| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2171 |
| Prevalence of Second Most Common Vertical Interval |
0.1949 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8977 |
| Vertical Unisons |
0.04459 |
| Vertical Minor Seconds |
0.005732 |
| Vertical Thirds |
0.3798 |
| Vertical Tritones |
0.006774 |
| Vertical Perfect Fourths |
0.07583 |
| Vertical Perfect Fifths |
0.1851 |
| Vertical Sixths |
0.124 |
| Vertical Sevenths |
0.01663 |
| Vertical Octaves |
0.1503 |
| Perfect Vertical Intervals |
0.4558 |
| Vertical Dissonance Ratio |
0.04215 |
| Vertical Minor Third Prevalence |
0.5497 |
| Vertical Major Third Prevalence |
0.4521 |
| Chord Duration |
2.505 |
| Partial Chords |
0.4187 |
| Standard Triads |
0.4895 |
| Diminished and Augmented Triads |
0.00956 |
| Dominant Seventh Chords |
0.003824 |
| Seventh Chords |
0.01147 |
| Non-Standard Chords |
0.08031 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
2.606 |
| Average Number of Simultaneous Pitch Classes |
2.438 |
| Variability of Number of Simultaneous Pitch Classes |
0.7068 |
| Average Number of Simultaneous Pitches |
2.961 |
| Variability of Number of Simultaneous Pitches |
0.9272 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.343 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.56 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1617 |
| Stepwise Motion |
0.6335 |
| Melodic Thirds |
0.1955 |
| Melodic Perfect Fourths |
0.09398 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03383 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.00188 |
| Melodic Octaves |
0.01692 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
5.118 |
| Melodic Embellishments |
0.01306 |
| Direction of Melodic Motion |
0.4277 |
| Average Length of Melodic Arcs |
2.06 |
| Average Interval Spanned by Melodic Arcs |
5.544 |
| Melodic Pitch Variety |
5.238 |
| Mean Melodic Interval |
2.652 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4718 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3466 |
| Amount of Arpeggiation |
0.2726 |
| Repeated Notes |
0.02444 |
| Importance of Middle Register |
0.7705 |
| Importance of High Register |
0.003731 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.84 |
| Mean Pitch Class |
5.442 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1306 |
| Prevalence of Most Common Pitch Class |
0.2015 |
| Relative Prevalence of Top Pitches |
0.7571 |
| Relative Prevalence of Top Pitch Classes |
0.7963 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.656 |
| Pitch Class Variability |
3.486 |
| Pitch Class Variability After Folding |
3.167 |
| Pitch Skewness |
-0.1808 |
| Pitch Class Skewness |
0.3806 |
| Pitch Class Skewness After Folding |
0.5637 |
| Pitch Kurtosis |
5.388 |
| Pitch Class Kurtosis |
4.832 |
| Pitch Class Kurtosis After Folding |
6.924 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2257 |
| Note Density per Quarter Note |
0.9163 |
| Note Density per Quarter Note per Voice |
0.2291 |
| Note Density per Quarter Note Variability |
0.5495 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5112 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8937 |
| Prevalence of Very Long Rhythmic Values |
0.1306 |
| Prevalence of Dotted Notes |
0.08769 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.388 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4049 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7696 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.255 |
| Rhythmic Value Skewness |
1.846 |
| Rhythmic Value Kurtosis |
9.257 |
| Mean Rhythmic Value Run Length |
1.971 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.709 |
| Mean Rhythmic Value Offset |
0.01493 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2441 |
| Complete Rests Fraction |
0.001832 |
| Partial Rests Fraction |
0.5688 |
| Average Rest Fraction Across Voices |
0.2206 |
| Longest Complete Rest |
1.071 |
| Longest Partial Rest |
103.7 |
| Mean Complete Rest Duration |
1.071 |
| Mean Partial Rest Duration |
16.13 |
| Median Complete Rest Duration |
1.071 |
| Median Partial Rest Duration |
4.322 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
25.15 |
| Variability Across Voices of Combined Rests |
78.24 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6887 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.16 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.305 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8486 |
| Rhythmic Variability - Tempo Standardized |
0.05682 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
536.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.479 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.8144 |
| Variability of Note Durations |
0.5309 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
253.4 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.3423 |
| Strength of Second Strongest Rhythmic Pulse |
0.2763 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.239 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6186 |
| Rhythmic Variability |
0.0405 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.22 |
| Duration in Seconds |
140.0 |
| Note Density |
3.828 |
| Note Density Variability |
1.765 |
| Average Time Between Attacks |
0.5196 |
| Average Time Between Attacks for Each Voice |
0.9782 |
| Variability of Time Between Attacks |
0.3058 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.4367 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.4925 |
| Relative Note Durations of Lowest Line |
1.108 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8414 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.06107 |
| Average Number of Independent Voices |
3.123 |
| Similar Motion |
0.1393 |
| Contrary Motion |
0.2729 |
| Oblique Motion |
0.5267 |
| Parallel Fifths |
0.003817 |
| Parallel Octaves |
0.001908 |
| Variability of Number of Independent Voices |
0.8789 |
| Voice Equality - Number of Notes |
29.56 |
| Voice Equality - Note Duration |
18.73 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.217 |
| Importance of Loudest Voice |
11.67 |