File

Last modified on: April 14, 2020, 12:55 a.m.

Jos0402a-Missa_Gaudeamus-Kyrie.mid


Source
RenComp7
Musical Work
Missa Gaudeamus
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
6.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1946
Prevalence of Second Most Common Vertical Interval 0.1886
Prevalence Ratio of Two Most Common Vertical Intervals 0.9693
Vertical Unisons 0.03404
Vertical Minor Seconds 0.009082
Vertical Thirds 0.361
Vertical Tritones 0.005932
Vertical Perfect Fourths 0.07246
Vertical Perfect Fifths 0.1768
Vertical Sixths 0.1382
Vertical Sevenths 0.02905
Vertical Octaves 0.1546
Perfect Vertical Intervals 0.4379
Vertical Dissonance Ratio 0.06723
Vertical Minor Third Prevalence 0.5134
Vertical Major Third Prevalence 0.4964
Chord Duration 2.047
Partial Chords 0.4269
Standard Triads 0.4381
Diminished and Augmented Triads 0.001633
Dominant Seventh Chords 0.002721
Seventh Chords 0.01905
Non-Standard Chords 0.1159
Complex Chords 0.0
Minor Major Triad Ratio 2.132
Average Number of Simultaneous Pitch Classes 2.543
Variability of Number of Simultaneous Pitch Classes 0.6862
Average Number of Simultaneous Pitches 3.07
Variability of Number of Simultaneous Pitches 0.8735
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 6.222
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 66.16
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2394
Stepwise Motion 0.7058
Melodic Thirds 0.144
Melodic Perfect Fourths 0.03599
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04225
Melodic Sixths 0.007825
Melodic Sevenths 0.0
Melodic Octaves 0.007825
Melodic Large Intervals 0.001565
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.182
Melodic Embellishments 0.0311
Direction of Melodic Motion 0.5083
Average Length of Melodic Arcs 1.974
Average Interval Spanned by Melodic Arcs 4.732
Melodic Pitch Variety 5.063
Mean Melodic Interval 2.297
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4664
Relative Prevalence of Most Common Melodic Intervals 0.5134
Amount of Arpeggiation 0.2504
Repeated Notes 0.05477
Importance of Middle Register 0.8196
Importance of High Register 0.06532
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 61.9
Mean Pitch Class 5.549
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1089
Prevalence of Most Common Pitch Class 0.1991
Relative Prevalence of Top Pitches 0.7714
Relative Prevalence of Top Pitch Classes 0.7422
Interval Between Most Prevalent Pitches 12.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 7.041
Pitch Class Variability 3.584
Pitch Class Variability After Folding 3.41
Pitch Skewness 0.1842
Pitch Class Skewness 0.4596
Pitch Class Skewness After Folding 0.6006
Pitch Kurtosis 5.31
Pitch Class Kurtosis 4.796
Pitch Class Kurtosis After Folding 6.313
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 32.0
Importance of Bass Register 0.1151
Note Density per Quarter Note 0.9908
Note Density per Quarter Note per Voice 0.2477
Note Density per Quarter Note Variability 0.5357
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 10.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.00311
Prevalence of Medium Rhythmic Values 0.5692
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7481
Prevalence of Very Long Rhythmic Values 0.1213
Prevalence of Dotted Notes 0.1851
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.044
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3173
Relative Prevalence of Most Common Rhythmic Values 0.7402
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.39
Rhythmic Value Skewness 1.31
Rhythmic Value Kurtosis 10.45
Mean Rhythmic Value Run Length 1.445
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.8136
Mean Rhythmic Value Offset 0.1886
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.675
Complete Rests Fraction 0.001634
Partial Rests Fraction 0.5101
Average Rest Fraction Across Voices 0.2031
Longest Complete Rest 1.06
Longest Partial Rest 81.26
Mean Complete Rest Duration 1.06
Mean Partial Rest Duration 15.51
Median Complete Rest Duration 1.06
Median Partial Rest Duration 3.445
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 22.0
Variability Across Voices of Combined Rests 63.28
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4808
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2555
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.882
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7363
Rhythmic Variability - Tempo Standardized 0.04632
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 643.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.745
Minimum Note Duration 0.1293
Maximum Note Duration 6.667
Average Note Duration 0.7782
Variability of Note Durations 0.7978
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 250.6
Strongest Rhythmic Pulse 62.0
Second Strongest Rhythmic Pulse 42.0
Harmonicity of Two Strongest Rhythmic Pulses 1.476
Strength of Strongest Rhythmic Pulse 0.2498
Strength of Second Strongest Rhythmic Pulse 0.2439
Strength Ratio of Two Strongest Rhythmic Pulses 1.024
Combined Strength of Two Strongest Rhythmic Pulses 0.4937
Rhythmic Variability 0.03519
Rhythmic Looseness 0.0
Polyrhythms 0.4
Tempo Variability 26.39
Duration in Seconds 157.0
Note Density 4.096
Note Density Variability 1.67
Average Time Between Attacks 0.4212
Average Time Between Attacks for Each Voice 1.067
Variability of Time Between Attacks 0.2872
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4688
Relative Range Isolation of Loudest Voice 0.559
Relative Range of Highest Line 0.4688
Relative Note Density of Highest Line 0.4355
Relative Note Durations of Lowest Line 1.033
Relative Size of Melodic Intervals in Lowest Line 1.143
Voice Overlap 0.7574
Voice Separation 5.333
Variability of Voice Separation 3.055
Parallel Motion 0.03301
Average Number of Independent Voices 3.204
Similar Motion 0.1265
Contrary Motion 0.1733
Oblique Motion 0.6671
Parallel Fifths 0.001376
Parallel Octaves 0.001376
Variability of Number of Independent Voices 0.8794
Voice Equality - Number of Notes 66.16
Voice Equality - Note Duration 15.31
Voice Equality - Dynamics 8.539
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.16
Importance of Loudest Voice 11.67