaneous Pitch Classes |
2.212 |
| Variability of Number of Simultaneous Pitch Classes |
0.579 |
| Average Number of Simultaneous Pitches |
2.454 |
| Variability of Number of Simultaneous Pitches |
0.5606 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.468 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
55.97 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2105 |
| Stepwise Motion |
0.6947 |
| Melodic Thirds |
0.09474 |
| Melodic Perfect Fourths |
0.04211 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03509 |
| Melodic Sixths |
0.007018 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01053 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.375 |
| Melodic Embellishments |
0.03125 |
| Direction of Melodic Motion |
0.4643 |
| Average Length of Melodic Arcs |
2.066 |
| Average Interval Spanned by Melodic Arcs |
4.852 |
| Melodic Pitch Variety |
4.81 |
| Mean Melodic Interval |
2.133 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4842 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4348 |
| Amount of Arpeggiation |
0.2561 |
| Repeated Notes |
0.1158 |
| Importance of Middle Register |
0.9306 |
| Importance of High Register |
0.02083 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
62.72 |
| Mean Pitch Class |
5.382 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1493 |
| Prevalence of Most Common Pitch Class |
0.1875 |
| Relative Prevalence of Top Pitches |
0.8605 |
| Relative Prevalence of Top Pitch Classes |
0.9259 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.468 |
| Pitch Class Variability |
3.58 |
| Pitch Class Variability After Folding |
2.815 |
| Pitch Skewness |
-0.4077 |
| Pitch Class Skewness |
0.3201 |
| Pitch Class Skewness After Folding |
0.2294 |
| Pitch Kurtosis |
6.154 |
| Pitch Class Kurtosis |
4.814 |
| Pitch Class Kurtosis After Folding |
8.209 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.04861 |
| Note Density per Quarter Note |
0.7328 |
| Note Density per Quarter Note per Voice |
0.2443 |
| Note Density per Quarter Note Variability |
0.4128 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4583 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6979 |
| Prevalence of Very Long Rhythmic Values |
0.1701 |
| Prevalence of Dotted Notes |
0.1215 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.354 |
| Most Common Rhythmic Value |
1.0 |
| Prevalence of Most Common Rhythmic Value |
0.3021 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9885 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.405 |
| Rhythmic Value Skewness |
0.4418 |
| Rhythmic Value Kurtosis |
6.908 |
| Mean Rhythmic Value Run Length |
1.684 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.076 |
| Mean Rhythmic Value Offset |
0.04167 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4068 |
| Complete Rests Fraction |
0.002523 |
| Partial Rests Fraction |
0.4809 |
| Average Rest Fraction Across Voices |
0.1705 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
9.57 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.21 |
| Variability Across Voices of Combined Rests |
81.46 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4396 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.3111 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.413 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7508 |
| Rhythmic Variability - Tempo Standardized |
0.0465 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
288.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.153 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.7075 |
| Variability of Note Durations |
0.5381 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
6.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2629 |
| Strength of Second Strongest Rhythmic Pulse |
0.2044 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.286 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4673 |
| Rhythmic Variability |
0.03353 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000003341 |
| Duration in Seconds |
81.87 |
| Note Density |
3.518 |
| Note Density Variability |
1.258 |
| Average Time Between Attacks |
0.4307 |
| Average Time Between Attacks for Each Voice |
1.166 |
| Variability of Time Between Attacks |
0.2894 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.4429 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.6979 |
| Relative Note Durations of Lowest Line |
2.064 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7361 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
0.7071 |
| Parallel Motion |
0.03831 |
| Average Number of Independent Voices |
2.495 |
| Similar Motion |
0.09579 |
| Contrary Motion |
0.1264 |
| Oblique Motion |
0.7395 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5486 |
| Voice Equality - Number of Notes |
55.97 |
| Voice Equality - Note Duration |
16.97 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.606 |
| Importance of Loudest Voice |
12.5 |