| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1965 |
| Prevalence of Second Most Common Vertical Interval |
0.1877 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9549 |
| Vertical Unisons |
0.06075 |
| Vertical Minor Seconds |
0.009751 |
| Vertical Thirds |
0.3429 |
| Vertical Tritones |
0.009458 |
| Vertical Perfect Fourths |
0.09045 |
| Vertical Perfect Fifths |
0.1877 |
| Vertical Sixths |
0.1126 |
| Vertical Sevenths |
0.01903 |
| Vertical Octaves |
0.1358 |
| Perfect Vertical Intervals |
0.4746 |
| Vertical Dissonance Ratio |
0.07508 |
| Vertical Minor Third Prevalence |
0.555 |
| Vertical Major Third Prevalence |
0.5174 |
| Chord Duration |
2.159 |
| Partial Chords |
0.3618 |
| Standard Triads |
0.4696 |
| Diminished and Augmented Triads |
0.008378 |
| Dominant Seventh Chords |
0.001289 |
| Seventh Chords |
0.009023 |
| Non-Standard Chords |
0.1596 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.282 |
| Average Number of Simultaneous Pitch Classes |
2.622 |
| Variability of Number of Simultaneous Pitch Classes |
0.6329 |
| Average Number of Simultaneous Pitches |
3.133 |
| Variability of Number of Simultaneous Pitches |
0.689 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.689 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
116.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.204 |
| Stepwise Motion |
0.6175 |
| Melodic Thirds |
0.1743 |
| Melodic Perfect Fourths |
0.05768 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05161 |
| Melodic Sixths |
0.009715 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01882 |
| Melodic Large Intervals |
0.0006072 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.5 |
| Melodic Embellishments |
0.03574 |
| Direction of Melodic Motion |
0.4896 |
| Average Length of Melodic Arcs |
1.687 |
| Average Interval Spanned by Melodic Arcs |
4.634 |
| Melodic Pitch Variety |
4.751 |
| Mean Melodic Interval |
2.567 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4135 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4934 |
| Amount of Arpeggiation |
0.3151 |
| Repeated Notes |
0.06982 |
| Importance of Middle Register |
0.6784 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.55 |
| Mean Pitch Class |
5.345 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1266 |
| Prevalence of Most Common Pitch Class |
0.1708 |
| Relative Prevalence of Top Pitches |
0.8708 |
| Relative Prevalence of Top Pitch Classes |
0.9504 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.858 |
| Pitch Class Variability |
3.36 |
| Pitch Class Variability After Folding |
3.317 |
| Pitch Skewness |
0.138 |
| Pitch Class Skewness |
0.3077 |
| Pitch Class Skewness After Folding |
0.6087 |
| Pitch Kurtosis |
5.488 |
| Pitch Class Kurtosis |
4.928 |
| Pitch Class Kurtosis After Folding |
6.575 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
12.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3216 |
| Note Density per Quarter Note |
1.024 |
| Note Density per Quarter Note per Voice |
0.2559 |
| Note Density per Quarter Note Variability |
0.4805 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5512 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.745 |
| Prevalence of Very Long Rhythmic Values |
0.1217 |
| Prevalence of Dotted Notes |
0.2187 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.086 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2962 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8344 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.495 |
| Rhythmic Value Skewness |
1.306 |
| Rhythmic Value Kurtosis |
10.46 |
| Mean Rhythmic Value Run Length |
1.504 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.097 |
| Mean Rhythmic Value Offset |
0.2387 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.583 |
| Complete Rests Fraction |
0.0005784 |
| Partial Rests Fraction |
0.5241 |
| Average Rest Fraction Across Voices |
0.1548 |
| Longest Complete Rest |
0.933 |
| Longest Partial Rest |
229.4 |
| Mean Complete Rest Duration |
0.933 |
| Mean Partial Rest Duration |
7.289 |
| Median Complete Rest Duration |
0.933 |
| Median Partial Rest Duration |
2.336 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
21.13 |
| Variability Across Voices of Combined Rests |
201.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4863 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2444 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.99 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7307 |
| Rhythmic Variability - Tempo Standardized |
0.04642 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1651.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.447 |
| Minimum Note Duration |
0.1389 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7314 |
| Variability of Note Durations |
0.7669 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
273.4 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.478 |
| Strength of Strongest Rhythmic Pulse |
0.2542 |
| Strength of Second Strongest Rhythmic Pulse |
0.2475 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.027 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5017 |
| Rhythmic Variability |
0.03555 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.4 |
| Tempo Variability |
24.58 |
| Duration in Seconds |
357.2 |
| Note Density |
4.623 |
| Note Density Variability |
1.451 |
| Average Time Between Attacks |
0.3757 |
| Average Time Between Attacks for Each Voice |
0.8975 |
| Variability of Time Between Attacks |
0.2213 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.06406 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.1551 |
| Relative Note Durations of Lowest Line |
0.8368 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9849 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.04588 |
| Average Number of Independent Voices |
3.383 |
| Similar Motion |
0.1341 |
| Contrary Motion |
0.1347 |
| Oblique Motion |
0.6852 |
| Parallel Fifths |
0.006969 |
| Parallel Octaves |
0.003484 |
| Variability of Number of Independent Voices |
0.6525 |
| Voice Equality - Number of Notes |
116.1 |
| Voice Equality - Note Duration |
44.66 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.775 |
| Importance of Loudest Voice |
11.67 |